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Art africain, interviews, récits : corpus de connaissances au travail

by Grabski, Joanna; Magee, Carol | PB | Acceptable
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Numéro de l'objet eBay :375383689948
Dernière mise à jour : mai 22, 2024 18:28:16 HAEAfficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État
Acceptable
Un livre présentant des traces d'usure apparentes. Sa couverture peut être endommagée, mais elle est globalement intacte. Sa reliure peut être légèrement endommagée, mais elle est globalement intacte. Il est possible que les marges portent des inscriptions ou que des passages aient été soulignés ou surlignés, mais il n'y a aucune page manquante et rien ne compromet la lisibilité ou la compréhension du texte. Afficher toutes les définitions d'état(s'ouvre dans une nouvelle fenêtre ou un nouvel onglet)
Remarques du vendeur
“Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend ...
Binding
Paperback
Weight
0 lbs
Product Group
Book
IsTextBook
No
ISBN
9780253006912
Book Title
African Art, Interviews, Narratives : Bodies of Knowledge at Work
Item Length
9in
Publisher
Indiana University Press
Publication Year
2013
Format
Trade Paperback
Language
English
Item Height
0.6in
Author
Joanna Grabski, Carol Magee
Genre
Biography & Autobiography, Art, Architecture
Topic
Artists, Architects, Photographers, Buildings / Landmarks & Monuments, African
Item Width
6in
Item Weight
10.4 Oz
Number of Pages
208 Pages

À propos de ce produit

Product Information

Joanna Grabski and Carol Magee bring together a compelling collection that shows how interviews can be used to generate new meaning and how connecting with artists and their work can transform artistic production into innovative critical insights and knowledge. The contributors to this volume include artists, museum curators, art historians, and anthropologists, who address artistic production in a variety of locations and media to question previous uses of interview and provoke alternative understandings of art.

Product Identifiers

Publisher
Indiana University Press
ISBN-10
0253006910
ISBN-13
9780253006912
eBay Product ID (ePID)
112674453

Product Key Features

Book Title
African Art, Interviews, Narratives : Bodies of Knowledge at Work
Author
Joanna Grabski, Carol Magee
Format
Trade Paperback
Language
English
Topic
Artists, Architects, Photographers, Buildings / Landmarks & Monuments, African
Publication Year
2013
Genre
Biography & Autobiography, Art, Architecture
Number of Pages
208 Pages

Dimensions

Item Length
9in
Item Height
0.6in
Item Width
6in
Item Weight
10.4 Oz

Additional Product Features

Lc Classification Number
N7380
Grade from
College Graduate Student
Reviews
This book enhances our appreciation for interviews as a research tool and cautions us to use this tool with greater awareness of its power to shape our subjects., "This book enhances our appreciation for interviews as a research tool and cautions us to use this tool with greater awareness of its power to shape our subjects."--Victoria Rovine, University of Florida "African Art, Interviews, Narratives . . . is a highly reflective collection of essays about the work of constructing art history out of interviews. Designed to unsettle and open up the relationship between interviews and scholarship, it speaks to the work of anthropology by aiming to better understand the nature of the interview process itself, how we produce and convey meanings from interviews and related documents. While it will be of particular interest to anthropologists working as museum curators, it will be equally useful to any professional whose craft largely depends upon interviews."-- Leonardo Reviews "In these essays, one hears the narratives and learns the perspectives of a diverse group of people that greatly illuminate both meaning and intent."-- African Studies Review "African Art, Interviews, Narratives provides scholars the chance to reexamine the role of the interviewer, interlocutor, and art historian when making printed text from recorded interviews."-- Oral History Review, "African Art, Interviews, Narratives... is a highly reflective collection of essays about the work of constructing art history out of interviews. Designed to unsettle and open up the relationship between interviews and scholarship, it speaks to the work of anthropology by aiming to better understand the nature of the interview process itself, how we produce and convey meanings from interviews and related documents. While it will be of particular interest to anthropologists working as museum curators, it will be equally useful to any professional whose craft largely depends upon interviews." --Leonardo Reviews, African Art, Interviews, Narratives . . . is a highly reflective collection of essays about the work of constructing art history out of interviews. Designed to unsettle and open up the relationship between interviews and scholarship, it speaks to the work of anthropology by aiming to better understand the nature of the interview process itself, how we produce and convey meanings from interviews and related documents. While it will be of particular interest to anthropologists working as museum curators, it will be equally useful to any professional whose craft largely depends upon interviews., "In these essays, one hears the narratives and learns the perspectives of a diverse group of people that greatly illuminate both meaning and intent." --African Studies Review, "This book enhances our appreciation for interviews as a research tool and cautions us to use this tool with greater awareness of its power to shape our subjects." -Victoria Rovine, University of Florida, This book enhances our appreciation for interviews as a research tool and cautions us to use this tool with greater awareness of its power to shape our subjects.--Victoria Rovine, University of Florida, "This book enhances our appreciation for interviews as a research tool and cautions us to use this tool with greater awareness of its power to shape our subjects." Victoria Rovine, University of Florida, "African Art, Interviews, Narratives provides scholars the chance to reexamine the role of the interviewer, interlocutor, and art historian when making printed text from recorded interviews." --Oral History Review
Table of Content
Acknowledgements Introduction: The Work of Interviews Carol Magee and Joanna Grabski 1. Talking to People about Art Patrick McNaughton 2. Ghostly Stories: Interviews with Artists in Dakar and the Productive Space around Absence Joanna Grabski 3. Can the Artist Speak? Hamid Kachmar's Subversive Redemptive Art of Resistance Joseph Jordan 4. Photography, Narrative Interventions, and (Cross) Cultural Representations Carol Magee 5. Narrating the Artist: Seyni Camara and the Multiple Constructions of the Artistic Persona Silvia Forni 6. Interview?Akinbode Akinbiyi Akinbode Akinbiyi 7. Inter-Weaving Narratives of Art and Activism: Sandra Kriel's Heroic Women Kim Miller 8. Politics of Narrative at the African Burial Ground in NYC: The Final Monument Andrea E. Frohne 9. Who Owns the Past: Constructing an Art History of a Malian Masquerade Mary Jo Arnoldi 10. Framing Practices: Artists' Voices and the Power of Self-Representation Christine Mullen Kreamer 11. Undisciplined Knowledge Allan deSouza and Allyson Purpura Appendix: Interlocutors Contributors Index, Acknowledgements Introduction: The Work of Interviews Carol Magee and Joanna Grabski 1. Talking to People about Art Patrick McNaughton 2. Ghostly Stories: Interviews with Artists in Dakar and the Productive Space around Absence Joanna Grabski 3. Can the Artist Speak? Hamid Kachmar's Subversive Redemptive Art of Resistance Joseph Jordan 4. Photography, Narrative Interventions, and (Cross) Cultural Representations Carol Magee 5. Narrating the Artist: Seyni Camara and the Multiple Constructions of the Artistic Persona Silvia Forni 6. Interview--Akinbode Akinbiyi Akinbode Akinbiyi 7. Inter-Weaving Narratives of Art and Activism: Sandra Kriel's Heroic Women Kim Miller 8. Politics of Narrative at the African Burial Ground in NYC: The Final Monument Andrea E. Frohne 9. Who Owns the Past: Constructing an Art History of a Malian Masquerade Mary Jo Arnoldi 10. Framing Practices: Artists' Voices and the Power of Self-Representation Christine Mullen Kreamer 11. Undisciplined Knowledge Allan deSouza and Allyson Purpura Appendix: Interlocutors Contributors Index
Copyright Date
2013
Lccn
2013-935556
Dewey Decimal
700.96
Intended Audience
Trade
Series
African Expressive Cultures Ser.
Dewey Edition
23
Illustrated
Yes

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