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Paul Klee : Le visible et le lisible par Annie Bournuf (anglais) Hardcover Boo
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- Achat immédiatPaul Klee : Le visible et le lisible par Annie Bournuf (anglais) Hardcover Boo
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Numéro de l'objet eBay :386967418888
Dernière mise à jour : mai 22, 2024 21:27:59 HAEAfficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- ISBN-13
- 9780226091181
- Book Title
- Paul Klee
- ISBN
- 9780226091181
- Subject Area
- Art
- Publication Name
- Paul Klee : the Visible and the Legible
- Item Length
- 9 in
- Publisher
- University of Chicago Press
- Subject
- Individual Artists / General, History / Modern (Late 19th Century to 1945), History / General
- Publication Year
- 2015
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 1 in
- Item Width
- 7 in
- Item Weight
- 34.1 Oz
- Number of Pages
- 256 Pages
À propos de ce produit
Product Information
The book offers a new, original look at the great European modernist Paul Klee and the interplay of word and image in the work he produced after WWI, when the European avant-garde was at its most adamant. Bourneuf asks: why was it that Klee immersed himself in crossings of image and text at the same time that so much avant-garde art focused fiercely on the visual? She proposes that Klee created forms that hover between the pictorial and the written to provoke the viewer to look slowly and contemplatively, a mode of viewing the artist saw as both analogous to reading and threatened by new technological media such as film, mass printing, telephones, and radio. Bourneuf demonstrates how Klee's concern for the "literary" aspects of visual art is both the motive for and the means of his ironic play with modernist art theories and practices.
Product Identifiers
Publisher
University of Chicago Press
ISBN-10
022609118x
ISBN-13
9780226091181
eBay Product ID (ePID)
20038906536
Product Key Features
Publication Name
Paul Klee : the Visible and the Legible
Format
Hardcover
Language
English
Subject
Individual Artists / General, History / Modern (Late 19th Century to 1945), History / General
Publication Year
2015
Type
Textbook
Subject Area
Art
Number of Pages
256 Pages
Dimensions
Item Length
9 in
Item Height
1 in
Item Width
7 in
Item Weight
34.1 Oz
Additional Product Features
LCCN
2014-026786
Intended Audience
Scholarly & Professional
Lc Classification Number
N6888.K55b68 2015
Reviews
Klee continues to fascinate us as a painter, printmaker, and draftsman, but we are also drawn to his activities as a teacher, theorist, and writer. Bourneuf has provided a wonderfully provocative and nuanced reading that highlights the sometimes ambiguous and even ambivalent tension that arose for Klee at the intersection of these activities. This is a sophisticated work that contributes to the scholarship on Klee, the history of abstraction, and the historiography of modernism as well as the critical issues that frame image making/writing and reading/seeing., Scholars have been drawn to the literary in Klee's work. Annie Bourneuf's beautifully produced book provides one of the most detailed studies on this theme. There are fresh insights on every page. . . . Bourneuf gives a superb account of Klee's profound and endlessly fascinating imagination., For the leading art critics and theorists of Klee's day, to mix poetry with visual art, to integrate words with images, to conflate reading with looking, was to be vilified as 'literary.' His resistance to this orthodoxy and his deft, thoughtful, ingenious negotiation of this difficult terrain in the early years of his maturity is the subject of Bourneuf's impressive book. No one has previously treated this issue, so critical for understanding Klee's complex and idiosyncratic art, with the rigor, sensitivity, and sheer intellectual zest that Bourneuf has brought to it. Her book will have a decisive impact not only on Klee scholarship but on modern art studies more generally., Klee continues to fascinate us as a painter, printmaker, and draftsman, but we are also drawn to his activities as a teacher, theorist, and writer. Bourneuf has provided a wonderfully provocative and nuanced reading that highlights the sometimes ambiguous and even ambivalent tension that arose for Klee at the intersection of these activities. This is a sophisticated work that contributes to the scholarship on Klee, the history of abstraction, and the historiography of Modernism as well as the critical issues that frame image making/writing and reading/seeing., For the leading art critics and theorists of Klee's day, to mix poetry with visual art, to integrate words with images, to conflate reading with looking, was to be vilified as 'literary.' His resistance to this orthodoxy and his deft, thoughtful, ingenious negotiation of this difficult terrain in the early years of his maturity is the subject of Bourneuf's impressive book. No one has previously treated this issue, so critical for understanding Klee's complex and idiosyncratic art, with the rigor, sensitivity, and sheer intellectual zest that Bourneuf has brought to it. Her book will have a decisive impact not only on Klee scholarship but on modern art studies more generally., Bourneuf's cogent and scholarly discussion illuminates Klee's critical engagement with the ideas and practices of other artists, including Kandinsky, van Doesburg and Moholy-Nagy. . . . This book offers a salutary lesson for artists who mistakenly imagine painting to be simply about technique and making and who have constructed an illusory division between practice and theory. Bourneuf effectively demonstrates how Klee's artwork is itself a critique of theories and practices, and she conjures up for the reader the muscularity of artists' thinking about art in that period., "Bourneuf's analysis of Klee's most important and prolific creative phase reinforces [an] understanding of the artist as a highly intelligent strategist. . . . Recommended." , With analyses that are wonderful to read and brilliantly contextualized, Paul Klee: The Visible and the Legible shows how complex and, within the years from 1916 to 1923, how variable Klee's artistic positions are., By far the historically most thorough and perceptive investigation of the role of reading and writing in Klee's work, this study is an excellent contribution to Klee scholarship and certainly the best book on him available today. Bourneuf introduces a significant number of little-known passages from Klee's own writings or early criticism into the discussion, and her interpretations of individual works are masterfully crafted., Bourneuf's analysis of Klee's most important and prolific creative phase reinforces [an] understanding of the artist as a highly intelligent strategist. . . . Recommended., For the leading art critics and theorists of Klee's day, to mix poetry with visual art, to integrate words with images, to conflate reading with looking, was to be vilified as 'literary.' His resistance to this orthodoxy and his deft, thoughtful, ingenious negotiation of this difficult terrain in the early years of his maturity is the subject of Bourneuf's impressive book. No one has previously treated this issue, so critical for understanding Klee's complex and idiosyncratic art, with the rigor, sensitivity, and sheer intellectual zest that Bourneuf has brought to it. Her book will have a decisive impact not only on Klee scholarship, but on modern art studies more generally.
Table of Content
Acknowledgments Note on Klee's Sequential Numbering System Introduction 1 The "Painter-Draftsman" 2 Seeing and Speculating 3 A Refuge for Script Epilogue: Old Sound Notes Index
Copyright Date
2015
Dewey Decimal
740.92
Dewey Edition
23
Illustrated
Yes
Description de l'objet du vendeur
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :386967418888
Dernière mise à jour : mai 22, 2024 21:27:59 HAEAfficher toutes les modificationsAfficher toutes les modifications
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Great book
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