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Hats durs, rednecks et hommes machos : classe dans le cinéma américain des années 1970 par Derek Nyst
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Numéro de l'objet eBay :364906305258
Caractéristiques de l'objet
- État
- ISBN-13
- 9780195336771
- Type
- NA
- Publication Name
- NA
- ISBN
- 9780195336771
- Book Title
- Hard Hats, Rednecks, and Macho Men : Class in 1970s American Cinema
- Publisher
- Oxford University Press, Incorporated
- Item Length
- 6 in
- Publication Year
- 2009
- Format
- Trade Paperback
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.7 in
- Genre
- Performing Arts
- Topic
- Film / General, Film / History & Criticism
- Item Weight
- 13.1 Oz
- Item Width
- 9.1 in
- Number of Pages
- 272 Pages
À propos de ce produit
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0195336771
ISBN-13
9780195336771
eBay Product ID (ePID)
71725689
Product Key Features
Book Title
Hard Hats, Rednecks, and Macho Men : Class in 1970s American Cinema
Number of Pages
272 Pages
Language
English
Topic
Film / General, Film / History & Criticism
Publication Year
2009
Illustrator
Yes
Genre
Performing Arts
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
13.1 Oz
Item Length
6 in
Item Width
9.1 in
Additional Product Features
Intended Audience
Trade
LCCN
2008-048396
Dewey Edition
22
Reviews
"Breaks new ground by raising questions about the portrayal of masculinity on the screen...Essential." --Choice "A thoroughly winning piece of literature: an invaluable companion piece to the films of postclassical Hollywood and their varied depictions of the working and professional-managerial classes. Brisk, frequently witty, and not too steeped in academese to ward off the nonprofessional cinephile, Nystrom's book demands a spot on your bookshelf somewhere between Biskind'sEasy Riders, Raging Bullsand that well-thumbed copy of Lukacs'sHistory and Class Consciousness." --Cineaste "It has long been a source of amazement that, even as class warfare plays out so brazenly in U.S. domestic and international politics, media studies pays so little attention to class structure and to class-specific ideologies in corporate industrial culture. Derek Nystrom interrupts this repression by reading the representation of the working class in seventies' cinema as the imaginary resolution of crises within the professional-managerial class; in doing so, he has made an enormously lucid, nuanced-and courageous-contribution to film and indeed cultural studies generally."-David E. James, editor,The Hidden Foundation: Cinema and the Question of Class "Discovering a surprisingly deep, conflicted fascination with working-class masculinity at the heart of emblematic movies of the 1970s likeDeliverance, Saturday Night Fever, and Cruising, Derek Nystrom offers a fresh, persuasive account of how social class operates in American popular culture."-Carlo Rotella, author ofOctober Cities: The Redevelopment of Urban Literature, "Breaks new ground by raising questions about the portrayal of masculinity on the screen...Essential." --Choice"A thoroughly winning piece of literature: an invaluable companion piece to the films of postclassical Hollywood and their varied depictions of the working and professional-managerial classes. Brisk, frequently witty, and not too steeped in academese to ward off the nonprofessional cinephile, Nystrom's book demands a spot on your bookshelf somewhere between Biskind's Easy Riders, Raging Bulls and that well-thumbed copy of Lukacs's History and Class Consciousness." --Cineaste"It has long been a source of amazement that, even as class warfare plays out so brazenly in U.S. domestic and international politics, media studies pays so little attention to class structure and to class-specific ideologies in corporate industrial culture. Derek Nystrom interrupts this repression by reading the representation of the working class in seventies' cinema as the imaginary resolution of crises within the professional-managerial class; in doing so, he has made an enormously lucid, nuanced-and courageous-contribution to film and indeed cultural studies generally."-David E. James, editor, The Hidden Foundation: Cinema and the Question of Class "Discovering a surprisingly deep, conflicted fascination with working-class masculinity at the heart of emblematic movies of the 1970s like Deliverance, Saturday Night Fever, and Cruising, Derek Nystrom offers a fresh, persuasive account of how social class operates in American popular culture."-Carlo Rotella, author of October Cities: The Redevelopment of Urban Literature, "Breaks new ground by raising questions about the portrayal of masculinity on the screen...Essential." --Choice "A thoroughly winning piece of literature: an invaluable companion piece to the films of postclassical Hollywood and their varied depictions of the working and professional-managerial classes. Brisk, frequently witty, and not too steeped in academese to ward off the nonprofessional cinephile, Nystrom's book demands a spot on your bookshelf somewhere between Biskind's Easy Riders, Raging Bulls and that well-thumbed copy of Lukacs's History and Class Consciousness." --Cineaste "It has long been a source of amazement that, even as class warfare plays out so brazenly in U.S. domestic and international politics, media studies pays so little attention to class structure and to class-specific ideologies in corporate industrial culture. Derek Nystrom interrupts this repression by reading the representation of the working class in seventies' cinema as the imaginary resolution of crises within the professional-managerial class; in doing so, he has made an enormously lucid, nuanced-and courageous-contribution to film and indeed cultural studies generally."-David E. James, editor, The Hidden Foundation: Cinema and the Question of Class "Discovering a surprisingly deep, conflicted fascination with working-class masculinity at the heart of emblematic movies of the 1970s like Deliverance, Saturday Night Fever, and Cruising, Derek Nystrom offers a fresh, persuasive account of how social class operates in American popular culture."-Carlo Rotella, author of October Cities: The Redevelopment of Urban Literature, "Breaks new ground by raising questions about the portrayal of masculinity on the screen...Essential." -- Choice"A thoroughly winning piece of literature: an invaluable companion piece to the films of postclassical Hollywood and their varied depictions of the working and professional-managerial classes. Brisk, frequently witty, and not too steeped in academese to ward off the nonprofessional cinephile, Nystrom's book demands a spot on your bookshelf somewhere between Biskind's Easy Riders, Raging Bulls and that well-thumbed copy of Lukacs's History and Class Consciousness ." -- Cineaste"It has long been a source of amazement that, even as class warfare plays out so brazenly in U.S. domestic and international politics, media studies pays so little attention to class structure and to class-specific ideologies in corporate industrial culture. Derek Nystrom interrupts this repression by reading the representation of the working class in seventies' cinema as the imaginary resolution of crises within the professional-managerial class; in doing so, he has made an enormously lucid, nuanced-and courageous-contribution to film and indeed cultural studies generally."-David E. James, editor, The Hidden Foundation: Cinema and the Question of Class"Discovering a surprisingly deep, conflicted fascination with working-class masculinity at the heart of emblematic movies of the 1970s like Deliverance, Saturday Night Fever, and Cruising , Derek Nystrom offers a fresh, persuasive account of how social class operates in American popular culture."-Carlo Rotella, author of October Cities: The Redevelopment of Urban Literature, "Breaks new ground by raising questions about the portrayal of masculinity on the screen...Essential." --Choice"A thoroughly winning piece of literature: an invaluable companion piece to the films of postclassical Hollywood and their varied depictions of the working and professional-managerial classes. Brisk, frequently witty, and not too steeped in academese to ward off the nonprofessional cinephile, Nystrom's book demands a spot on your bookshelf somewhere between Biskind's Easy Riders, Raging Bulls and that well-thumbed copy of Lukacs's History and ClassConsciousness." --Cineaste"It has long been a source of amazement that, even as class warfare plays out so brazenly in U.S. domestic and international politics, media studies pays so little attention to class structure and to class-specific ideologies in corporate industrial culture. Derek Nystrom interrupts this repression by reading the representation of the working class in seventies' cinema as the imaginary resolution of crises within the professional-managerial class; in doing so,he has made an enormously lucid, nuanced-and courageous-contribution to film and indeed cultural studies generally."-David E. James, editor, The Hidden Foundation: Cinema and the Question of Class"Discovering a surprisingly deep, conflicted fascination with working-class masculinity at the heart of emblematic movies of the 1970s like Deliverance, Saturday Night Fever, and Cruising, Derek Nystrom offers a fresh, persuasive account of how social class operates in American popular culture."-Carlo Rotella, author of October Cities: The Redevelopment of Urban Literature"This richly imagined and closely argued study shows how the most revealing films of the 1970s emerged within shifting systems of class relations--between workers and management in Hollywood, and within society as a whole. Holding that such films turned to portrayals of working-class men in part to consolidate emerging forms of middle class identity and interest, Nystrom demonstrates that supple attention to class likewise illuminates questions of race,generation, and gender."-David Roediger, author of How Race Survived United States History, "It has long been a source of amazement that, even as class warfare plays out so brazenly in U.S. domestic and international politics, media studies pays so little attention to class structure and to class-specific ideologies in corporate industrial culture. Derek Nystrom interrupts this repression by reading the representation of the working class in seventies' cinema as the imaginary resolution of crises within the professional-managerial class; in doing so, he has made an enormously lucid, nuanced-and courageous-contribution to film and indeed cultural studies generally."-David E. James, editor, The Hidden Foundation: Cinema and the Question of Class "Discovering a surprisingly deep, conflicted fascination with working-class masculinity at the heart of emblematic movies of the 1970s like Deliverance, Saturday Night Fever, and Cruising, Derek Nystrom offers a fresh, persuasive account of how social class operates in American popular culture."-Carlo Rotella, author of October Cities: The Redevelopment of Urban Literature "This richly imagined and closely argued study shows how the most revealing films of the 1970s emerged within shifting systems of class relations--between workers and management in Hollywood, and within society as a whole. Holding that such films turned to portrayals of working-class men in part to consolidate emerging forms of middle class identity and interest, Nystrom demonstrates that supple attention to class likewise illuminates questions of race, generation, and gender."-David Roediger, author of How Race Survived United States History
Dewey Decimal
791.4563526230973
Table Of Content
AcknowledgmentsPrefaceIntroduction: Making Class Visible to Film and Cultural StudiesPart One: Hard Hats and Movie Brats1. Class and the Youth-Cult CyclePart Two: Rednecks and Good Ole Boys: The Rise of the Southern2. Deliverance: An Allegory of the Sunbelt3. Keep On Truckin': The Southern Cycle and the Invention of the Good Ole BoyPart Three: Macho Men and the New Nightlife Film4. Saturday Night Fever and the Queering of the White, Working-Class Male Body5. Extra Masculinity: Looking for (and Cruising) the White, Working-Class Male BodyConclusion: Working-Class Solidarity and its OthersAfterword: Hard Hats Revisited: The Labor of 9/11EndnotesWorks CitedIndex
Synopsis
Everywhere you look in 1970s American cinema, you find white working-class men. They bring a violent conclusion to Easy Rider, murdering the film's representatives of countercultural alienation and disaffection. They lurk in the Georgia woods of Deliverance, attacking outsiders in a manner that evokes the South's recent history of racial violence and upheaval. They haunt the singles nightclubs of Looking for Mr. Goodbar, threatening the film's newly liberated heroine with patriarchal violence. They strut through the disco clubs of Saturday Night Fever, dancing to music whose roots in post-Stonewall homosexuality invite ambiguity that the men ignore. Hard Hats, Rednecks, and Macho Men argues that the persistent appearance of working-class characters in these and other films of the 1970s reveals the powerful role class played in the key social and political developments of the decade, such as the decline of the New Left and counterculture, the re-emergence of the South as the Sunbelt, and the rise of the women's and gay liberation movements. Examining the "youth cult" film, the neo-Western "southern," and the "new nightlife" film, Nystrom shows how these cinematic renderings of white working-class masculinity actually tell us more about the crises facing the middle class during the 1970s than about working-class experience itself. Hard Hats thus demonstrates how these representations of the working class serve as fantasies about a class Other-fantasies that offer imaginary resolutions to middle-class anxieties provoked by the decade's upheavals. Drawing on examples of iconic films from the era-Saturday Night Fever, Cruising, Five Easy Pieces, and Walking Tall, among others-Nystrom presents an incisive, evocative study of class and American cinema during one of the nation's most tumultuous decades., Everywhere you look in 1970s American cinema, you find white working-class men. They bring a violent conclusion to Easy Rider , murdering the film's representatives of countercultural alienation and disaffection. They lurk in the Georgia woods of Deliverance , attacking outsiders in a manner that evokes the South's recent history of racial violence and upheaval. They haunt the singles nightclubs of Looking for Mr. Goodbar , threatening the film's newly liberated heroine with patriarchal violence. They strut through the disco clubs of Saturday Night Fever , dancing to music whose roots in post-Stonewall homosexuality invite ambiguity that the men ignore. Hard Hats, Rednecks, and Macho Men argues that the persistent appearance of working-class characters in these and other films of the 1970s reveals the powerful role class played in the key social and political developments of the decade, such as the decline of the New Left and counterculture, the re-emergence of the South as the Sunbelt, and the rise of the women's and gay liberation movements. Examining the "youth cult" film, the neo-Western "southern," and the "new nightlife" film, Nystrom shows how these cinematic renderings of white working-class masculinity actually tell us more about the crises facing the middle class during the 1970s than about working-class experience itself. Hard Hats thus demonstrates how these representations of the working class serve as fantasies about a class Other-fantasies that offer imaginary resolutions to middle-class anxieties provoked by the decade's upheavals. Drawing on examples of iconic films from the era- Saturday Night Fever, Cruising, Five Easy Pieces , and Walking Tall , among others-Nystrom presents an incisive, evocative study of class and American cinema during one of the nation's most tumultuous decades., Hard Hats, Rednecks, and Macho Men examines a wide range of American films from the 1970s and argues that their persistent depictions of white, working-class masculinity provided a powerful class fantasy, one that spoke to middle-class anxieties provoked by the period's social and political upheavals. Drawing on iconic films from the era -- Saturday Night Fever, Looking for Mr. Goodbar, Walking Tall, and Five Easy Pieces, among others -- Nystrom presents an incisive, evocative study of labor, class, and American cinema in the wake of Vietnam, women's and gay liberation, the rise of the New Right, and other events that defined the decade.
LC Classification Number
PN1995.9.L28N97 2009
ebay_catalog_id
4
Copyright Date
2009
Description de l'objet du vendeur
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :364906305258
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and especially D Day. only soldiers who have made the sacrifice of that most repugnant of things, taking the lives of people, can really understand, it’s horror. Those are the real heroes. Trying to understand. May God bless them all on both sides.
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