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Douglas Harrison Walking the Line (Hardback) (IMPORTATION BRITANNIQUE)
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Numéro de l'objet eBay :395129558090
Dernière mise à jour : juin 14, 2024 09:17:39 HAEAfficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Book Title
- Walking the Line
- Publication Name
- Walking the Line : Country Music Lyricists and American Culture
- Subtitle
- Country Music Lyricists and American Culture
- Contributor
- Roxanne Harde (Edited by)
- Format
- Hardcover
- ISBN-10
- 0739169661
- EAN
- 9780739169667
- ISBN
- 9780739169667
- Publisher
- Lexington Books/Fortress Academic
- Genre
- Society & Culture
- Subject
- Gender Studies, Composers & Musicians, Popular Culture, Genres & Styles / Country & Bluegrass, Genres & Styles / Pop Vocal
- Release Year
- 2013
- Release Date
- 24/10/2013
- Language
- English
- Country/Region of Manufacture
- US
- Item Height
- 1 in
- Item Length
- 9.4 in
- Item Width
- 6.3 in
- Item Weight
- 20.4 Oz
- Title
- Walking the Line
- Subject Area
- Biography & Autobiography, Music, Social Science
- Publication Year
- 2013
- Type
- Textbook
- Number of Pages
- 282 Pages
À propos de ce produit
Product Information
Walking the Line: Country Music Lyricists and American Culture examines how country songwriters engage with their nation's religion, literature, and politics. Walking the line requires following strict codes, respecting territories, and, sometimes, yearning to break those bonds. This collection's essays explore how iconic country lyricists such as Johnny Cash, Dolly Parton, and Steve Earle have tested and expanded such boundaries, challenging musical, social, and political conventions, often reevaluating what "country" means in country music.
Product Identifiers
Publisher
Lexington Books/Fortress Academic
ISBN-10
0739169661
ISBN-13
9780739169667
eBay Product ID (ePID)
168282409
Product Key Features
Publication Name
Walking the Line : Country Music Lyricists and American Culture
Format
Hardcover
Language
English
Subject
Gender Studies, Composers & Musicians, Popular Culture, Genres & Styles / Country & Bluegrass, Genres & Styles / Pop Vocal
Publication Year
2013
Type
Textbook
Subject Area
Biography & Autobiography, Music, Social Science
Number of Pages
282 Pages
Dimensions
Item Length
9.4 in
Item Height
1 in
Item Width
6.3 in
Item Weight
20.4 Oz
Additional Product Features
LCCN
2013-027529
Intended Audience
Scholarly & Professional
Lc Classification Number
Ml3524.W35 2013
Reviews
Songs are the children of songwriters and, though each song carries the songwritere(tm)s gene, each songe"like each childe"is an individual all its own. In this remarkable collection of essays, a group of writers examine songwriters and their songs; how they are born, nurtured and grow from a child to an independent adult. Walking the Line profiles songwriters and their offspring in a way that is intelligent, thoughtful, instructive, heart-felt, deep and long-lastinge"just like a great song., Songs are the children of songwriters and, though each song carries the songwriter's gene, each song--like each child--is an individual all its own. In this remarkable collection of essays, a group of writers examine songwriters and their songs; how they are born, nurtured and grow from a child to an independent adult. Walking the Line profiles songwriters and their offspring in a way that is intelligent, thoughtful, instructive, heart-felt, deep and long-lasting--just like a great song., This book presents 14 essays, by a variety contributors, about 15 country-music lyricists. The order is roughly chronological, starting with Jimmie Rodgers and ending with Steve Earle. Though excerpts from the subjects' lyrics are quoted, complete lyrics are not provided. Instead, the contributors discuss the lyricists' works in their cultural context. It is common for country artists to perform songs that others wrote for them, but, interestingly, most of these essays concern lyrics that well-known artists such as Hank Williams, Merle Haggard, Loretta Lynn, and Willie Nelson wrote, performed, and popularized themselves. The exception is Cindy Walker, who was extremely successful as a lyricist but little known as a performer. Most of the essayists, including Holmes and Harde, are professors of or specialists in English and history rather than music. It is thus understandable that their discussions focus on topics such as the dominant culture, regional history, and religious views that shaped the lyricists, without delving into matters of musical style. This book is suitable for for anyone interested in American popular music and popular culture. Summing Up: Recommended. Upper-division undergraduates through faculty., Like Dolly Parton's 'Coat of Many Colors', these diverse essays are carefully stitched together by Holmes and Harde to form a many-hued portrait of the lyrics and cultural meaning in country music song writing. As the collection clearly demonstrates, the best songwriters, many times social outsiders themselves, are more likely to color outside the cultural lines of their collective audience than to acquiesce to traditional themes and beliefs. An important addition to the collective knowledge of cultural creation and easily the best such collection since Tichi's Reading Country Music.
Table of Content
Table of Contents Acknowledgments Credits Introduction Walking the Line: The Dixie Chicks and the Making of Country Lyricists Thomas Alan Holmes Roxanne Harde Chapter 1 "Nobody knows but me": Jimmie Rodgers and the Body Politic Taylor Hagood Chapter 2 Cindy Walker, Lyle Lovett, and the West Thomas Alan Holmes Chapter 3 "Help your brother along the way": Hank Williams and the Humane Tradition Howard Steve Goodson Chapter 4 JC: Johnny Cash and Faith Thomas Alan Holmes Chapter 5 Religious Doctrine in the mid-1970s to 1980s Country Music Concept Albums of Willie Nelson Blase S. Scarnati Chapter 6 Grace to Catch a Falling Soul: Country, Gospel, and Evangelical Populism in the Music of Dottie Rambo Douglas Harrison Chapter 7 "Here's the story of my life; listen and I'll tell it twice": The Appalachian Autobiography of Loretta Lynn Laura Grace Pattillo Chapter 8 "Branded" Man: Merle Haggard's Romance of the Outlier Thomas Alan Holmes Chapter 9 Townes van Zandt: "Now here's what this story's told." Pete Falconer and James Zborowski Chapter 10 Wildness, Eschatology, and Enclosure in the Songs of Townes Van Zandt Michael B. MacDonald Chapter 11 "Where it counts I'm real": The Complexities of Dolly Parton's Feminist Voice Samantha Christensen Chapter 12 "Sin City": Gram Parsons and the "Christ-Haunted South" Clay Motley Chapter 13 Weeping Willows and Long Black Veils: The Country Roots of Rosanne Cash, from Scotland to Tennessee June Skinner Sawyers Chapter 14 "They draft the white trash first 'round here anyway": Steve Earle's American Boys Roxanne Harde Index About the Contributors
Copyright Date
2013
Dewey Decimal
782.4216420973
Dewey Edition
23
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Informations sur le vendeur professionnel
Numéro de TVA :
- GB 864 1548 11
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :395129558090
Dernière mise à jour : juin 14, 2024 09:17:39 HAEAfficher toutes les modificationsAfficher toutes les modifications
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