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Enoch Brater Ten Ways of Thinking About Samuel Beckett (livre de poche) (importation britannique)
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Numéro de l'objet eBay :395151495745
Dernière mise à jour : mai 29, 2024 09:52:47 HAEAfficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Book Title
- Ten Ways of Thinking About Samuel Beckett
- Publication Name
- Ten Ways of Thinking about Samuel Beckett : the Falsetto of Reason
- Title
- Ten Ways of Thinking About Samuel Beckett
- EAN
- 9781408137222
- ISBN
- 9781408137222
- Publisher
- Bloomsbury Publishing
- Format
- Trade Paperback
- Release Year
- 2011
- Release Date
- 24/04/2011
- Item Height
- 0.6in
- Item Length
- 7.8in
- Item Width
- 5.1in
- Item Weight
- 4.8 Oz
- Language
- English
- Subtitle
- The Falsetto of Reason
- ISBN-10
- 1408137224
- Country/Region of Manufacture
- GB
- Genre
- Literary Criticism
- Series
- Diaries, Letters and Essays Ser.
- Publication Year
- 2012
- Type
- Textbook
- Number of Pages
- 208 Pages
À propos de ce produit
Product Information
In this volume of essays addressing the author's drama, novels, short stories and poetry, renowned Beckett scholar Enoch Brater offers a variety of delightfully original, playful and intriguing studies of Beckett's work. For theatre audiences and Beckett readers it will provide a fresh approach to this great writer.
Product Identifiers
Publisher
Bloomsbury Publishing
ISBN-10
1408137224
ISBN-13
9781408137222
eBay Product ID (ePID)
109080168
Product Key Features
Publication Name
Ten Ways of Thinking about Samuel Beckett : the Falsetto of Reason
Format
Trade Paperback
Language
English
Publication Year
2012
Series
Diaries, Letters and Essays Ser.
Type
Textbook
Number of Pages
208 Pages
Dimensions
Item Length
7.8in
Item Height
0.6in
Item Width
5.1in
Item Weight
4.8 Oz
Additional Product Features
Lc Classification Number
Pr6003
Reviews
'An eloquent, witty and erudite collection of essays that illuminates Beckett's drama and prose fiction from a number of complementary perspectives. Brater's precise explication of the interwoven tropes of language and mise-en-sc ne is combined with a fine grasp of the overarching structure of work in various genres and media to create a rich and suggestive series of reflections on Beckett's aesthetics.', A series of meditations, a return to first principles and a pushing forward into new syntheses, new ways of thinking, particularly about the art of Samuel Beckett. It is, thus, both a book for beginners, since one always returns to first principles, and one for seasoned readers of Beckett, who are rewarded by those frequent references and allusions to Beckett's work that draw knowing nods from the cognoscenti...One can only hope that such musings, such "speaking correctly," such deliberations on Beckett as the current book displays, are not a valediction., Both witty and approachable...There is a great deal of intelligent analysis here to enlighten anyone working on Beckett, and none if it is too abstruse., "Both witty and approachable...There is a great deal of intelligent analysis here to enlighten anyone working on Beckett, and none if it is too abstruse." -- The Stage "Those who are still intimidated by Beckett's reputation should read Enoch Brater's witty, stimulating, brilliantly discursive reflections on his work. They'll end up finding both the writer and the critic far more entertaining than they dared suspect." -- Benedict Nightingale "An eloquent, witty and erudite collection of essays that illuminates Beckett's drama and prose fiction from a number of complementary perspectives. Brater's precise explication of the interwoven tropes of language and mise-en-scne is combined with a fine grasp of the overarching structure of work ... to create a rich and suggestive series of reflections on Beckett's aesthetics." -- Robert Gordon, Professor of Drama, Goldsmiths, University of London, "Both witty and approachable...There is a great deal of intelligent analysis here to enlighten anyone working on Beckett, and none if it is too abstruse."- The Stage "Those who are still intimidated by Beckett's reputation should read Enoch Brater's witty, stimulating, brilliantly discursive reflections on his work. They'll end up finding both the writer and the critic far more entertaining than they dared suspect."-Benedict Nightingale "An eloquent, witty and erudite collection of essays that illuminates Beckett's drama and prose fiction from a number of complementary perspectives. Brater's precise explication of the interwoven tropes of language and mise-en-scène is combined with a fine grasp of the overarching structure of work … to create a rich and suggestive series of reflections on Beckett's aesthetics."-Robert Gordon, Professor of Drama, Goldsmiths, University of London, Those who are still intimidated by Beckett's reputation should read Enoch Brater's witty, stimulating, brilliantly discursive reflections on his work. They'll end up finding both the writer and the critic far more entertaining than they dared suspect., 'Those who are still intimidated by Beckett's reputation should read Enoch Brater's witty, stimulating, brilliantly discursive reflections on his work. They'll end up finding both the writer and the critic far more entertaining than they dared suspect.', An eloquent, witty and erudite collection of essays that illuminates Beckett's drama and prose fiction from a number of complementary perspectives. Brater's precise explication of the interwoven tropes of language and mise-en-scène is combined with a fine grasp of the overarching structure of work ... to create a rich and suggestive series of reflections on Beckett's aesthetics., "Both witty and approachable...There is a great deal of intelligent analysis here to enlighten anyone working on Beckett, and none if it is too abstruse." -- The Stage "Those who are still intimidated by Beckett's reputation should read Enoch Brater's witty, stimulating, brilliantly discursive reflections on his work. They'll end up finding both the writer and the critic far more entertaining than they dared suspect." -- Benedict Nightingale "An eloquent, witty and erudite collection of essays that illuminates Beckett's drama and prose fiction from a number of complementary perspectives. Brater's precise explication of the interwoven tropes of language and mise-en-scène is combined with a fine grasp of the overarching structure of work ... to create a rich and suggestive series of reflections on Beckett's aesthetics." -- Robert Gordon, Professor of Drama, Goldsmiths, University of London, 'Some students find Beckett intimidating, but Enoch Brater's essays are anything but. Ten Ways of Thinking About Samuel Beckett is both witty and approachable...There is a great deal of intelligent analysis here to enlighten anyone working on Beckett, and none of it is too abstruse.', #145;Some students find Beckett intimidating, but Enoch Brater's essays are anything but. Ten Ways of Thinking About Samuel Beckett is both witty and approachable...There is a great deal of intelligent analysis here to enlighten anyone working on Beckett, and none of it is too abstruse.', #145;An eloquent, witty and erudite collection of essays that illuminates Beckett's drama and prose fiction from a number of complementary perspectives. Brater's precise explication of the interwoven tropes of language and mise-en-scène is combined with a fine grasp of the overarching structure of work in various genres and media to create a rich and suggestive series of reflections on Beckett's aesthetics.', 'An eloquent, witty and erudite collection of essays that illuminates Beckett's drama and prose fiction from a number of complementary perspectives. Brater's precise explication of the interwoven tropes of language and mise-en-scne is combined with a fine grasp of the overarching structure of work in various genres and media to create a rich and suggestive series of reflections on Beckett's aesthetics.', 'An eloquent, witty and erudite collection of essays that illuminates Beckett's drama and prose fiction from a number of complementary perspectives. Brater's precise explication of the interwoven tropes of language and mise-en-scène is combined with a fine grasp of the overarching structure of work in various genres and media to create a rich and suggestive series of reflections on Beckett's aesthetics.'
Table of Content
Preface Beckett and a Way of Thinking 1. Things to Ponder while Waiting for Godot 2. From Dada to Didi: Beckett and the Art of His Century 3. Beckett's Landscape: What There Is to Recognize 4. Beckett's Shades of the Color Gray 5. The Seated Figure on Beckett's Stage 6. Beckett's Devious Interventions, or Fun with Cube Roots 7. Beckett's-What?-Romanticism 8. Beckett's Beckett: So Many Words for Silence 9. "Traces blurs signs": Where Beckett Meets Ibsen 10. Suitcases, Sand and Dry Goods Addendum To What?: The No-Thing that Knows No Name and the Empty Envelope Blissfully Reconsidered
Copyright Date
2011
Target Audience
College Audience
Topic
General, European / English, Irish, Scottish, Welsh
Lccn
2011-431324
Dewey Decimal
848.91409
Dewey Edition
22
Illustrated
Yes
Genre
Drama, Literary Criticism
Description de l'objet du vendeur
Informations sur le vendeur professionnel
Numéro de TVA :
- GB 864 1548 11
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :395151495745
Dernière mise à jour : mai 29, 2024 09:52:47 HAEAfficher toutes les modificationsAfficher toutes les modifications
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Seller is great but not sure if I received a bad copy or that this is a resealed game but the instruction booklet seems to have been folded / used. Disk looks okay but will see after we start playing it.
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Thank you for this item. I love the movie. It's a lot of fun and great German actors are featured in the film. Fast delivery, prompt and professional service. Would buy from this seller again. A++++