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She-Wolf: A Cultural History of Female Werewolves par Hannah Priest : Neuf
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Lieu : Sparks, Nevada, États-Unis
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Numéro de l'objet eBay :403341752190
Dernière mise à jour : mai 05, 2024 06:56:42 HAEAfficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Book Title
- She-Wolf : a Cultural History of Female Werewolves
- Publication Date
- 2015-04-01
- Pages
- 240
- ISBN
- 9780719089343
- Item Length
- 9.2 in
- Publisher
- Manchester University Press
- Publication Year
- 2015
- Format
- Hardcover
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.7 in
- Genre
- Literary Criticism, Social Science
- Topic
- Science Fiction & Fantasy, Folklore & Mythology
- Item Width
- 6.1 in
- Item Weight
- 18 Oz
- Number of Pages
- 240 Pages
À propos de ce produit
Product Information
She-Wolf explores the cultural history of the female werewolf, from her first appearance in medieval literature to recent incarnations in film, television and popular literature. -- .
Product Identifiers
Publisher
Manchester University Press
ISBN-10
0719089344
ISBN-13
9780719089343
eBay Product ID (ePID)
209665811
Product Key Features
Book Title
She-Wolf : a Cultural History of Female Werewolves
Format
Hardcover
Language
English
Topic
Science Fiction & Fantasy, Folklore & Mythology
Publication Year
2015
Illustrator
Yes
Genre
Literary Criticism, Social Science
Number of Pages
240 Pages
Dimensions
Item Length
9.2 in
Item Height
0.7 in
Item Width
6.1 in
Item Weight
18 Oz
Additional Product Features
Intended Audience
Trade
Lc Classification Number
Gr830.W4
Reviews
"The chapters address many of the standards in werewolf literature but, ultimately, they strive to challenge this canon, arguing both that werewolf literature is not restrictively a masculine archetype and that feminist studies of the wild woman should not simply sweep she-werewolves under the monstrous feminine rug. But by the end even with these complications - and contradictions - they merge at last, readers will find, into a multifaceted beast who stares readers in the eye and grins wickedly, hungrily. For, after all, like the adolescent protagonist giggling in the burly wolf's arms in Angela Carter's "The Company of Wolves", "[we are] nobody's meat"." - Jonathan W. Thurston, Michigan State University, Nordic Journal of Science Fiction and Fantasy Research "Overall, the collection delivers on its promise to "take ... a specific and localised approach, revealing historical, literary, cinematic and folkloric contexts for iterations of the female lycanthrope" ... In general, the volume, both in its entirety and as individual chapters, will interest cultural historians, English and comparative literature scholars, and film/media and area studies specialists, and could be employed in lower-level and upper-division courses on the topic." - Svitlana Krys, MacEwan University, HNet Online, 'The chapters address many of the standards in werewolf literature but, ultimately, they strive to challenge this canon, arguing both that werewolf literature is not restrictively a masculine archetype and that feminist studies of the wild woman should not simply sweep she-werewolves under the monstrous feminine rug. But by the end even with these complications - and contradictions - they merge at last, readers will find, into a multifaceted beast who stares readers in the eye and grins wickedly, hungrily. For, after all, like the adolescent protagonist giggling in the burly wolf's arms in Angela Carter's "The Company of Wolves", "[we are] nobody's meat".' Jonathan W. Thurston, Michigan State University, Nordic Journal of Science Fiction and Fantasy Research 'Overall, the collection delivers on its promise to "take ... a specific and localised approach, revealing historical, literary, cinematic and folkloric contexts for iterations of the female lycanthrope" ... In general, the volume, both in its entirety and as individual chapters, will interest cultural historians, English and comparative literature scholars, and film/media and area studies specialists, and could be employed in lower-level and upper-division courses on the topic.' Svitlana Krys, MacEwan University, HNet Online, 'The chapters address many of the standards in werewolf literature but, ultimately, they strive to challenge this canon, arguing both that werewolf literature is not restrictively a masculine archetype and that feminist studies of the wild woman should not simply sweep she-werewolves under the monstrous feminine rug. But by the end even with these complications - and contradictions - they merge at last, readers will find, into a multifaceted beast who stares readers in the eye and grins wickedly, hungrily. For, after all, like the adolescent protagonist giggling in the burly wolf's arms in Angela Carter's "The Company of Wolves", "[we are] nobody's meat".'Jonathan W. Thurston, Michigan State University, Nordic Journal of Science Fiction and Fantasy Research'Overall, the collection delivers on its promise to "take ... a specific and localised approach, revealing historical, literary, cinematic and folkloric contexts for iterations of the female lycanthrope" ... In general, the volume, both in its entirety and as individual chapters, will interest cultural historians, English and comparative literature scholars, and film/media and area studies specialists, and could be employed in lower-level and upper-division courses on the topic.'Svitlana Krys, MacEwan University, HNet Online, "The chapters address many of the standards in werewolf literature but, ultimately, they strive to challenge this canon, arguing both that werewolf literature is not restrictively a masculine archetype and that feminist studies of the wild woman should not simply sweep she-werewolves under the monstrous feminine rug. But by the end even with these complications - and contradictions - they merge at last, readers will find, into a multifaceted beast who stares readers in the eye and grins wickedly, hungrily. For, after all, like the adolescent protagonist giggling in the burly wolf's arms in Angela Carter's "The Company of Wolves", "[we are] nobody's meat"." - Jonathan W. Thurston, Michigan State University, Nordic Journal of Science Fiction and Fantasy Research
Table of Content
1. Introduction: a history of female werewolves - Hannah Priest 2. Estonian werewolf legends collected from the island of Saaremaa - Merili Metsvahi 3. 'She transformed into a werewolf, devouring and killing two children': trials of she-werewolves in early modern French Burgundy - Rolf Schulte 4. Participatory lycanthropy: female werewolves in Werewolf: The Apocalypse - Jay Cate 5. Fur girls and wolf women: fur, hair and subversive female lycanthropy - Jazmina Cininas 6. Female werewolf as monstrous other in Honoré Beaugrand's 'The Werewolves' Shannon Scott 7. 'The complex and antagonistic forces that constitute one soul': conflict between societal expectations and individual desires in Clemence Housman's 'The Werewolf' and Rosamund Marriott Watson's 'A Ballad of the Were-wolf' - Carys Crossen 8. I was a teenage she-wolf: boobs, blood and sacrifice - Hannah Priest 9. The case of the cut off hand: Angela Carter's werewolves in historical perspective - Willem de Blécourt 10. The she-wolves of horror cinema - Peter Hutchings 11. Ginger Snaps: the monstrous feminine as femme animale - Barbara Creed 12. Dans Ma Peau: shape-shifting and subjectivity - Laura Wilson Bibliography Index
Copyright Date
2015
Lccn
2015-413883
Dewey Decimal
398.2454
Dewey Edition
23
Description de l'objet du vendeur
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :403341752190
Dernière mise à jour : mai 05, 2024 06:56:42 HAEAfficher toutes les modificationsAfficher toutes les modifications
Expédition et manutention
Lieu où se trouve l'objet :
Sparks, Nevada, États-Unis
Expédition :
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| Expédition et manutention | À | Service | Livraison*Voir les remarques sur la livraison |
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