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Dada Data: Contemporary Art Practice in the Era of Post-Truth Politics par Sarah

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Numéro de l'objet eBay :395315651148
Dernière mise à jour : juin 04, 2024 22:27:17 HAEAfficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État
Entièrement neuf: Un livre neuf, non lu, non utilisé et en parfait état, sans aucune page manquante ...
ISBN-13
9781350227613
Book Title
Dada Data
ISBN
9781350227613
Subject Area
Art
Publication Name
Dada Data : Contemporary Art Practice in the Era of Post-Truth Politics
Publisher
Bloomsbury Academic & Professional
Item Length
9.4 in
Subject
History / Contemporary (1945-), Criticism & Theory, Art & Politics, General
Publication Year
2023
Type
Textbook
Format
Hardcover
Language
English
Item Height
1 in
Author
Mara-Johanna Kölmel
Item Weight
31.1 Oz
Item Width
6.4 in
Number of Pages
344 Pages

À propos de ce produit

Product Information

What is the relevance of Dada and its artistic strategies in our current moment, one marked by post-truth politics, information floods and big data? How can contemporary art highlight the neglected nuances of cultural representation in the present day? While it may feel like we are living in a period of anomaly with the rise of the alt-right, this book shows how the Dada movement's artistic response to the aggressive nationalism and fascism of its time offers a fruitful analogy to our contemporary era. Dada's counter-cultural strategies, such as the distortion of reality and attacks on elites and rationality, have long been endorsed by artistic avantgardes and subcultures. Dada Data details how modern-day movements have appropriated such tactics in their ways of addressing the public both on- and offline. Bringing together contributions from interdisciplinary scholars, curators and artists working in global contexts that explore an array of artistic modes of persuasion and resistance, the book demonstrates how contemporary art can bring out neglected nuances of our post-truth moment. In linking the Dada movement's counter-cultural activities to modern phenomena such as post-internet art, information floods and big data mining, the book collates original propaganda with diverse artwork from such figures as Hannah Höch, Paula Rego, Tschabalala Self, Sheida Soleimani and South African artists donna Kukama and Kemang Wa Lehulere. In doing so, Dada Data brings together a rich scrapbook of Dada resources and perspectives that are highly relevant to present-day political concerns. With artistic contributions by IOCOSE, donna Kukama, Kemang Wa Lehulere and Montage Mädels.

Product Identifiers

Publisher
Bloomsbury Academic & Professional
ISBN-10
1350227617
ISBN-13
9781350227613
eBay Product ID (ePID)
23057279202

Product Key Features

Number of Pages
344 Pages
Language
English
Publication Name
Dada Data : Contemporary Art Practice in the Era of Post-Truth Politics
Publication Year
2023
Subject
History / Contemporary (1945-), Criticism & Theory, Art & Politics, General
Type
Textbook
Subject Area
Art
Author
Mara-Johanna Kölmel
Format
Hardcover

Dimensions

Item Height
1 in
Item Weight
31.1 Oz
Item Length
9.4 in
Item Width
6.4 in

Additional Product Features

Dewey Edition
23
Reviews
Providing new ways of combatting the current and continued onslaught of right-wing aggression, Dada Data offers the potential for a way forward through a variety of curatorial, political and social interventions., "Providing new ways of combatting the current and continued onslaught of right-wing aggression, Dada Data offers the potential for a way forward through a variety of curatorial, political and social interventions." -- Cole Collins, Teaching Fellow in Modern and Contemporary Art, Edinburgh College of Art, The University of Edinburgh, UK "Smart and focused, challenging and illuminating, Dada Data is a much-needed study, arriving at a timely moment but also promising to have long-term implications for the study of aesthetic resistance and counter-cultural practice." -- Thomas Haakenson, Associate Professor in Humanities and Sciences, California College of the Arts, USA, and author of Grotesque Visions: The Science of Berlin Dada (2021) "Offering a spectrum of fascinating and surprising interpretations on the influence of post-truth politics on contemporary art, and bringing together a range of international researchers and curators, Dada Data is recommended for anyone who would like to gain an informed overview of these cultural crossovers." -- Jörg Trempler, Chair of Art History and Image Science, University of Passau, Germany
Target Audience
College Audience
Illustrated
Yes
Dewey Decimal
709.04062
Lc Classification Number
Nx456.5.D3
Table of Content
List of Illustrations Notes on Contributors Acknowledgements Introduction: From Dada Tricks to Post-Truth Politics, Mara-Johanna Kölmel (Leuphana University Lüneburg, Germany & The Courtauld Institute of Art, UK) and Sarah Hegenbart (Technical University Munich, Germany) 1. FROM DADA TO DATA 1.1. Dadadatadada: From Dada to Data and Back Again, Mara-Johanna Kölmel (Leuphana University Lüneburg, Germany & The Courtauld Institute of Art, UK) 1.2. Clouds, Critique & Contradiction: Programming Dissent in Dada and Data Art, Meredith Hoy (Herberger Institute for Design and the Arts, Arizona State University, USA) 1.3. The Legacy of the Berlin Dada Media Hoaxes in Contemporary Parafictive Acts, Rebecca Smith (Liverpool School of Art and Design, Liverpool John Moores University, UK) Visual Essay by Montage Mädels 2. GLOBAL DADA 2.1. Sheida Soleimani, Cyborg: Photomontage in an Expanding Network, Matthew Biro (University of Michigan, USA) 2.2. Black Dada Data: Collage as a Tool of Resistance against White Supremacy Thinking in the Digital Age, Sarah Hegenbart (Technical University Munich, Germany) 2.3. Dada's African South, Roger van Wyk (Independent Curator and Director of Educentric) 2.4 Paula Rego: A Dada Attitude against Authority in the Post-War Period, Leonor de Oliveira ( Universidade NOVA de Lisboa, Portugal) Visual Essay by donna Kukama 3. BIG DADA DATA 3.1. Big Dada, Big Data: Schwitters's Merzbau, the Private and the Trash, Natalie Koerner ( Royal Danish Academy of Fine Arts / University of Copenhagen, Denmark) 3.2. Identity, Ecology, and the Arts in the Age of Big Data Mining, Roberto Simanowski (University of Basel, Switzerland) 3.3 The Digital Revolution as Counter-Revolution, Joshua Simon (Pennsylvania Academy of Fine Arts, USA) Visual Essay by Kemang Wa Lehulere 4. DADA x ALT-RIGHT. FAKING THE TRUTH 4.1. Down the Rabbit Hole of The Alt-Right Complex: Artists Exploring Far Right Online Culture, Inke Arns (Curator and Artistic Director, Hartware MedienKunstVerein, Germany) 4.2. Fashwave: The Alt-Right's Aestheticization of Politics and Violence, Maik Fielitz (Institute for Peace Studies and Security Policy at the University of Hamburg, Germany) and Lisa Bogerts (Independent Researcher, Germany) 4.3. Post-Internet Art and the Alt-Right Visual Culture, Vid Simoniti (University of Liverpool, UK) Visual Essay by IOCOSE 5. DADA DATA TACTICS 5.1. Pixel Pirates: Theft as Strategy in the Art of Joan Ross and Soda Jerk, Jaime Tsai (National Art School, Sydney, Australia) 3.3. Precarious Data Aesthetics. An Exploration of Tactics, Tricksters and Idiocy in Data, Annet Dekker (Independent Researcher, Writer and Curator) 5.3. The Multiple Narratives of Post-Truth Politics, Told through Picture, Jack Southern (University of Gloucestershire, City and Guilds of London Art School, UK) Index

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