Photo 1 sur 1

Vous en avez un à vendre?

Vendez le vôtre

Performing the US Latina & Latino Borderlands, couverture rigide par Aldama, Arturo J...

État :

Comme neuf

Prix :

109,59 $US

Environ149,48 $C

Ayez l'esprit tranquille. Renvois acceptés.

Expédition :

Sans frais Economy Shipping. En savoir plussur l'expédition

Lieu : Jessup, Maryland, États-Unis

Livraison :

Livraison prévue entre le ven. 7 juin et le mar. 18 juin à 43230

Renvois :

Renvoi sous 14jours. L'acheteur paie les frais de port du renvoi. En savoir plus- pour en savoir plus sur les renvois

Paiements :

Magasinez en toute confiance

Garantie de remboursement eBay

Recevez l'objet commandé ou obtenez un remboursement.

En savoir plusGarantie de remboursement eBay - s'ouvre dans une nouvelle fenêtre ou un nouvel onglet

Informations sur le vendeur

greatbookprices1 (302981)
96,8% d'évaluations positives

Inscrit comme vendeur professionnel

Signaler cet objet - s'ouvre dans une nouvelle fenêtre ou un nouvel onglet

Le vendeur assume l'entière responsabilité de cette annonce.

Numéro de l'objet eBay :386833928974

Dernière mise à jour : mai 20, 2024 16:08:23 HAEAfficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État: Comme neuf: Un livre qui a l’air neuf mais qui a été lu. La couverture ne présente pas d’usure et ... Comme neuf: Un livre qui a l’air neuf mais qui a été lu. La couverture ne présente pas d’usure et la jaquette est incluse (dans le cas des livres reliés). Il n'y a aucune page manquante ou endommagée, aucun pli, aucune déchirure, aucun passage surligné ou souligné et aucune inscription en marge. Il est possible que le contreplat porte d'infimes marques d'identification. Le livre présente des traces d'usure infimes. Afficher toutes les définitions d'état(s'ouvre dans une nouvelle fenêtre ou un nouvel onglet)

Book Title: Performing the US Latina & Latino Borderlands

ISBN: 9780253002952

Publication Year: 2012

Type: Textbook

Format: Hardcover

Language: English

Publication Name: Performing the Us Latina and Latino Borderlands

Item Height: 0.6in

Author: Maria Lugones

Item Length: 9in

Publisher: Indiana University Press

Item Width: 6in

Item Weight: 29.6 Oz

Number of Pages: 522 Pages

À propos de ce produit

Product Information

In this interdisciplinary volume, contributors analyze the expression of Latina/o cultural identity through performance. With music, theater, dance, visual arts, body art, spoken word, performance activism, fashion, and street theater as points of entry, contributors discuss cultural practices and the fashoning of identity in Latino/a communities throughout the US. Examining the areas of crossover between Latin and American cultures gives new meaning to the notion of "borderlands." This volume features senior scholars and up-and-coming academics from cultural, visual, and performance studies, folklore, and ethnomusicology.

Product Identifiers

Publisher

Indiana University Press

ISBN-10

0253002958

ISBN-13

9780253002952

eBay Product ID (ePID)

110825104

Product Key Features

Author

Maria Lugones

Publication Name

Performing the Us Latina and Latino Borderlands

Format

Hardcover

Language

English

Publication Year

2012

Type

Textbook

Number of Pages

522 Pages

Dimensions

Item Length

9in

Item Height

0.6in

Item Width

6in

Item Weight

29.6 Oz

Additional Product Features

Lc Classification Number

Pn1590.H57p47 2012

Grade from

College Graduate Student

Reviews

This collection brings together a wealth of Latino Studies scholars in a dynamic interdisciplinary dialogue around issues of performance, identity, and de-colonization. The valuable conversations that emerge from their essays extend into many scholarly disciplines, including Latin American Studies, Queer and Gender Studies, and African American Studies., The essays in Performing the US Latina & Latino Borderlands expand the field of Latina/o cultural studies while situating innovative discussions of performance in the context of borderlands studies. In its totality, the collection focuses on specific formations of collective identities-in-resistance, or what the editors call, the performance of a "borderland consciousness." Performing the US Latina & Latino Borderlands is suitable for graduate and upper undergraduate courses in Latina/o American studies, ethnic and cultural studies, and performance studies.--Alicia Arrizon "author of Queering Mestizaje: Transculturation and Performance ", I would recommend this book for scholars interested in learning about diverse ways that marginalized populations seize the tools of performance and alter them to shift the story. . . Each chapter contains enough cultural context for scholars unfamiliar with Latina/o Studies and enough entertaining performance for everyone., "This collection brings together a wealth of Latino Studies scholars in a dynamic interdisciplinary dialogue around issues of performance, identity, and de-colonization. The valuable conversations that emerge from their essays extend into many scholarly disciplines, including Latin American Studies, Queer and Gender Studies, and African American Studies." -Emily Maguire, author of Experiments in Cuban Literature and Ethnography, "The essays in Performing the US Latina & Latino Borderlands expand the field of Latina/o cultural studies while situating innovative discussions of performance in the context of borderlands studies. In its totality, the collection focuses on specific formations of collective identities-in-resistance, or what the editors call, the performance of a "borderland consciousness". Performing the US Latina & Latino Borderlands is suitable for graduate and upper undergraduate courses in Latina/o American studies, ethnic and cultural studies, and performance studies." -Alicia Arrizón, author of Queering Mestizaje: Transculturation and Performance, "The essays in Performing the US Latina & Latino Borderlands expand the field of Latina/o cultural studies while situating innovative discussions of performance in the context of borderlands studies. In its totality, the collection focuses on specific formations of collective identities-in-resistance, or what the editors call, the performance of a "borderland consciousness". Performing the US Latina & Latino Borderlands is suitable for graduate and upper undergraduate courses in Latina/o American studies, ethnic and cultural studies, and performance studies." -Alicia Arriz&ón, author of Queering Mestizaje: Transculturation and Performance, The essays in Performing the US Latina & Latino Borderlands expand the field of Latina/o cultural studies while situating innovative discussions of performance in the context of borderlands studies. In its totality, the collection focuses on specific formations of collective identities-in-resistance, or what the editors call, the performance of a "borderland consciousness". Performing the US Latina & Latino Borderlands is suitable for graduate and upper undergraduate courses in Latina/o American studies, ethnic and cultural studies, and performance studies., "This timely volume utilizes a growing body of scholarship in the field of performance studies, while filling in significant gaps and expanding the objects of study in the area of Latina performance. The editors have selected a wide range of essays that represent a splendid array of topics and themes of intrinsic interest to the field." -Yvonne Yarbro Bejarano, author of The Wounded Heart: Writing on Cherríe Moraga, "I would recommend this book for scholars interested in learning about diverse ways that marginalized populations seize the tools of performance and alter them to shift the story... Each chapter contains enough cultural context for scholars unfamiliar with Latina/o Studies and enough entertaining performance for everyone." --Text and Presentation, This timely volume utilizes a growing body of scholarship in the field of performance studies, while filling in significant gaps and expanding the objects of study in the area of Latina performance. The editors have selected a wide range of essays that represent a splendid array of topics and themes of intrinsic interest to the field., "This timely volume utilizes a growing body of scholarship in the field of performance studies, while filling in significant gaps and expanding the objects of study in the area of Latina performance. The editors have selected a wide range of essays that represent a splendid array of topics and themes of intrinsic interest to the field."--Yvonne Yarbro Bejarano, author of The Wounded Heart: Writing on Cherríe Moraga "This collection brings together a wealth of Latino Studies scholars in a dynamic interdisciplinary dialogue around issues of performance, identity, and de-colonization. The valuable conversations that emerge from their essays extend into many scholarly disciplines, including Latin American Studies, Queer and Gender Studies, and African American Studies."--Emily Maguire, author of Experiments in Cuban Literature and Ethnography "The essays in Performing the US Latina & Latino Borderlands expand the field of Latina/o cultural studies while situating innovative discussions of performance in the context of borderlands studies. In its totality, the collection focuses on specific formations of collective identities-in-resistance, or what the editors call, the performance of a "borderland consciousness". Performing the US Latina & Latino Borderlands is suitable for graduate and upper undergraduate courses in Latina/o American studies, ethnic and cultural studies, and performance studies."--Alicia Arrizón, author of Queering Mestizaje: Transculturation and Performance " Performing the US Latina and Latino Borderlands is a vital addition to the growing body of scholarship focused on the ''performatics'' of border-crossers, bordernatives, and border-inhabitants as necessary sources of knowledge."-- Latino Studies "I would recommend this book for scholars interested in learning about diverse ways that marginalized populations seize the tools of performance and alter them to shift the story. . . Each chapter contains enough cultural context for scholars unfamiliar with Latina/o Studies and enough entertaining performance for everyone."-- Text and Presentation

Table of Content

Foreword \ Alicia Gaspar de Alba Introduction: Toward a De-Colonial Performatics of the US Latina and Latino Borderlands \ Chela Sandoval, Arturo J. Aldama, and Peter J. García ACTO 1. Performing Emancipation: Inner Work, Public Acts 1. Body as Codex-ized Word / Cuerpo Como Palabra (en-)Códice-ado: Chicana/Indígena and Mexican Transnational Performative Indigeneities \ Micaela Díaz-Sánchez 2. Milongueando Macha Homoerotics: Dancing the Tango, Torta Style (a Performative Testimonio) \ Maria Lugones 3. The Other Train That Derails Us: Performing Latina Anxiety Disorder in "The Night before Christmas" \ Angie Chabram-Dernersesian 4. The Art of Place: The Work of Diane Gamboa \ Karen Mary Davalos 5. Human Rights, Conditioned Choices, and Performance in Ana Castillo's Mixquihuala Letters \ Carl Gutiérrez-Jones 6. Decolonizing Gender Performativity: A Thesis for Emancipation in Early Chicana Feminist Thought (19691979) \ Daphne V. Taylor-García ACTO 2. Ethnographies of Performance: The Río Grande and Beyond 7. Performing Indigeneity in a South Texas Community: Los Matachines de la Santa Cruz \ Norma E. Cantú 8. Re-Membering Chelo Silva: The Bolero in Chicana Perspective (Women's Bodies and Voices in Postrevolutionary Urbanization: The Bohemian, Urban, and Transnational) \ Yolanda Broyles-González 9. Roland Barthes, Mojado, in Brownface: Chisme-laced Snapshots Documenting the Preposterous and Fact-laced Claim That the Postmodern Was Born along the Borders of the Río Grande River \ William Anthony Nericcio 10. Decolonial Border Queers: Case Studies of Chicana/o Lesbians, Gay Men, and Transgender Folks in El Paso / Juárez \ Emma Pérez 11 "Te Amo, Te Amo, Te Amo": Lorenzo Antonio and Sparx Performing Nuevo México Music \ Peter J. García 12. Sonic Geographies and Anti-Border Musics: "We Didn't Cross the Border, the Borders Crossed Us" \ Roberto D. Hernández 13. Lila Downs's Borderless Performance: Transculturation and Musical Communication \ Brenda M. Romero ACTO 3. Nepantla Aesthetics in the Trans/Nacional 14. El Macho: How the Women of Teatro Luna Became Men \ Paloma Martínez-Cruz and Liza Ann Acosta 15. Suturing Las Ramblas to East LA: Transnational Performances of Josefina López's Real Women Have Curves \ Tiffany Ana López 16. Loving Revolution: Same-Sex Marriage and Queer Resistance in Monica Palacios's Amor y Revolución \ Marivel T. Danielson 17. Is Ugly Betty a Real Woman? Representations of Chicana Femininity Inscribed as a Site of (Transformative) Difference \ Jennifer Esposito 18. Indian Icon, Gay Macho: Felipe Rose of Village People \ Gabriel S. Estrada ACTO 4. (De)Criminalizing Bodies: Ironies of Performance 19. No Somos Criminales: Crossing Borders in Contemporary Latina and Latino Music \ Arturo J. Aldama 20. "Pelones y Matones": Chicano Cholos Perform for a Punitive Audience \ Victor M. Rios and Patrick Lopez-Aguado 21. Mexica Hip Hop: Male Expressive Culture \ Pancho McFarland 22. The Latino Comedy Project and Border Humor in Performance \ Jennifer Alvarez Dickinson 23. (Re)Examining the Latin Lover: Screening Chicano/Latino Sexualities \ Daniel Enrique Pérez 24. Rumba's Democratic Circle in the Age of Legal Simulacra \ Berta Jottar-Palenzuela List of Contributors Index, Foreword \ Alicia Gaspar de Alba Introduction: Toward a De-Colonial Performatics of the US Latina and Latino Borderlands \ Chela Sandoval, Arturo J. Aldama, and Peter J. García ACTO 1. Performing Emancipation: Inner Work, Public Acts 1. Body as Codex-ized Word / Cuerpo Como Palabra (en-)Códice-ado: Chicana/Indígena and Mexican Transnational Performative Indigeneities \ Micaela Díaz-Sánchez 2. Milongueando Macha Homoerotics: Dancing the Tango, Torta Style (a Performative Testimonio) \ Maria Lugones 3. The Other Train That Derails Us: Performing Latina Anxiety Disorder in "The Night before Christmas" \ Angie Chabram-Dernersesian 4. The Art of Place: The Work of Diane Gamboa \ Karen Mary Davalos 5. Human Rights, Conditioned Choices, and Performance in Ana Castillo's Mixquihuala Letters \ Carl Gutiérrez-Jones 6. Decolonizing Gender Performativity: A Thesis for Emancipation in Early Chicana Feminist Thought (1969-1979) \ Daphne V. Taylor-García ACTO 2. Ethnographies of Performance: The Río Grande and Beyond 7. Performing Indigeneity in a South Texas Community: Los Matachines de la Santa Cruz \ Norma E. Cantú 8. Re-Membering Chelo Silva: The Bolero in Chicana Perspective (Women's Bodies and Voices in Postrevolutionary Urbanization: The Bohemian, Urban, and Transnational) \ Yolanda Broyles-González 9. Roland Barthes, Mojado, in Brownface: Chisme-laced Snapshots Documenting the Preposterous and Fact-laced Claim That the Postmodern Was Born along the Borders of the Río Grande River \ William Anthony Nericcio 10. Decolonial Border Queers: Case Studies of Chicana/o Lesbians, Gay Men, and Transgender Folks in El Paso / Juárez \ Emma Pérez 11 "Te Amo, Te Amo, Te Amo": Lorenzo Antonio and Sparx Performing Nuevo México Music \ Peter J. García 12. Sonic Geographies and Anti-Border Musics: "We Didn't Cross the Border, the Borders Crossed Us" \ Roberto D. Hernández 13. Lila Downs's Borderless Performance: Transculturation and Musical Communication \ Brenda M. Romero ACTO 3. Nepantla Aesthetics in the Trans/Nacional 14. El Macho: How the Women of Teatro Luna Became Men \ Paloma Martínez-Cruz and Liza Ann Acosta 15. Suturing Las Ramblas to East LA: Transnational Performances of Josefina López's Real Women Have Curves \ Tiffany Ana López 16. Loving Revolution: Same-Sex Marriage and Queer Resistance in Monica Palacios's Amor y Revolución \ Marivel T. Danielson 17. Is Ugly Betty a Real Woman? Representations of Chicana Femininity Inscribed as a Site of (Transformative) Difference \ Jennifer Esposito 18. Indian Icon, Gay Macho: Felipe Rose of Village People \ Gabriel S. Estrada ACTO 4. (De)Criminalizing Bodies: Ironies of Performance 19. No Somos Criminales: Crossing Borders in Contemporary Latina and Latino Music \ Arturo J. Aldama 20. "Pelones y Matones": Chicano Cholos Perform for a Punitive Audience \ Victor M. Rios and Patrick Lopez-Aguado 21. Mexica Hip Hop: Male Expressive Culture \ Pancho McFarland 22. The Latino Comedy Project and Border Humor in Performance \ Jennifer Alvarez Dickinson 23. (Re)Examining the Latin Lover: Screening Chicano/Latino Sexualities \ Daniel Enrique Pérez 24. Rumba's Democratic Circle in the Age of Legal Simulacra \ Berta Jottar-Palenzuela List of Contributors Index

2012

Topic

Ethnic Studies / Hispanic American Studies, General

Lccn

2012-013047

Dewey Decimal

790.20868

Intended Audience

Scholarly & Professional

Dewey Edition

Illustrated

Yes

Genre

Social Science, Performing Arts

Description de l'objet du vendeur

Le vendeur assume l'entière responsabilité de cette annonce.

Numéro de l'objet eBay :386833928974

Dernière mise à jour : mai 20, 2024 16:08:23 HAEAfficher toutes les modificationsAfficher toutes les modifications

Expédition et manutention

Lieu où se trouve l'objet :

Jessup, Maryland, États-Unis

Expédition :

Afghanistan, Afrique du Sud, Albanie, Algérie, Allemagne, Amériques, Andorre, Anguilla, Antigua-et-Barbuda, Argentine, Arménie, Aruba, Australie, Autriche, Azerbaïdjan, Bahamas, Bahreïn, Bangladesh, Belgique, Bermudes, Bhoutan, Bolivie, Bosnie-Herzégovine, Brunéi Darussalam, Bulgarie, Burkina Faso, Burundi, Bélize, Bénin, Cambodge, Cameroun, Canada, Chili, Chine, Chypre, Colombie, Corée du Sud, Costa Rica, Côte d'Ivoire, Danemark, Djibouti, Espagne, Estonie, Europe, Fidji, Finlande, Gabon, République du, Gambie, Ghana, Gibraltar, Grenade, Groenland, Grèce, Guatemala, Guinée, Guinée équatoriale, Guinée-Bissau, Guyana, Géorgie, Haïti, Honduras, Hong Kong, Hongrie, Inde, Indonésie, Irlande, Islande, Israël, Italie, Jamaïque, Japon, Jordanie, Kazakhstan, Kenya, Kirghizistan, Kiribati, Koweït, Lettonie, Liban, Libéria, Liechtenstein, Lituanie, Luxembourg, Macao, Madagascar, Malaisie, Malawi, Maldives, Mali, Malte, Maroc, Mauritanie, Mexique, Moldavie, Monaco, Mongolie, Montserrat, Monténégro, Mozambique, Namibie, Nauru, Nicaragua, Niger, Norvège, Nouvelle-Zélande, Népal, Oman, Ouganda, Ouzbékistan, Pakistan, Panama, Papouasie-Nouvelle-Guinée, Paraguay, Pays-Bas, Philippines, Pologne, Portugal, Pérou, Qatar, Roumanie, Royaume-Uni, Rwanda, République centrafricaine, République de Croatie, République dominicaine, République du Congo, République démocratique du Congo, République tchèque, Saint-Kitts-et-Nevis, Saint-Marin, Saint-Vincent-et-les Grenadines, Sainte-Lucie, Salvador, Samoa, Serbie, Sierra Leone, Singapour, Slovaque, Slovénie, Sri Lanka, Suisse, Suriname, Suède, Sénégal, Tanzanie, Taïwan, Thaïlande, Togo, Tonga, Trinité-et-Tobago, Tunisie, Vanuatu, Vietnam, Wallis-et-Futuna, Zambie, Zimbabwe, Égypte, Émirats arabes unis, Équateur, Érythrée, État de la Cité du Vatican, Éthiopie, Îles Caïmans, Îles Salomon, Îles Turks et Caicos, Îles du Cap-Vert

Lieux exclus :

Adresses militaires ou navales, Angola, Arabie saoudite, Barbade, Botswana, Brésil, France, Guadeloupe, Guyane française, Laos, Lesotho, Libye, Macédoine, Martinique, Nigeria, Nouvelle-Calédonie, Polynésie française, Protectorats des États-Unis, Russie, Réunion, Saint-Pierre-et-Miquelon, Seychelles, Swaziland, Tadjikistan, Tchad, Turkménistan, Turquie, Ukraine, Uruguay, Venezuela, Yémen, Île Maurice

Changer de pays :

Code postal :

Expédition et manutention	À	Service	Livraison*Voir les remarques sur la livraison
Expédition sans frais	États-Unis	Economy Shipping	Livraison prévue entre le ven. 7 juin et le mar. 18 juin à 43230

*Les dates de livraison approximatives – s'ouvre dans une nouvelle fenêtre ou un nouvel onglet tiennent compte du délai de manutention du vendeur, du code postal de l'expéditeur, du code postal du destinataire et de l'heure de l'acceptation et dépendent du service d'expédition sélectionné et de la réception du paiement. Les délais de livraison peuvent varier, particulièrement lors de périodes achalandées.Remarques - Livraison *Les dates de livraison approximatives tiennent compte du délai de manutention du vendeur, du code postal de l'expéditeur, du code postal du destinataire et de l'heure de l'acceptation et dépendent du service d'expédition sélectionné et de la réception du paiement. Les délais de livraison peuvent varier, particulièrement lors de périodes achalandées.

Délai de manutention

Expédition dans les 10 jours ouvrables après réception du paiement.

Taxes

Le vendeur facture une taxe de vente dans