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Salamone Rossi : musicien juif de la fin de la Renaissance Mantoue par Don Harran (Anglais
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- Achat immédiatSalamone Rossi : musicien juif de la fin de la Renaissance Mantoue par Don Harran (Anglais
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Lieu : Calgary, Alberta, Canada
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Numéro de l'objet eBay :386979422737
Caractéristiques de l'objet
- État
- ISBN-13
- 9780195168136
- Book Title
- Salamone Rossi: Jewish Musician in Late Renaissance Mantua
- ISBN
- 9780195168136
- Subject Area
- Music, Biography & Autobiography
- Publication Name
- Salamone Rossi : Jewish Musician in Late Renaissance Mantua
- Publisher
- Oxford University Press, Incorporated
- Item Length
- 9.4 in
- Subject
- History & Criticism, Composers & Musicians
- Publication Year
- 2003
- Series
- Oxford Monographs on Music Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 1 in
- Item Weight
- 18 Oz
- Item Width
- 6.1 in
- Number of Pages
- 332 Pages
À propos de ce produit
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0195168135
ISBN-13
9780195168136
eBay Product ID (ePID)
2491025
Product Key Features
Number of Pages
332 Pages
Language
English
Publication Name
Salamone Rossi : Jewish Musician in Late Renaissance Mantua
Publication Year
2003
Subject
History & Criticism, Composers & Musicians
Type
Textbook
Subject Area
Music, Biography & Autobiography
Series
Oxford Monographs on Music Ser.
Format
Trade Paperback
Dimensions
Item Height
1 in
Item Weight
18 Oz
Item Length
9.4 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
Reviews
"Harr'an has not solved the historiographical problem of Jewish music's presence in early modern Europe, but he has raised the humanistic stakes for all of us, unequivocally showing that not to know Jewish music is not to know early modern Europe. For this contribution to the history of ideas, all of us, students of Jewish music and of early modern history, are much indebted to Harra'an."--Journal of the American Musicological Society, "Harrán has not solved the historiographical problem of Jewish music's presence in early modern Europe, but he has raised the humanistic stakes for all of us, unequivocally showing that not to know Jewish music is not to know early modern Europe. For this contribution to the history of ideas, all of us, students of Jewish music and of early modern history, are much indebted to Harraán."--Journal of the American Musicological Society, "Harrán has not solved the historiographical problem of Jewish music's presence in early modern Europe, but he has raised the humanistic stakes for all of us, unequivocally showing that not to know Jewish music is not to know early modern Europe. For this contribution to the history of ideas, all of us, students of Jewish music and of early modern history, are much indebted to Harraán."-- Journal of the American Musicological Society, "Harrán has not solved the historiographical problem of Jewish music's presence in early modern Europe, but he has raised the humanistic stakes for all of us, unequivocally showing that not to know Jewish music is not to know early modern Europe. For this contribution to the history of ideas, all of us, students of Jewish music and of early modern history, are much indebted to Harraán."--Journal of the American Musicological Society"Harrán has not solved the historiographical problem of Jewish music's presence in early modern Europe, but he has raised the humanistic stakes for all of us, unequivocally showing that not to know Jewish music is not to know early modern Europe. For this contribution to the history of ideas, all of us, students of Jewish music and of early modern history, are much indebted to Harraán."--Journal of the American Musicological Society, "Harran has not solved the historiographical problem of Jewish music's presence in early modern Europe, but he has raised the humanistic stakes for all of us, unequivocally showing that not to know Jewish music is not to know early modern Europe. For this contribution to the history of ideas,all of us, students of Jewish music and of early modern history, are much indebted to Harraan."--Journal of the American Musicological Society, "Harr n has not solved the historiographical problem of Jewish music's presence in early modern Europe, but he has raised the humanistic stakes for all of us, unequivocally showing that not to know Jewish music is not to know early modern Europe. For this contribution to the history of ideas, all of us, students of Jewish music and of early modern history, are much indebted to Harra n."--Journal of the American Musicological Society, "Harrn has not solved the historiographical problem of Jewish music's presence in early modern Europe, but he has raised the humanistic stakes for all of us, unequivocally showing that not to know Jewish music is not to know early modern Europe. For this contribution to the history of ideas, all of us, students of Jewish music and of early modern history, are much indebted to Harran."--Journal of the American Musicological Society, "Harr´an has not solved the historiographical problem of Jewish music's presence in early modern Europe, but he has raised the humanistic stakes for all of us, unequivocally showing that not to know Jewish music is not to know early modern Europe. For this contribution to the history of ideas, all of us, students of Jewish music and of early modern history, are much indebted to Harra´an."--Journal of the American Musicological Society, "Harran has not solved the historiographical problem of Jewish music's presence in early modern Europe, but he has raised the humanistic stakes for all of us, unequivocally showing that not to know Jewish music is not to know early modern Europe. For this contribution to the history of ideas, all of us, students of Jewish music and of early modern history, are much indebted to Harraan."--Journal of the American Musicological Society
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
780/.92 B
Table Of Content
IntroductionEpilogue From Conflict to ConsonanceAppendix - WorksGlossary of Musical Terms for the General ReaderBibliographyIndex
Synopsis
Salamone Rossi (c.1570-c.1627) is the earliest outstanding Jewish composer to work in the European art music tradition - no others of his caliber are to be found until the 19th century. In his life and works, Rossi moved between two worlds: the court and the Jewish community in late Renaissance Mantua., Salamone Rossi (c.1570-c.1627) occupies a unique place in Renaissance music culture: he was the earliest outstanding Jewish composer to work in the European art music tradition. Working for the Gonzaga dukes in Mantua, yet remaining faithful to his own religious community, Rossi has a biography fraught with difficult and often exciting questions of socio-cultural order. How Rossi solved, or appears to have solved, the problem of conflicting interests is a subject worthy of inquiry, not only because we want to know more about Rossi, but also because Rossi can stand as a paradigm for other Jewish figures who, contemporary with him, moved between different cultures.
Copyright Date
1999
ebay_catalog_id
4
Description de l'objet du vendeur
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :386979422737
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Lieu où se trouve l'objet :
Calgary, Alberta, Canada
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Monde entier
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m***t (622)- Évaluation laissée par l'acheteur.
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As described. Fast ship. Thanks! Certainly "must read"
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Nice. Couriers had their way with the box it came in.
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Very Nice road atlas. A little pricey but worth it. Good seller.