4400 env. Timbres russes hors papier comme neuf et d'occasion
89,54 $C
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2750 env. Timbres Roumanie hors papier comme neuf et d'occasion
30,76 $C
520 timbres différents de l'Australie au Bénin
15,72 $C
950 env. Timbres rwandais hors papier comme neuf et d'occasion
30,76 $C
520 timbres différents de Tchécoslovaquie et d'Allemagne de l'Est
15,72 $C
520 timbres différents de Cu à la Tchécoslovaquie
15,72 $C
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Toutes les évaluations (834)
opoboo (6086)- Évaluation laissée par l'acheteur.
Six derniers mois
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Great communication. A pleasure to do business with.
marktennis123 (20657)- Évaluation laissée par l'acheteur.
Six derniers mois
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Good buyer, prompt payment, valued customer, highly recommended.
brocks_bricks (36154)- Évaluation laissée par l'acheteur.
Dernière année
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thanks from BROCKS BRICKS for the purchase of stamps
brocks_bricks (36154)- Évaluation laissée par l'acheteur.
Dernière année
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thanks from BROCKS BRICKS for the purchase of stamps
juzzy2013 (7302)- Évaluation laissée par l'acheteur.
Il y a plus d'un an
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Hope to deal with you again. Thank you.
juzzy2013 (7302)- Évaluation laissée par l'acheteur.
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Quick response and fast payment. Perfect! THANKS!!
Avis (2)
18 déc. 2019
Great price; Flawed product
Over time I’ve been watching my labels delaminate so that instead of lying flat, they develop buckles. A shame; I haven’t seen this with other tape manufacturers.
08 févr. 2013
Unless you mostly photograph people or wildlife, you will use this most
2 personnes sur 2 ont jugé cet avis utile. If you do landscapes or building interior photography, you are faced with challenges getting sufficient depth of field or in getting startling results. For interior photography, the challenge is in making rooms look big or in getting depth of field from near objects to far objects hanging on walls. For landscape photography, the challenge is drawing attention to foreground flora/fauna while retaining the grand sweeping views and dramatic skies.
This is the one lens in the Nikkor arsenal that can achieve these results for the DX format.
As a former film photographer, I made heavy use of Nikon's film equivalent lens: the 15mm Nikkor. The 10-24mm lens has made great strides in reducing apparent distortion at the sides of the scene and in being an f-stop faster. It also is amazingly light weight in comparison and much less bulky to point quickly.
To date, the biggest problem I've experienced is the unevenness of circular polarization in skies. I never had this problem using planar polarization with the old 15mm. You might well ask why use a polarizer at all, but color saturation is so vastly improved (especially in my shooting environment of coastal glare), I really don't feel shooting without a polarizer is a good option.
If you've never used a superwide angle lens before, keep in mind things closer to the lens appear much larger than things further away. The end distortion to familiar objects—like people—you may not find acceptable until you choose angles that help make the distortion work for you. The beginner's mistake of never moving from eye-level photography is not the best option for framing using this lens.