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Une esthétique des blessures : la blessure narrative de Baudelaire à Tarantino, Fleis

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Numéro de l'objet eBay :375370355425
Dernière mise à jour : mai 11, 2024 03:32:08 HAEAfficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État
Très bon
Un livre qui n’a pas l’air neuf et qui a été lu, mais qui est en excellent état. La couverture ne présente aucun dommage apparent et la jaquette (si applicable) est incluse (dans le cas des livres à reliure). Il n'y a aucune page manquante ou endommagée, aucun pli, aucune déchirure, aucun passage surligné ou souligné et aucune inscription en marge. Il est possible que le contreplat porte d'infimes marques d'identification. Le livre présente des traces d'usure infimes. Afficher toutes les définitions d'état(s'ouvre dans une nouvelle fenêtre ou un nouvel onglet)
Remarques du vendeur
“Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - ...
ISBN
9780810136793
Subject Area
Art, Literary Criticism
Publication Name
Aesthetics of Injury : the Narrative Wound from Baudelaire to Tarantino
Item Length
9 in
Publisher
Northwestern University Press
Subject
European / German, European / French, European / General, Film & Video
Publication Year
2018
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.7 in
Author
Ian Fleishman
Item Width
6 in
Item Weight
14 Oz
Number of Pages
320 Pages

À propos de ce produit

Product Information

An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino explores the wound as a cornerstone of twentieth-century storytelling--from the invention of literary modernity by Charles Baudelaire to the current postmodernist concerns of 2004 Nobel laureate Elfriede Jelinek and the acclaimed but highly controversial filmmakers Michael Haneke and Quentin Tarantino.

Product Identifiers

Publisher
Northwestern University Press
ISBN-10
0810136791
ISBN-13
9780810136793
eBay Product ID (ePID)
240422997

Product Key Features

Author
Ian Fleishman
Publication Name
Aesthetics of Injury : the Narrative Wound from Baudelaire to Tarantino
Format
Trade Paperback
Language
English
Subject
European / German, European / French, European / General, Film & Video
Publication Year
2018
Type
Textbook
Subject Area
Art, Literary Criticism
Number of Pages
320 Pages

Dimensions

Item Length
9 in
Item Height
0.7 in
Item Width
6 in
Item Weight
14 Oz

Additional Product Features

LCCN
2017-022779
Lc Classification Number
Pq673.F54 2018
Reviews
" Aesthetics of Injury is insightful, beautifully written, and compelling. It will help shift many discussions in literary, film and feminist studies." --Kathleen Komar, author of Reclaiming Klytemnestra: Revenge or Reconciliation, "Cultural diagnostician Ian Fleishman trains his writing on the incomprehensible wounding of language. With an elegant sensibility for the disruptions of narrative injury and structural disintegration, he scans the agony of essential literary despair after Baudelaire and Kafka. Poignant and incisive, alert to disavowed aspects of social existence, An Aesthetics of Injury comes up against Freudian theories of castration and political deficiency. The work collects a dossier of texts that are befallen by the oversignifying tendencies of inbound catastrophe. Cixous, Genet, Tarantino, Jelinek, and others are scanned for the rhetorical lesions and narrative loopholes that constitute our modernity." --Avital Ronell In An Aesthetics of Injury , Ian Fleishman convincingly proposes wounding as a major narrative strategy in modernist aesthetics, one that seeks to compensate for literature's apparent powerlessness by insisting on its duty (in Kafka's words) to "sting" or "stab". Fleishman's argument refreshingly sidesteps the discourse of trauma studies, focusing instead on the aesthetics and complicated enunciative status of narrative injury. -- French Forum "F leishman's book is extremely successful at bringing together a wide array of media and artists to offer us an innovative and extremely useful theorization of aesthetic violence." -- The German Quarterly, "An incisive and provocative contribution to the history and theory of modern narrative since Baudelaire... Fleishman shows that the idea of an open wound as an allegoric dimension, or an 'aesthetics of injury,' plays a vital and thus far neglected role in nineteenth and twentieth-century literature." --Johannes Türk, author of Die Immunität der Literatur, " An Aesthetics of Injury is insightful, beautifully written, and compelling. It will help shift many discussions in literary, film and feminist studies." --Kathleen Komar, author of Reclaiming Klytemnestra: Revenge or Reconciliation, "Cultural diagnostician Ian Fleishman trains his writing on the incomprehensible wounding of language. With an elegant sensibility for the disruptions of narrative injury and structural disintegration, he scans the agony of essential literary despair after Baudelaire and Kafka. Poignant and incisive, alert to disavowed aspects of social existence, An Aesthetics of Injury comes up against Freudian theories of castration and political deficiency. The work collects a dossier of texts that are befallen by the oversignifying tendencies of inbound catastrophe. Cixous, Genet, Tarantino, Jelinek, and others are scanned for the rhetorical lesions and narrative loopholes that constitute our modernity." --Avital Ronell In An Aesthetics of Injury , Ian Fleishman convincingly proposes wounding as a major narrative strategy in modernist aesthetics, one that seeks to compensate for literature's apparent powerlessness by insisting on its duty (in Kafka's words) to "sting" or "stab". Fleishman's argument refreshingly sidesteps the discourse of trauma studies, focusing instead on the aesthetics and complicated enunciative status of narrative injury. -- French Forum "F leishman's book is extremely successful at bringing together a wide array of media and artists to offer us an innovative and extremely useful theorization of aesthetic violence." -- The German Quarterly "Thoroughly researched with ready references to letters, interviews, and unpublished manuscripts; and written not without finesse, Fleishman's chapters are neatly connected by the authors' own elective affinities. Indeed, it is as a historian of literature and film that Fleishman excels, making plausible a partly new trajectory and taking up a couple auteurs behind whose contradictory commitments he reveals similar concerns. An Aesthetics of Injury is admirably comparative and unhindered by national limitations or generic constraints." -- Comparative Literature Studies "Ian Fleishman has produced a stimulating and wide-ranging book that examines a diverse set of works in terms of an aesthetics of injury . . . The great strength of this book is its attention to textual detail; in particular, his work on how the 'filmic cut' performatively reflects the images of cutting proposed in the films analysed is compelling." -- French Studies, "Cultural diagnostician Ian Fleishman trains his writing on the incomprehensible wounding of language. With an elegant sensibility for the disruptions of narrative injury and structural disintegration, he scans the agony of essential literary despair after Baudelaire and Kafka. Poignant and incisive, alert to disavowed aspects of social existence, An Aesthetics of Injury comes up against Freudian theories of castration and political deficiency. The work collects a dossier of texts that are befallen by the oversignifying tendencies of inbound catastrophe. Cixous, Genet, Tarantino, Jelinek, and others are scanned for the rhetorical lesions and narrative loopholes that constitute our modernity." --Avital Ronell, "An incisive and provocative contribution to the history and theory of modern narrative since Baudelaire... Fleishman shows that the idea of an open wound as an allegoric dimension, or an 'aesthetics of injury,' plays a vital and thus far neglected role in nineteenth and twentieth-century literature." --Johannes Trk, author of Die Immunitt der Literatur
Copyright Date
2018
Target Audience
Scholarly & Professional
Illustrated
Yes

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