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Une esthétique des blessures : la blessure narrative de Baudelaire à Tarantino, Fleis
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Lieu : Harrisburg, Pennsylvania, États-Unis
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Numéro de l'objet eBay :375370355425
Dernière mise à jour : mai 11, 2024 03:32:08 HAEAfficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Très bon
- Remarques du vendeur
- ISBN
- 9780810136793
- Subject Area
- Art, Literary Criticism
- Publication Name
- Aesthetics of Injury : the Narrative Wound from Baudelaire to Tarantino
- Item Length
- 9 in
- Publisher
- Northwestern University Press
- Subject
- European / German, European / French, European / General, Film & Video
- Publication Year
- 2018
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.7 in
- Item Width
- 6 in
- Item Weight
- 14 Oz
- Number of Pages
- 320 Pages
À propos de ce produit
Product Information
An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino explores the wound as a cornerstone of twentieth-century storytelling--from the invention of literary modernity by Charles Baudelaire to the current postmodernist concerns of 2004 Nobel laureate Elfriede Jelinek and the acclaimed but highly controversial filmmakers Michael Haneke and Quentin Tarantino.
Product Identifiers
Publisher
Northwestern University Press
ISBN-10
0810136791
ISBN-13
9780810136793
eBay Product ID (ePID)
240422997
Product Key Features
Publication Name
Aesthetics of Injury : the Narrative Wound from Baudelaire to Tarantino
Format
Trade Paperback
Language
English
Subject
European / German, European / French, European / General, Film & Video
Publication Year
2018
Type
Textbook
Subject Area
Art, Literary Criticism
Number of Pages
320 Pages
Dimensions
Item Length
9 in
Item Height
0.7 in
Item Width
6 in
Item Weight
14 Oz
Additional Product Features
LCCN
2017-022779
Lc Classification Number
Pq673.F54 2018
Reviews
" Aesthetics of Injury is insightful, beautifully written, and compelling. It will help shift many discussions in literary, film and feminist studies." --Kathleen Komar, author of Reclaiming Klytemnestra: Revenge or Reconciliation, "Cultural diagnostician Ian Fleishman trains his writing on the incomprehensible wounding of language. With an elegant sensibility for the disruptions of narrative injury and structural disintegration, he scans the agony of essential literary despair after Baudelaire and Kafka. Poignant and incisive, alert to disavowed aspects of social existence, An Aesthetics of Injury comes up against Freudian theories of castration and political deficiency. The work collects a dossier of texts that are befallen by the oversignifying tendencies of inbound catastrophe. Cixous, Genet, Tarantino, Jelinek, and others are scanned for the rhetorical lesions and narrative loopholes that constitute our modernity." --Avital Ronell In An Aesthetics of Injury , Ian Fleishman convincingly proposes wounding as a major narrative strategy in modernist aesthetics, one that seeks to compensate for literature's apparent powerlessness by insisting on its duty (in Kafka's words) to "sting" or "stab". Fleishman's argument refreshingly sidesteps the discourse of trauma studies, focusing instead on the aesthetics and complicated enunciative status of narrative injury. -- French Forum "F leishman's book is extremely successful at bringing together a wide array of media and artists to offer us an innovative and extremely useful theorization of aesthetic violence." -- The German Quarterly, "An incisive and provocative contribution to the history and theory of modern narrative since Baudelaire... Fleishman shows that the idea of an open wound as an allegoric dimension, or an 'aesthetics of injury,' plays a vital and thus far neglected role in nineteenth and twentieth-century literature." --Johannes Türk, author of Die Immunität der Literatur, " An Aesthetics of Injury is insightful, beautifully written, and compelling. It will help shift many discussions in literary, film and feminist studies." --Kathleen Komar, author of Reclaiming Klytemnestra: Revenge or Reconciliation, "Cultural diagnostician Ian Fleishman trains his writing on the incomprehensible wounding of language. With an elegant sensibility for the disruptions of narrative injury and structural disintegration, he scans the agony of essential literary despair after Baudelaire and Kafka. Poignant and incisive, alert to disavowed aspects of social existence, An Aesthetics of Injury comes up against Freudian theories of castration and political deficiency. The work collects a dossier of texts that are befallen by the oversignifying tendencies of inbound catastrophe. Cixous, Genet, Tarantino, Jelinek, and others are scanned for the rhetorical lesions and narrative loopholes that constitute our modernity." --Avital Ronell In An Aesthetics of Injury , Ian Fleishman convincingly proposes wounding as a major narrative strategy in modernist aesthetics, one that seeks to compensate for literature's apparent powerlessness by insisting on its duty (in Kafka's words) to "sting" or "stab". Fleishman's argument refreshingly sidesteps the discourse of trauma studies, focusing instead on the aesthetics and complicated enunciative status of narrative injury. -- French Forum "F leishman's book is extremely successful at bringing together a wide array of media and artists to offer us an innovative and extremely useful theorization of aesthetic violence." -- The German Quarterly "Thoroughly researched with ready references to letters, interviews, and unpublished manuscripts; and written not without finesse, Fleishman's chapters are neatly connected by the authors' own elective affinities. Indeed, it is as a historian of literature and film that Fleishman excels, making plausible a partly new trajectory and taking up a couple auteurs behind whose contradictory commitments he reveals similar concerns. An Aesthetics of Injury is admirably comparative and unhindered by national limitations or generic constraints." -- Comparative Literature Studies "Ian Fleishman has produced a stimulating and wide-ranging book that examines a diverse set of works in terms of an aesthetics of injury . . . The great strength of this book is its attention to textual detail; in particular, his work on how the 'filmic cut' performatively reflects the images of cutting proposed in the films analysed is compelling." -- French Studies, "Cultural diagnostician Ian Fleishman trains his writing on the incomprehensible wounding of language. With an elegant sensibility for the disruptions of narrative injury and structural disintegration, he scans the agony of essential literary despair after Baudelaire and Kafka. Poignant and incisive, alert to disavowed aspects of social existence, An Aesthetics of Injury comes up against Freudian theories of castration and political deficiency. The work collects a dossier of texts that are befallen by the oversignifying tendencies of inbound catastrophe. Cixous, Genet, Tarantino, Jelinek, and others are scanned for the rhetorical lesions and narrative loopholes that constitute our modernity." --Avital Ronell, "An incisive and provocative contribution to the history and theory of modern narrative since Baudelaire... Fleishman shows that the idea of an open wound as an allegoric dimension, or an 'aesthetics of injury,' plays a vital and thus far neglected role in nineteenth and twentieth-century literature." --Johannes Trk, author of Die Immunitt der Literatur
Copyright Date
2018
Target Audience
Scholarly & Professional
Illustrated
Yes
Description de l'objet du vendeur
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :375370355425
Dernière mise à jour : mai 11, 2024 03:32:08 HAEAfficher toutes les modificationsAfficher toutes les modifications
Expédition et manutention
Lieu où se trouve l'objet :
Harrisburg, Pennsylvania, États-Unis
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