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Renaissance anachronique - Ongle, Alexandre (livre de poche)

État :
Entièrement neuf
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Lieu : Fraser, Michigan, États-Unis
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Numéro de l'objet eBay :386948556248
Dernière mise à jour : mai 27, 2024 22:35:03 HAEAfficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État
Entièrement neuf: Un livre neuf, non lu, non utilisé et en parfait état, sans aucune page manquante ...
Brand
Nagel, Alexander
ISBN
9781942130345
Book Title
Anachronic Renaissance
Item Length
10.7 in
Publisher
Zone Books
Publication Year
2020
Format
Trade Paperback
Language
English
Illustrator
Yes
Item Height
1 in
Author
Alexander Nagel, Christopher S. Wood
Genre
Art
Topic
General, History / Renaissance
Item Width
7.2 in
Item Weight
33.6 Oz
Number of Pages
456 Pages

À propos de ce produit

Product Information

A reconsideration of the problem of time in the Renaissance, examining the complex and layered temporalities of Renaissance images and artifacts. In this widely anticipated book, two leading contemporary art historians offer a subtle and profound reconsideration of the problem of time in the Renaissance. Alexander Nagel and Christopher Wood examine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. Anachronic Renaissance reveals a web of paths traveled by works and artists--a landscape obscured by art history's disciplinary compulsion to anchor its data securely in time. The buildings, paintings, drawings, prints, sculptures, and medals discussed were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be Early Christian antiquities, the acheiropoieton (or "image made without hands"), the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. Although a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. This book is not the story about the Renaissance, nor is it just a story. It imagines the infrastructure of many possible stories.

Product Identifiers

Publisher
Zone Books
ISBN-10
1942130341
ISBN-13
9781942130345
eBay Product ID (ePID)
5038669474

Product Key Features

Book Title
Anachronic Renaissance
Author
Alexander Nagel, Christopher S. Wood
Format
Trade Paperback
Language
English
Topic
General, History / Renaissance
Publication Year
2020
Illustrator
Yes
Genre
Art
Number of Pages
456 Pages

Dimensions

Item Length
10.7 in
Item Height
1 in
Item Width
7.2 in
Item Weight
33.6 Oz

Additional Product Features

Intended Audience
Trade
Lc Classification Number
N6370.N34 2020
Reviews
"Nagel and Wood have written an atlas to an unknown Renaissance. In place of the pageant of genius after genius, familiar from Vasari on, they reveal an unfamiliar landscape, crowded with eccentric talents and forgotten genres. Their pages give ample scope to what, in other histories, would be confined to the footnotes: micro-mosaics, miraculous images, flying houses and forgeries of non-existent paintings." ---Jacob Mikanowski, Bookslut, "Within a work of art a multiplicity of times can coexist in such a way as to produce a disorienting effect in its audience. How is this in evidence in works of Renaissance art? How do they confront the great changes introduced by printing, which renders images reproducible? How is it that references to different periods enter into the heart of a work, such as to become almost a manifesto of a poetics, expressions of a whole conception of the work of art and of its history? And what are the boundaries between copy, fake, and citation? These are the central themes of a fascinating and difficult book, which demands from its reader a commitment that it does not disappoint." ---Lina Bolzoni, Il Sole 24 Ore, "The main contribution of Anachronic Renaissance remains its strong challenge to the continued dominance of 'style' in art history, as the evidentiary mark of artist and period alike. In one sense, then, the book is a continuation of the postmodernist critique of 'the author' in the very field where such categories were first made central. But it is also a critique of the new default of the discipline, a social history of art that often lapses into mechanical studies of 'context' with little concern for class and even less for art." ---Hal Foster, London Review of Books, " Anachronic Renaissance is a book so rich, challenging, and stimulating that every critique runs the risk of appearing as nitpicking. . . . In its intellectual ambitions ... [it] seeks to reconceptualize nothing less than the idea of Renaissance art, north and south of the Alps. It is a fascinating, learned, and honest invitation to discussion, a must not only for Renaissance scholars." ---Frank Fehrenbach, CAA Reviews
Copyright Date
2010
Lccn
2021-302664
Dewey Decimal
709.02/4
Dewey Edition
22

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