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Tartuffe Molière Et Son Premier : Genèse Et Évolution d'Une Pièce À Scandale

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Numéro de l'objet eBay :402905946328
Dernière mise à jour : juin 10, 2024 21:16:53 HAEAfficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État
Entièrement neuf: Un livre neuf, non lu, non utilisé et en parfait état, sans aucune page manquante ...
Publication Date
2012-06-19
Pages
278
ISBN
9780719085840
Book Title
Molière Et Son Premier Tartuffe : Genèse Et Évolution D'une Pièce À Scandale
Publisher
Manchester University Press
Item Length
8.5 in
Publication Year
2012
Format
Trade Paperback
Language
English
Item Height
0.6 in
Author
Robert Mcbride
Genre
Literary Criticism
Topic
Drama, General
Item Weight
12.6 Oz
Item Width
5.4 in
Number of Pages
278 Pages

À propos de ce produit

Product Identifiers

Publisher
Manchester University Press
ISBN-10
0719085845
ISBN-13
9780719085840
eBay Product ID (ePID)
99520024

Product Key Features

Book Title
Molière Et Son Premier Tartuffe : Genèse Et Évolution D'une Pièce À Scandale
Number of Pages
278 Pages
Language
English
Publication Year
2012
Topic
Drama, General
Genre
Literary Criticism
Author
Robert Mcbride
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
12.6 Oz
Item Length
8.5 in
Item Width
5.4 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
23
Dewey Decimal
842.4
Table Of Content
Introduction1. L'acheminement vers le premier Tartuffe et la verteuse indignation d'un ingénu2. Les dévots, la cour, et le premier Tartuffe3. Les trois premiers actes de 16644. Au lendemain du premier TartuffeAppendice IAppendice IIAppendice IIIBibliographie
Synopsis
Molière et son premier Tartuffe sheds light on one of the most enduring mysteries in world theatre: the nature, structure and purpose of the first and no longer extant version of his most controversial play, Le Tartuffe. The study provides a succinct overview of the problem and a close analysis of events leading up to the original performance at Versailles. A careful reading of Molière's own defence of this version situates its overriding inspiration in his wish to satirise specific religious groupings, whilst hoping vainly to avoid censure from the religious establishment of his day. There are three appendices: the first evaluates the hypotheses of a complete or incomplete play; the second analyses the claims that Molière took certain people as models for Tartuffe, and the final appendix seeks to reopen the question of Molière's stance towards religion. The conclusion is that Le Tartuffe should not be seen as inherently hostile to religion, but rather as constituting a plea for tolerance, charity and transparency in its practice, none of which runs counter to the spirit and tenets of historic Christianity. This will appeal to lecturers and students of French Studies and Theatre Studies., A study of one of the most enduring mysteries in world theatre: the nature, structure and purpose of the first and no longer extant version of his most controversial play, Le Tartuffe. -- ., Molière et son premier Tartuffe sheds light on one of the most enduring mysteries in world theatre: the nature, structure and purpose of the first and no longer extant version of his most controversial play, Le Tartuffe. The study provides a succinct overview of the problem and a close analysis of events leading up to the original performance at Versailles. A careful reading of Molière's own defence of this version situates its overriding inspiration in his wish to satirise specific religious groupings, whilst hoping vainly to avoid censure from the religious establishment of his day. There are three appendices: the first evaluates the hypotheses of a complete or incomplete play; the second analyses the claims that Molière took certain people as models for Tartuffe, and the final appendix seeks to reopen the question of Molière's stance towards religion. The conclusion is that Le Tartuffe should not be seen as inherently hostile to religion, but rather as constituting a plea for tolerance, charity and transparency in its practice, none of which runs counter to the spirit and tenets of historic Christianity.This will appeal to lecturers and students of French Studies and Theatre Studies., Moli re et son premier Tartuffe sheds light on one of the most enduring mysteries in world theatre: the nature, structure and purpose of the first and no longer extant version of his most controversial play, Le Tartuffe. The study provides a succinct overview of the problem and a close analysis of events leading up to the original performance at Versailles. A careful reading of Moli re's own defence of this version situates its overriding inspiration in his wish to satirise specific religious groupings, whilst hoping vainly to avoid censure from the religious establishment of his day. There are three appendices: the first evaluates the hypotheses of a complete or incomplete play; the second analyses the claims that Moli re took certain people as models for Tartuffe, and the final appendix seeks to reopen the question of Moli re's stance towards religion. The conclusion is that Le Tartuffe should not be seen as inherently hostile to religion, but rather as constituting a plea for tolerance, charity and transparency in its practice, none of which runs counter to the spirit and tenets of historic Christianity. This will appeal to lecturers and students of French Studies and Theatre Studies., Moliere et son premier Tartuffe sheds light on one of the most enduring mysteries in world theatre: the nature, structure and purpose of the first and no longer extant version of his most controversial play, Le Tartuffe. The study provides a succinct overview of the problem and a close analysis of events leading up to the original performance at Versailles. A careful reading of Moliere's own defence of this version situates its overriding inspiration in his wish to satirise specific religious groupings, whilst hoping vainly to avoid censure from the religious establishment of his day. There are three appendices: the first evaluates the hypotheses of a complete or incomplete play; the second analyses the claims that Moliere took certain people as models for Tartuffe, and the final appendix seeks to reopen the question of Moliere's stance towards religion. The conclusion is that Le Tartuffe should not be seen as inherently hostile to religion, but rather as constituting a plea for tolerance, charity and transparency in its practice, none of which runs counter to the spirit and tenets of historic Christianity.This will appeal to lecturers and students of French Studies and Theatre Studies. -- ., Moliere et son premier Tartuffe sheds light on one of the most enduring mysteries in world theatre: the nature, structure and purpose of the first and no longer extant version of his most controversial play, Le Tartuffe. The study provides a succinct overview of the problem and a close analysis of events leading up to the original performance at Versailles. A careful reading of Moliere's own defence of this version situates its overriding inspiration in his wish to satirise specific religious groupings, whilst hoping vainly to avoid censure from the religious establishment of his day. There are three appendices: the first evaluates the hypotheses of a complete or incomplete play; the second analyses the claims that Moliere took certain people as models for Tartuffe, and the final appendix seeks to reopen the question of Moliere's stance towards religion.The conclusion is that Le Tartuffe should not be seen as inherently hostile to religion, but rather as constituting a plea for tolerance, charity and transparency in its practice, none of which runs counter to the spirit and tenets of historic Christianity.This will appeal to lecturers and students of French Studies and Theatre Studies. -- .
LC Classification Number
PQ1871
Copyright Date
2012
ebay_catalog_id
4

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