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Antiquity Unleashed: Aby Warburg, Durer and Mantegna (The Courtauld Gallery), An
12,50 $US
Environ17,08 $C
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Expédition :
Lieu : Dallas, Texas, États-Unis
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Numéro de l'objet eBay :364860737911
Caractéristiques de l'objet
- État
- ISBN
- 9781907372582
- Book Title
- Antiquity Unleashed : Aby Warburg, Durer and Mantegna
- Publisher
- Holberton Publishing, Paul
- Item Length
- 8.2 in
- Publication Year
- 2020
- Format
- Trade Paperback
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.3 in
- Genre
- Art
- Topic
- Individual Artists / General, Criticism & Theory, Collections, Catalogs, Exhibitions / General, European
- Item Weight
- 8 Oz
- Item Width
- 8.2 in
- Number of Pages
- 56 Pages
À propos de ce produit
Product Identifiers
Publisher
Holberton Publishing, Paul
ISBN-10
190737258X
ISBN-13
9781907372582
eBay Product ID (ePID)
27038407799
Product Key Features
Book Title
Antiquity Unleashed : Aby Warburg, Durer and Mantegna
Number of Pages
56 Pages
Language
English
Topic
Individual Artists / General, Criticism & Theory, Collections, Catalogs, Exhibitions / General, European
Publication Year
2020
Illustrator
Yes
Genre
Art
Format
Trade Paperback
Dimensions
Item Height
0.3 in
Item Weight
8 Oz
Item Length
8.2 in
Item Width
8.2 in
Additional Product Features
Intended Audience
Trade
LCCN
2013-455376
Synopsis
The Hamburg banker's son Aby Warburg (1866-1929) was one of the most influential art historians and cultural theorists of the 20th century. His life's work was devoted to tracing antique formulas of representation in the depiction of human passions in Renaissance art. For this epoch-spanning relationship, he developed the term 'pathos formula' (Pathosformel). In a lecture given in 1905 in the Konzerthaus in Hamburg, focusing on the young Albrecht Du]rer's Death of Orpheus, Warburg outlined his thoughts in front of the original drawing, which he had borrowed from the rich holdings of the Kunsthalle in order to better illustrate his idea. This drawing, pivotal in the young artist's development as an ambitious response to classical antiquity, was displayed during the lecture alongside a group of engravings and woodcuts which included not only some of Du]rer's own seminal later prints, such as Melencolia I, but also engravings by Andrea Mantegna which Du]rer copied in 1494, the same year he drew the Death of Orpheus. Warburg's 'pop-up exhibition' of eleven works has here been reconstructed and analyzed, using his fascinating lecture notes, sketches and slide lists. First developed by the Hamburger Kunsthalle in 2011, subsequently on view in Cologne in the Wallraf-Richartz Museum and now at The Courtauld Gallery, each institution has interpreted the material slightly differently, while retaining the core Warburg group. Aby Warburg aimed at unlocking the meaning of an art work by excavating its roots in its cultural context. By restaging his legendary display of 1905 with Du]rer's Death of Orpheus at its heart, the exhibition and accompanying book present some of the most skillful and ambitious works on paper ever produced and also seek to introduce into Warburg's rich intellectual universe to a broader public, hoping thereby to offer both sheer enjoyment and food for thought., The Hamburg banker's son Aby Warburg (1866-1929) was one of the most influential art historians and cultural theorists of the 20th century. His life's work was devoted to tracing antique formulas of representation in the depiction of human passions in Renaissance art. For this epoch-spanning relationship, he developed the term 'pathos formula' (Pathosformel). In a lecture given in 1905 in the Konzerthaus in Hamburg, focusing on the young Albrecht Du¨rer's Death of Orpheus, Warburg outlined his thoughts in front of the original drawing, which he had borrowed from the rich holdings of the Kunsthalle in order to better illustrate his idea. This drawing, pivotal in the young artist's development as an ambitious response to classical antiquity, was displayed during the lecture alongside a group of engravings and woodcuts which included not only some of Du¨rer's own seminal later prints, such as Melencolia I, but also engravings by Andrea Mantegna which Du¨rer copied in 1494, the same year he drew the Death of Orpheus. Warburg's 'pop-up exhibition' of eleven works has here been reconstructed and analyzed, using his fascinating lecture notes, sketches and slide lists. First developed by the Hamburger Kunsthalle in 2011, subsequently on view in Cologne in the Wallraf-Richartz Museum and now at The Courtauld Gallery, each institution has interpreted the material slightly differently, while retaining the core Warburg group. Aby Warburg aimed at unlocking the meaning of an art work by excavating its roots in its cultural context. By restaging his legendary display of 1905 with Du¨rer's Death of Orpheus at its heart, the exhibition and accompanying book present some of the most skillful and ambitious works on paper ever produced and also seek to introduce into Warburg's rich intellectual universe to a broader public, hoping thereby to offer both sheer enjoyment and food for thought., The Hamburg banker's son Aby Warburg (1866-1929) was one of the most influential art historians and cultural theorists of the 20th century. His life's work was devoted to tracing antique formulas of representation in the depiction of human passions in Renaissance art. For this epoch-spanning relationship, he developed the term 'pathos formula' (Pathosformel). In a lecture given in 1905 in the Konzerthaus in Hamburg, focusing on the young Albrecht Durer's Death of Orpheus, Warburg outlined his thoughts in front of the original drawing, which he had borrowed from the rich holdings of the Kunsthalle in order to better illustrate his idea. This drawing, pivotal in the young artist's development as an ambitious response to classical antiquity, was displayed during the lecture alongside a group of engravings and woodcuts which included not only some of Durer's own seminal later prints, such as Melencolia I, but also engravings by Andrea Mantegna which Durer copied in 1494, the same year he drew the Death of Orpheus. Warburg's 'pop-up exhibition' of eleven works has here been reconstructed and analyzed, using his fascinating lecture notes, sketches and slide lists. First developed by the Hamburger Kunsthalle in 2011, subsequently on view in Cologne in the Wallraf-Richartz Museum and now at The Courtauld Gallery, each institution has interpreted the material slightly differently, while retaining the core Warburg group. Aby Warburg aimed at unlocking the meaning of an art work by excavating its roots in its cultural context. By restaging his legendary display of 1905 with Durer's Death of Orpheus at its heart, the exhibition and accompanying book present some of the most skillful and ambitious works on paper ever produced and also seek to introduce into Warburg's rich intellectual universe to a broader public, hoping thereby to offer both sheer enjoyment and food for thought.
LC Classification Number
N8217.C38H87 2013
Copyright Date
2013
ebay_catalog_id
4
Description de l'objet du vendeur
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :364860737911
Expédition et manutention
Lieu où se trouve l'objet :
Dallas, Texas, États-Unis
Expédition :
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| Expédition et manutention | À | Service | Livraison*Voir les remarques sur la livraison |
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| Expédition sans frais | États-Unis | Economy Shipping | Livraison prévue entre le ven. 28 juin et le lun. 1 juil. à 43230 |
| 4,00 $US (environ 5,47 $C) | États-Unis | Standard Shipping | Livraison prévue entre le ven. 28 juin et le lun. 1 juil. à 43230 |
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Exactly what I wanted and a great book for Shakespeare fans, shipping was also exceptionally quick