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Danger Diabolik, livre de poche par Hunt, Leon, comme neuf d'occasion, livraison gratuite aux États-Unis
19,51 $US
Environ26,49 $C
État :
Comme neuf
Un livre qui a l’air neuf mais qui a été lu. La couverture ne présente pas d’usure et la jaquette est incluse (dans le cas des livres reliés). Il n'y a aucune page manquante ou endommagée, aucun pli, aucune déchirure, aucun passage surligné ou souligné et aucune inscription en marge. Il est possible que le contreplat porte d'infimes marques d'identification. Le livre présente des traces d'usure infimes.
2 disponibles
- Achat immédiatDanger Diabolik, livre de poche par Hunt, Leon, comme neuf d'occasion, livraison gratuite aux États-Unis
Expédition :
Sans frais Economy Shipping.
Lieu : Jessup, Maryland, États-Unis
Livraison :
Livraison prévue entre le ven. 4 oct. et le jeu. 10 oct. à 43230
Renvois :
Renvoi sous 14jours. L'acheteur paie les frais de renvoi.
Paiements :
Magasinez en toute confiance
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :383487380095
Dernière mise à jour : sept. 17, 2024 02:17:03 HAEAfficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Book Title
- Danger Diabolik
- ISBN
- 9780231182812
- Subject Area
- Performing Arts
- Publication Name
- Danger: Diabolik
- Publisher
- WallFlower Jeans Press
- Item Length
- 7 in
- Subject
- Film / Guides & Reviews, Film / Direction & Production, Film / History & Criticism
- Publication Year
- 2018
- Series
- Cultographies Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.5 in
- Item Weight
- 4.7 Oz
- Item Width
- 4.3 in
- Number of Pages
- 128 Pages
À propos de ce produit
Product Identifiers
Publisher
WallFlower Jeans Press
ISBN-10
0231182813
ISBN-13
9780231182812
eBay Product ID (ePID)
237995439
Product Key Features
Number of Pages
128 Pages
Publication Name
Danger: Diabolik
Language
English
Publication Year
2018
Subject
Film / Guides & Reviews, Film / Direction & Production, Film / History & Criticism
Type
Textbook
Subject Area
Performing Arts
Series
Cultographies Ser.
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
4.7 Oz
Item Length
7 in
Item Width
4.3 in
Additional Product Features
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
791.4372
Table Of Content
Acknowledgements Introduction: Diabolik, chi sei? 1. From fumetto nero to 'wild and kooky cape-opera': Production, promotion, initial reception 2. 'Uh-oh - it's getting groovy!': The cult afterlife of Danger: Diabolik 3. Fantômas all'italiana: Analysis 4. Genius of Crime: The place of the film Notes Bibliography Index
Synopsis
Danger: Diabolik (1968) was adapted from a comic that has been a social phenomenon in Italy for over fifty years, featuring a masked master criminal--part Fant mas, part James Bond--and his elegant companion Eva Kant. The film partially reinvents the character as a countercultural prankster, subverting public officials and the national economy, and places him in a luxurious and futuristic underground hideout and Eva in a series of unforgettable outfits. A commercial disappointment on its original release, Danger: Diabolik 's reputation has grown along with that of its director, Mario Bava, the quintessential cult auteur, while the pop-art glamour of its costumes and sets have caught the imagination of such people as Roman Coppola and the Beastie Boys. This study examines its status as a comic-book movie, including its relation both to the original fumetto and to its sister-film, Barbarella . It traces its production and initial reception in Italy, France, the U.S., and the UK, and its cult afterlife as both a pop-art classic and campy "bad film" featured in the final episode of Mystery Science Theatre 3000 ., Danger: Diabolik (1968) was adapted from a comic that has been a social phenomenon in Italy for over fifty years, featuring a masked master criminal--part Fantomas, part James Bond--and his elegant companion Eva Kant. The film partially reinvents the character as a countercultural prankster, subverting public officials and the national economy, and places him in a luxurious and futuristic underground hideout and Eva in a series of unforgettable outfits. A commercial disappointment on its original release, Danger: Diabolik 's reputation has grown along with that of its director, Mario Bava, the quintessential cult auteur, while the pop-art glamour of its costumes and sets have caught the imagination of such people as Roman Coppola and the Beastie Boys. This study examines its status as a comic-book movie, including its relation both to the original fumetto and to its sister-film, Barbarella . It traces its production and initial reception in Italy, France, the U.S., and the U.K., and its cult afterlife as both a pop-art classic and campy "bad film" featured in the final episode of Mystery Science Theatre 3000 ., Danger: Diabolik (1968) was adapted from a comic that has been a social phenomenon in Italy for over fifty years, featuring a masked master criminal--part Fantômas, part James Bond--and his elegant companion Eva Kant. The film partially reinvents the character as a countercultural prankster, subverting public officials and the national economy, and places him in a luxurious and futuristic underground hideout and Eva in a series of unforgettable outfits. A commercial disappointment on its original release, Danger: Diabolik 's reputation has grown along with that of its director, Mario Bava, the quintessential cult auteur, while the pop-art glamour of its costumes and sets have caught the imagination of such people as Roman Coppola and the Beastie Boys. This study examines its status as a comic-book movie, including its relation both to the original fumetto and to its sister-film, Barbarella . It traces its production and initial reception in Italy, France, the U.S., and the UK, and its cult afterlife as both a pop-art classic and campy "bad film" featured in the final episode of Mystery Science Theatre 3000 ., Danger: Diabolik (1968) was adapted from a comic that has been a social phenomenon in Italy for over fifty years. This study examines its status as a comic-book movie, traces its production and initial reception in Italy, France, the U.S., and the UK, and its cult afterlife as both a pop-art classic and campy "bad film."
LC Classification Number
PN1997.D284H86 2018
Description de l'objet du vendeur
Évaluations comme vendeur (353 266)
- o***l (310)- Évaluation laissée par l'acheteur.Dernière annéeAchat vérifiéThe item was described to a Tee. Very good communication. Shipping was just a little slow. The box the set of books comes in was damaged (bent corners) due to packaging. Not a deal breaker because the grand kids will not store in that box; might be if it were to be given as a present. The three books in the box arrived in prefect shape. I WOULD purchase from greatbookprices1 again in the future. ThanksConstruction Site Board Books Set, Hardcover by Rinker, Sherri Duskey; Lichte... (#364394914625)
- i***y (710)- Évaluation laissée par l'acheteur.Six derniers moisAchat vérifié2 volumes of Pogo comic strips, new and in perfect condition. Price was good, but shipping cost ($30 for two books) seems like a lot for how long it took to get delivered (23 days from Illinois to Spain). Also, seller communication was not great. First two times I wrote, their response did not address question. Third response explained at length about the private courier service they use and how it should take 1-10 business days to deliver. Maybe they should consider a different courier service.
- r***_ (107)- Évaluation laissée par l'acheteur.Dernier moisAchat vérifié*Same as the other review* Purchased two box sets from this seller with one being advertised as "like new" but was delivered as if it was actually new. Shipping time was a little slow, takes about 10 days to ship out and it takes a while to get through the system. But the packing was great and I'm still overall happy with my purchase.