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Comprendre le design dans la production cinématographique : utiliser l'art, la lumière et les lieux pour raconter...

by Freedman Doyle, Barbara | PB | VeryGood
État :
Très bon
May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend ... En savoir plussur l'état
Prix :
30,09 $US
Environ41,23 $C
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Lieu : Aurora, Illinois, États-Unis
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Livraison prévue entre le lun. 24 juin et le jeu. 27 juin à 43230
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Numéro de l'objet eBay :375408222977

Caractéristiques de l'objet

État
Très bon
Un livre qui n’a pas l’air neuf et qui a été lu, mais qui est en excellent état. La couverture ne présente aucun dommage apparent et la jaquette (si applicable) est incluse (dans le cas des livres à reliure). Il n'y a aucune page manquante ou endommagée, aucun pli, aucune déchirure, aucun passage surligné ou souligné et aucune inscription en marge. Il est possible que le contreplat porte d'infimes marques d'identification. Le livre présente des traces d'usure infimes. Afficher toutes les définitions d'état(s'ouvre dans une nouvelle fenêtre ou un nouvel onglet)
Remarques du vendeur
“May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend ...
Binding
Paperback
Weight
0 lbs
Product Group
Book
IsTextBook
No
ISBN
9781138058705
Subject Area
Performing Arts
Publication Name
Understanding Design in Film Production : Using Art, Light and Locations to Tell Your Story
Item Length
8.9 in
Publisher
Routledge
Subject
Film / Screenwriting, Film / Direction & Production
Publication Year
2019
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.6 in
Author
Will Akers, Barbara Freedman Doyle
Item Width
6 in
Item Weight
22.6 Oz
Number of Pages
246 Pages

À propos de ce produit

Product Information

Great visual storytelling is possible on a minimal budget, but you have to spend a lot of energy thinking and planning. In Understanding Design in Film Production , author Barbara Freedman Doyle demonstrates how to use production design, cinematography, lighting, and locations to create an effective and compelling visual story, even on the tightest of budgets. Featuring in-depth interviews with production designers, set decorators, construction coordinators, cinematographers, costumers, and location managers talking about the techniques of their craft, it provides you with a feel for what everyone on the visual team does, how they think and plan, and how best to utilize the knowledge and skills they offer. This book guides you through how to find, secure, and manage the best locations, how to create and dress a set, and how to make old look new and new look old--all on a tight budget. With insights from experts at the top of their field, sharing how they plan for the real-world application of large-scale ideas, you'll be able to see ways to apply their techniques to your own smaller-scale productions. Understanding Design in Film Production is a practical, hands-on guide for any aspiring filmmaker who wants to understand the basic principles of visual design in order to create exceptional looking films.

Product Identifiers

Publisher
Routledge
ISBN-10
113805870x
ISBN-13
9781138058705
eBay Product ID (ePID)
4038667313

Product Key Features

Author
Will Akers, Barbara Freedman Doyle
Publication Name
Understanding Design in Film Production : Using Art, Light and Locations to Tell Your Story
Format
Trade Paperback
Language
English
Subject
Film / Screenwriting, Film / Direction & Production
Publication Year
2019
Type
Textbook
Subject Area
Performing Arts
Number of Pages
246 Pages

Dimensions

Item Length
8.9 in
Item Height
0.6 in
Item Width
6 in
Item Weight
22.6 Oz

Additional Product Features

LCCN
2018-046087
Lc Classification Number
Pn1995.9.A74d69 2019
Reviews
'Much information covered that is of value to nearly all crew members, especially camera, lighting, producing. Succinct and written in a crew friendly manner.' Roger Carter, DP and Instructor of Film Production, Cinematography, Lighting and Camera Workshops 'This book is a really comprehensive look into the workings of film and television production. It covers design, techniques for visual storytelling, departmental interactions, best practices in the industry and has a number of professional accounts that lend it a unique, personal take on collaborating effectively and making the most of your script.' Margaret Goddard-Knop, SPFX Artist and Propmaster
Table of Content
Introduction SECTION 1-Understanding Design In Film Chapter 1-What Is Your Movie About? Chapter 2-Some Components of Visual Design Chapter 3-The Vision - and Collaboration SECTION 2-The Collaborators Chapter 4-Designing, Building, Painting Chapter 5-The Decorator Chapter 6-Locations Chapter 7-Lighting and Picture Chapter 8-Costumes and Props Chapter 9-Visual Effects and Animation Chapter 10-Why All This Talk About Authenticity? SECTION 3-Your Low Budget Film or TV Project Chapter 11-Putting All This Together Chapter 12-Planning Your Project: Building it, Finding it, or Both? Chapter 13-Shooting Your Film on Distant Location Chapter 14-Your Process Chapter 15-Practical Matters: Location Agreements, Permits, Insurance Chapter 16-How to Be Your Own Location Manager Chapter 17-What You Need to Do What You Want: Demystifying the Budget Chapter 18-Learning the Craft: Starting Out Chapter 19-Doing What You Want with What You Have: Student Films Chapter 20-Visual Storytelling in Making the Sale Chapter 21-Entering the Profession Chapter 22-Suggested Viewing t;/P> SECTION 3-Your Low Budget Film or TV Project Chapter 11-Putting All This Together Chapter 12-Planning Your Project: Building it, Finding it, or Both? Chapter 13-Shooting Your Film on Distant Location Chapter 14-Your Process Chapter 15-Practical Matters: Location Agreements, Permits, Insurance Chapter 16-How to Be Your Own Location Manager Chapter 17-What You Need to Do What You Want: Demystifying the Budget Chapter 18-Learning the Craft: Starting Out Chapter 19-Doing What You Want with What You Have: Student Films Chapter 20-Visual Storytelling in Making the Sale Chapter 21-Entering the Profession Chapter 22-Suggested Viewing P> Chapter 21-Entering the Profession Chapter 22-Suggested Viewing
Copyright Date
2019
Target Audience
College Audience
Illustrated
Yes

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