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Carmen Gimnez Smith Cruel Futures (livre de poche) City Lights Spotlight (importation britannique)
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Numéro de l'objet eBay :395356659283
Dernière mise à jour : mai 28, 2024 16:48:54 HAEAfficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Book Title
- Cruel Futures : City Lights Spotlight No. 17
- Publication Name
- Cruel Futures
- Title
- Cruel Futures
- EAN
- 9780872867581
- ISBN
- 9780872867581
- Publisher
- City Lights
- Format
- Trade Paperback
- Release Year
- 2018
- Release Date
- 10/05/2018
- Item Height
- 0.3in
- Item Length
- 7in
- Language
- English
- Subtitle
- City Lights Spotlight No. 17
- Country/Region of Manufacture
- US
- Series
- City Lights Spotlight
- Publication Year
- 2018
- Genre
- Poetry
- Topic
- American / Hispanic American
- Item Width
- 5.5in
- Item Weight
- 3.5 Oz
- Number of Pages
- 88 Pages
À propos de ce produit
Product Information
Cruel Futures is a witchy confessional and wildly imagistic volume that examines subjects as divergent as Alzheimers, Medusa, mumblecore, and mental illness in sharp-witted, taut poems dense with song. Chronicling life on an endangered planet, in a country on the precipice of profound change compelled by a media machine that produces our realities, the book is a high-energy analysis of popular culture, as well as an exploration of the many social roles that women occupy as mother, daughter, lover, and the resulting struggle to maintain personhood--all in a late capitalist America. Praise for Cruel Futures "Gim nez Smith seeks release from the pressures of societal expectations in this collection of brief yet powerful poems. ... Gim nez Smith's crisp lyrics and imagery highlight ever-present threats to female personhood and autonomy."-- Publishers Weekly " Cruel Futures is one of those rare books, rare pieces of art, that manages to be extremely intimate, vulnerable and close while also doing a kind of searing cultural critique. The poems can be tender or ironic, and sometimes a blending of the two, which is not easy."--Ross Gay "In the body, through the lyric, and twitching with every sense of the word 'nerve, ' this book sings a mongrel nation into and across its cruel futures. Like Neruda in his Plenos Poderes/Full Powers , Gim nez Smith has all the mastery she needs to cast a cold eye on her positioning, and ours. In this way Cruel Futures is an autobiography that won't stay in its genre or premise, caring less to author a self than to follow turns of magic in words that might soothe our 'collisions with the living.'"--Farid Matuk "Declamatory anthems to no nation, these songs stride as they deal and wheel with skin and kin: history, catastrophe, the body, love. 'Upturned and defiant, all types of shade, no outskirt, / vital like a saint, ' the poems in Cruel Futures shimmer with Gim nez Smith's lyric attention: full of grit, sharp and knowing."--Hoa Nguyen
Product Identifiers
Publisher
City Lights
ISBN-10
0872867587
ISBN-13
9780872867581
eBay Product ID (ePID)
240033014
Product Key Features
Book Title
Cruel Futures : City Lights Spotlight No. 17
Format
Trade Paperback
Language
English
Topic
American / Hispanic American
Publication Year
2018
Genre
Poetry
Number of Pages
88 Pages
Dimensions
Item Length
7in
Item Height
0.3in
Item Width
5.5in
Item Weight
3.5 Oz
Additional Product Features
Lc Classification Number
Ps3607.I45215a6 2018
Reviews
"Giménez Smith seeks release from the pressures of societal expectations in this collection of brief yet powerful poems. She depicts the myriad ways that a woman's sense of self is at the mercy of assigned gender roles. ... She links the concept of becoming a 'monster' to women's defiance of prescribed roles, their need to break out of which makes them dangerous ... Cultural phenomena such as marriage and television come under scrutiny, and she handles mental illness issues with great care, particularly bipolar disorder and dementia. Giménez Smith's crisp lyrics and imagery highlight ever-present threats to female personhood and autonomy."--Publishers Weekly "In Carmen Giménez Smith's Cruel Futures, it's clear she is not interested in the kind of static attention one associates with William Wordsworth's definition of poetry as 'emotion recollected in tranquillity.' Instead Giménez Smith has places to go and then to take off from again, in the form, mainly, of social and political critiques. Although her poems achieve a certain velocity, she still manages to delve into volcanic meaning and bask in the mirror of self-reflection. To truly relish her talent is to understand her intellect as one of those plasma balls that lights up with bolts of electricity when one's hand touches it. The speakers in her poems are charming, self-deprecating, humorous, and awed, especially when they portray what life is like as a mother, a wife, an artist, and a consumer of popular culture and literature. Because Giménez Smith experiments with a thicker set of references and inferential imagery than most, poems such as 'Of Property,' 'As Body,' and 'Ravers Having Babies' seem to outpace whatever triggered their origin, and she almost always arrives at pure lyric possession."--Major Jackson, American Poets, "Giménez Smith's poems in Cruel Futures continue the work of truth telling that she established in her previous collections. She reminds us that our cruel pasts will lead to cruel futures, that the garbage we've consumed from television and the non-stop media cycle will color and pollute our perceptions. But in looking unflinchingly at the broken remains of the public and the personal, she also assures us that there is something to be built from the rubble. Whether she is speaking as the quick-witted badass who has 'a machete and a hot head' or the thoughtful 'friend who has walked / alongside your life without judgment,' you want her in your corner."--Boston Review "Giménez Smith seeks release from the pressures of societal expectations in this collection of brief yet powerful poems. She depicts the myriad ways that a woman's sense of self is at the mercy of assigned gender roles. ... She links the concept of becoming a 'monster' to women's defiance of prescribed roles, their need to break out of which makes them dangerous ... Cultural phenomena such as marriage and television come under scrutiny, and she handles mental illness issues with great care, particularly bipolar disorder and dementia. Giménez Smith's crisp lyrics and imagery highlight ever-present threats to female personhood and autonomy."--Publishers Weekly "In Carmen Giménez Smith's Cruel Futures, it's clear she is not interested in the kind of static attention one associates with William Wordsworth's definition of poetry as 'emotion recollected in tranquillity.' Instead Giménez Smith has places to go and then to take off from again, in the form, mainly, of social and political critiques. Although her poems achieve a certain velocity, she still manages to delve into volcanic meaning and bask in the mirror of self-reflection. To truly relish her talent is to understand her intellect as one of those plasma balls that lights up with bolts of electricity when one's hand touches it. The speakers in her poems are charming, self-deprecating, humorous, and awed, especially when they portray what life is like as a mother, a wife, an artist, and a consumer of popular culture and literature. Because Giménez Smith experiments with a thicker set of references and inferential imagery than most, poems such as 'Of Property,' 'As Body,' and 'Ravers Having Babies' seem to outpace whatever triggered their origin, and she almost always arrives at pure lyric possession."--Major Jackson, American Poets "[I]t's Smith's control of the line, the lyric, her use of compression, wry humor, and pointed candor that makes the book's captivation one that truly endures. She delves into familial issues: child-rearing, sick or aging parents, and mental health with care and magnanimous transparency. Cruel Futures is an insurmountable labor that Smith has carved from a world of grief, but retains love and humor that renders her devotion a masterpiece."--The Arkansas International "[Giménez Smith's] new collection that explores the intersections of her various identities and the contrasts between the roles she plays and has played at stages in her life. These poems are rooted in the daily details of her life, and hold a tangible immediacy and frankness that departs from the abstractions of her 2013 collection Milk & Filth. ... There is tremendous power in Cruel Futures, a collection both supple in its vulnerabilities and firm in its defenses. Carmen Giménez Smith has survived her own story, and she has ensured her children have survived their own thus far. The book's tension comes from her awareness that her power to continue to ensure that survival is evaporating from her hands, reconstituting in their own."--David Nilsen, The Bind, "Giménez Smith seeks release from the pressures of societal expectations in this collection of brief yet powerful poems. She depicts the myriad ways that a woman's sense of self is at the mercy of assigned gender roles. ... She links the concept of becoming a 'monster' to women's defiance of prescribed roles, their need to break out of which makes them dangerous ... Cultural phenomena such as marriage and television come under scrutiny, and she handles mental illness issues with great care, particularly bipolar disorder and dementia. Giménez Smith's crisp lyrics and imagery highlight ever-present threats to female personhood and autonomy."--Publishers Weekly "In Carmen Giménez Smith's Cruel Futures, it's clear she is not interested in the kind of static attention one associates with William Wordsworth's definition of poetry as 'emotion recollected in tranquillity.' Instead Giménez Smith has places to go and then to take off from again, in the form, mainly, of social and political critiques. Although her poems achieve a certain velocity, she still manages to delve into volcanic meaning and bask in the mirror of self-reflection. To truly relish her talent is to understand her intellect as one of those plasma balls that lights up with bolts of electricity when one's hand touches it. The speakers in her poems are charming, self-deprecating, humorous, and awed, especially when they portray what life is like as a mother, a wife, an artist, and a consumer of popular culture and literature. Because Giménez Smith experiments with a thicker set of references and inferential imagery than most, poems such as 'Of Property,' 'As Body,' and 'Ravers Having Babies' seem to outpace whatever triggered their origin, and she almost always arrives at pure lyric possession."--Major Jackson, American Poets "[I]t's Smith's control of the line, the lyric, her use of compression, wry humor, and pointed candor that makes the book's captivation one that truly endures. She delves into familial issues: child-rearing; sick, aging parents; and mental health with care and magnanimous transparency. Cruel Futures is an insurmountable labor that Smith has carved from a world of grief, but retains love and humor that renders her devotion a masterpiece."--The Arkansas International, "Giménez Smith's poems in Cruel Futures continue the work of truth telling that she established in her previous collections. She reminds us that our cruel pasts will lead to cruel futures, that the garbage we've consumed from television and the non-stop media cycle will color and pollute our perceptions. But in looking unflinchingly at the broken remains of the public and the personal, she also assures us that there is something to be built from the rubble. Whether she is speaking as the quick-witted badass who has 'a machete and a hot head' or the thoughtful 'friend who has walked / alongside your life without judgment,' you want her in your corner."--Boston Review "Giménez Smith seeks release from the pressures of societal expectations in this collection of brief yet powerful poems. She depicts the myriad ways that a woman's sense of self is at the mercy of assigned gender roles. ... She links the concept of becoming a 'monster' to women's defiance of prescribed roles, their need to break out of which makes them dangerous ... Cultural phenomena such as marriage and television come under scrutiny, and she handles mental illness issues with great care, particularly bipolar disorder and dementia. Giménez Smith's crisp lyrics and imagery highlight ever-present threats to female personhood and autonomy."--Publishers Weekly "In Carmen Giménez Smith's Cruel Futures, it's clear she is not interested in the kind of static attention one associates with William Wordsworth's definition of poetry as 'emotion recollected in tranquillity.' Instead Giménez Smith has places to go and then to take off from again, in the form, mainly, of social and political critiques. Although her poems achieve a certain velocity, she still manages to delve into volcanic meaning and bask in the mirror of self-reflection. To truly relish her talent is to understand her intellect as one of those plasma balls that lights up with bolts of electricity when one's hand touches it. The speakers in her poems are charming, self-deprecating, humorous, and awed, especially when they portray what life is like as a mother, a wife, an artist, and a consumer of popular culture and literature. Because Giménez Smith experiments with a thicker set of references and inferential imagery than most, poems such as 'Of Property,' 'As Body,' and 'Ravers Having Babies' seem to outpace whatever triggered their origin, and she almost always arrives at pure lyric possession."--Major Jackson, American Poets "[I]t's Smith's control of the line, the lyric, her use of compression, wry humor, and pointed candor that makes the book's captivation one that truly endures. She delves into familial issues: child-rearing, sick or aging parents, and mental health with care and magnanimous transparency. Cruel Futures is an insurmountable labor that Smith has carved from a world of grief, but retains love and humor that renders her devotion a masterpiece."--The Arkansas International, "Gimnez Smith seeks release from the pressures of societal expectations in this collection of brief yet powerful poems. She depicts the myriad ways that a woman's sense of self is at the mercy of assigned gender roles. ... She links the concept of becoming a 'monster' to women's defiance of prescribed roles, their need to break out of which makes them dangerous ... Cultural phenomena such as marriage and television come under scrutiny, and she handles mental illness issues with great care, particularly bipolar disorder and dementia. Gimnez Smith's crisp lyrics and imagery highlight ever-present threats to female personhood and autonomy."--Publishers Weekly
Copyright Date
2018
Lccn
2017-055971
Intended Audience
Trade
Series
City Lights Spotlight Ser.
Description de l'objet du vendeur
Informations sur le vendeur professionnel
Numéro de TVA :
- GB 864 1548 11
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :395356659283
Dernière mise à jour : mai 28, 2024 16:48:54 HAEAfficher toutes les modificationsAfficher toutes les modifications
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Lieu où se trouve l'objet :
GU14 0GT, Royaume-Uni
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Item exactly as described. Shipped out quickly! Thank you very much!
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The book arrived safe and sound, very happy with this seller. I did not contact.
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Very good seller