Photo 1 sur 1
The Poetics of Noise from Dada to Punk par John Melillo (anglais) livre rigide
État :
3 disponibles
Expédition :
Lieu : Fairfield, Ohio, États-Unis
Livraison :
Livraison prévue entre le sam. 8 juin et le jeu. 20 juin à 43230
Renvois :
Renvoi sous 30jours. L'acheteur paie les frais de port du renvoi. En savoir plus- pour en savoir plus sur les renvois
Paiements :
Magasinez en toute confiance
Informations sur le vendeur
- 98,2% d'évaluations positives
Inscrit comme vendeur professionnel
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :364450998715
Dernière mise à jour : mars 06, 2024 00:12:19 HNEAfficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- ISBN-13
- 9781501359910
- Book Title
- The Poetics of Noise from Dada to Punk
- ISBN
- 9781501359910
- Publication Year
- 2020
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Publication Name
- Poetics of Noise from Dada to Punk
- Item Height
- 0.5in
- Item Length
- 9in
- Publisher
- Bloomsbury Publishing
- Item Width
- 6in
- Item Weight
- 15.9 Oz
- Number of Pages
- 208 Pages
À propos de ce produit
Product Information
Reinterpreting the history of 20th-century poetry as a listening to and writing through noise, The Poetics of Noise from Dada to Punk constructs a history of noise through poetry and poetic performance. It argues that poetry--conceived as a sound art practiced by writers, lyricists, performers, producers, and other sound-writers--continuously figures and refigures noise in relation to communication, meaning, and voice. In many cases, this figuration forms in the negative, as listeners cast out or ignore noise in the name of communication or poetic voice. In other cases, however, poets actively write and perform the sound of noise, and attempt to reimagine the ways of listening that structure what counts as significant or insignificant sound. Rather than suggesting that poets simply overturn the hierarchical binary between signal and noise, Melillo listens for the ways in which they implicitly and explicitly theorize listening, mediation, and responsibility through their figurations of noise.
Product Identifiers
Publisher
Bloomsbury Publishing
ISBN-10
1501359916
ISBN-13
9781501359910
eBay Product ID (ePID)
7038386697
Product Key Features
Publication Name
Poetics of Noise from Dada to Punk
Format
Hardcover
Language
English
Publication Year
2020
Type
Textbook
Number of Pages
208 Pages
Dimensions
Item Length
9in
Item Height
0.5in
Item Width
6in
Item Weight
15.9 Oz
Additional Product Features
Lc Classification Number
Pn1083.N65m45 2020
Reviews
"Cueing up a major new track within sound studies, John Melillo declares that noise is a crucial figure in 20th-century poetry and music--as well as an interruption to figuration. Through resonant soundings of war poetry, Dada, modernism's thunder, and later experiments, this coup of close-listening provides ear-witness to the period's disturbing 'undersound.'" -- Lesley Wheeler, Henry S. Fox Professor of English, Washington and Lee University, USA, and author of Voicing American Poetry (2008) and Poetry's Possible Worlds (2021) "In a study both wide-ranging and meticulous, John Melillo demonstrates that poetry's turn away from the communicative function does not merely embrace noise over message, but rather refigures the entire relationship between such concepts. In the process, he rearticulates the history of modern poetry and the very status of the reader; such reconfigured relationships, as he argues, are the very hallmarks of the power of noise itself. This is thus a wonderfully noisy book." -- Craig Dworkin, Professor of English, University of Utah, USA, and author of Dictionary Poetics: Toward a Radical Lexicography (2020), The book is by no means a philosophy of sound, noise or sound/noise, but rather an exegesis and hermeneutics of sound-making work (which is what Melillo considers poetry to be) and the important noise(s) thus revealed. It also contains a dose of exegesis's opposite, eisegesis, a drawing-in rather than out, of deeply subjective, if zeitgeisty, opinion from certain areas of academia ... This reviewer will think differently now of some of the sounds he and others make. The rest is/not noise., "Cueing up a major new track within sound studies, John Melillo declares that noise is a crucial figure in 20th-century poetry and music--as well as an interruption to figuration. Through resonant soundings of war poetry, Dada, modernism's thunder, and later experiments, this coup of close-listening provides ear-witness to the period's disturbing 'undersound.'" -- Lesley Wheeler, Henry S. Fox Professor of English, Washington and Lee University, USA, and author of Voicing American Poetry (2008) and Poetry's Possible Worlds (2021), Noise, in John Melillo's account, is a defining feature of radical modernist and postwar poetics. But not noise as entropy. This book explores noise as expressive of what's beyond mundane sense, the noise heard by Owen and Sassoon on the killing field of World War 1. Staged at the Cabaret Voltaire, with Tristan Tzara, Hugo Ball, Amiri Baraka, John Cage, Langston Hughes, Olson, Tracie Morris, Richard Hell and Susan Howe as guides, Melillo let's noise stay noisy., Cueing up a major new track within sound studies, John Melillo declares that noise is a crucial figure in 20th-century poetry and music--as well as an interruption to figuration. Through resonant soundings of war poetry, Dada, modernism's thunder, and later experiments, this coup of close-listening provides ear-witness to the period's disturbing 'undersound.', In a study both wide-ranging and meticulous, John Melillo demonstrates that poetry's turn away from the communicative function does not merely embrace noise over message, but rather refigures the entire relationship between such concepts. In the process, he rearticulates the history of modern poetry and the very status of the reader; such reconfigured relationships, as he argues, are the very hallmarks of the power of noise itself. This is thus a wonderfully noisy book., "The book is by no means a philosophy of sound, noise or sound/noise, but rather an exegesis and hermeneutics of sound-making work (which is what Melillo considers poetry to be) and the important noise(s) thus revealed. It also contains a dose of exegesis's opposite, eisegesis, a drawing-in rather than out, of deeply subjective, if zeitgeisty, opinion from certain areas of academia ... This reviewer will think differently now of some of the sounds he and others make. The rest is/not noise." -- Leonardo Reviews "Cueing up a major new track within sound studies, John Melillo declares that noise is a crucial figure in 20th-century poetry and music--as well as an interruption to figuration. Through resonant soundings of war poetry, Dada, modernism's thunder, and later experiments, this coup of close-listening provides ear-witness to the period's disturbing 'undersound.'" -- Lesley Wheeler, Henry S. Fox Professor of English, Washington and Lee University, USA, and author of Voicing American Poetry (2008) and Poetry's Possible Worlds (2021) "In a study both wide-ranging and meticulous, John Melillo demonstrates that poetry's turn away from the communicative function does not merely embrace noise over message, but rather refigures the entire relationship between such concepts. In the process, he rearticulates the history of modern poetry and the very status of the reader; such reconfigured relationships, as he argues, are the very hallmarks of the power of noise itself. This is thus a wonderfully noisy book." -- Craig Dworkin, Professor of English, University of Utah, USA, and author of Dictionary Poetics: Toward a Radical Lexicography (2020) "Noise, in John Melillo's account, is a defining feature of radical modernist and postwar poetics. But not noise as entropy. This book explores noise as expressive of what's beyond mundane sense, the noise heard by Owen and Sassoon on the killing field of World War 1. Staged at the Cabaret Voltaire, with Tristan Tzara, Hugo Ball, Amiri Baraka, John Cage, Langston Hughes, Olson, Tracie Morris, Richard Hell and Susan Howe as guides, Melillo let's noise stay noisy." -- Charles Bernstein, author of Near/Miss (2018) and Pitch of Poetry (2016) and recipient of 2019 Bollingen Award for lifetime achievement in poetry, "Cueing up a major new track within sound studies, John Melillo declares that noise is a crucial figure in 20th-century poetry and music--as well as an interruption to figuration. Through resonant soundings of war poetry, Dada, modernism's thunder, and later experiments, this coup of close-listening provides ear-witness to the period's disturbing 'undersound.'" -- Lesley Wheeler, Henry S. Fox Professor of English, Washington and Lee University, USA, and author of Voicing American Poetry (2008) and Poetry's Possible Worlds (2021) "In a study both wide-ranging and meticulous, John Melillo demonstrates that poetry's turn away from the communicative function does not merely embrace noise over message, but rather refigures the entire relationship between such concepts. In the process, he rearticulates the history of modern poetry and the very status of the reader; such reconfigured relationships, as he argues, are the very hallmarks of the power of noise itself. This is thus a wonderfully noisy book." -- Craig Dworkin, Professor of English, University of Utah, USA, and author of Dictionary Poetics: Toward a Radical Lexicography (2020) "Noise, in John Melillo's account, is a defining feature of radical modernist and postwar poetics. But not noise as entropy. This book explores noise as expressive of what's beyond mundane sense, the noise heard by Owen and Sassoon on the killing field of World War 1. Staged at the Cabaret Voltaire, with Tristan Tzara, Hugo Ball, Amiri Baraka, John Cage, Langston Hughes, Olson, Tracie Morris, Richard Hell and Susan Howe as guides, Melillo let's noise stay noisy." -- Charles Bernstein, author of Near/Miss (2018) and Pitch of Poetry (2016) and recipient of 2019 Bollingen Award for lifetime achievement in poetry
Table of Content
Introduction 1. (Re)Versing Noise: Ear-Witness, Metrical Form, and the Western Front 2. Dada Bruitism and the Body3. The Persistence of "That Da-Da Strain": The Modernist Travels of "Da"4. Projective Versification, Sound Recording, and Technologizing the Body5. Noise and the City: Writing and Punk Performance, 1965-19806. Noise Music, Noise History: Articulations of Sound Forms in Time Notes Bibliography
Target Audience
College Audience
Topic
General, Poetry
Lccn
2020-009107
Dewey Decimal
809.1
Dewey Edition
23
Genre
Literary Criticism, Music
Description de l'objet du vendeur
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :364450998715
Dernière mise à jour : mars 06, 2024 00:12:19 HNEAfficher toutes les modificationsAfficher toutes les modifications
Expédition et manutention
Lieu où se trouve l'objet :
Fairfield, Ohio, États-Unis
Expédition :
Afghanistan, Afrique du Sud, Albanie, Algérie, Allemagne, Andorre, Angola, Anguilla, Antigua-et-Barbuda, Antilles néerlandaises, Arabie saoudite, Argentine, Arménie, Aruba, Australie, Autriche, Azerbaïdjan, Bahamas, Bahreïn, Bangladesh, Belgique, Bermudes, Bhoutan, Bolivie, Bosnie-Herzégovine, Botswana, Brunéi Darussalam, Brésil, Bulgarie, Burkina Faso, Burundi, Bélize, Bénin, Cambodge, Cameroun, Canada, Chili, Chine, Chypre, Colombie, Comores, Corée du Sud, Costa Rica, Côte d'Ivoire, Danemark, Djibouti, Dominique, Espagne, Estonie, Fidji, Finlande, France, Gabon, République du, Gambie, Ghana, Gibraltar, Grenade, Groenland, Grèce, Guatemala, Guernesey, Guinée, Guinée équatoriale, Guinée-Bissau, Guyana, Géorgie, Haïti, Honduras, Hong Kong, Hongrie, Inde, Indonésie, Irak, Irlande, Islande, Israël, Italie, Jamaïque, Japon, Jersey, Jordanie, Kazakhstan, Kenya, Kirghizistan, Kiribati, Koweït, Laos, Lesotho, Lettonie, Liban, Libéria, Liechtenstein, Lituanie, Luxembourg, Macao, Macédoine, Madagascar, Malaisie, Malawi, Maldives, Mali, Malte, Maroc, Mauritanie, Mayotte, Mexique, Moldavie, Monaco, Monde entier, Mongolie, Montserrat, Monténégro, Mozambique, Namibie, Nauru, Nicaragua, Niger, Nigeria, Nioué, Norvège, Nouvelle-Zélande, Népal, Oman, Ouganda, Ouzbékistan, Pakistan, Paraguay, Pays-Bas, Philippines, Pologne, Portugal, Pérou, Qatar, Roumanie, Royaume-Uni, Rwanda, République centrafricaine, République de Croatie, République dominicaine, République du Congo, République démocratique du Congo, République tchèque, Sahara occidental, Saint-Kitts-et-Nevis, Saint-Marin, Saint-Pierre-et-Miquelon, Saint-Vincent-et-les Grenadines, Sainte-Hélène, Sainte-Lucie, Salvador, Serbie, Seychelles, Sierra Leone, Singapour, Slovaque, Slovénie, Somalie, Sri Lanka, Suisse, Suriname, Suède, Svalbard et Jan Mayen, Swaziland, Sénégal, Tadjikistan, Tanzanie, Taïwan, Tchad, Thaïlande, Togo, Tonga, Trinité-et-Tobago, Tunisie, Turkménistan, Turquie, Tuvalu, Uruguay, Vanuatu, Vietnam, Wallis-et-Futuna, Yémen, Zambie, Zimbabwe, Égypte, Émirats arabes unis, Équateur, Érythrée, État de la Cité du Vatican, Éthiopie, Île Maurice, Îles Caïmans, Îles Cook, Îles Malouines (îles Falkland), Îles Salomon, Îles Turks et Caicos, Îles Vierges britanniques, Îles du Cap-Vert
Lieux exclus :
Adresses militaires ou navales, Alaska/Hawaii, Barbade, Biélorussie, Guadeloupe, Guyane française, Libye, Martinique, Nouvelle-Calédonie, Panama, Papouasie-Nouvelle-Guinée, Polynésie française, Protectorats des États-Unis, Russie, Réunion, Samoa, Ukraine, Venezuela
Expédition et manutention | Chaque objet supplémentaire | À | Service | Livraison*Voir les remarques sur la livraison |
---|---|---|---|---|
Expédition sans frais | Sans frais | États-Unis | Economy Shipping | Livraison prévue entre le sam. 8 juin et le jeu. 20 juin à 43230 |
Délai de manutention |
---|
Expédition dans les 10 jours ouvrables après réception du paiement. |
Taxes |
---|
Des taxes peuvent s'appliquer à la conclusion de la transaction. En savoir plusEn savoir plus au sujet du paiement de taxes sur les achats eBay. |
Taxe de vente pour cet objet (364450998715)
Taxe de vente pour cet objet (364450998715)
Le vendeur facture une taxe de vente pour les États suivants :
État | Taux de la taxe de vente |
---|
Modalités de renvoi
Après réception de l'objet, contactez le vendeur dans un délai de | Mode de remboursement |
---|---|
30 jours | Remboursement |
Les frais d'expédition du renvoi sont à la charge de l'acheteur.
Détails du paiement
Modes de paiement
Évaluations comme vendeur (1 023 528)
r***o (3220)- Évaluation laissée par l'acheteur.
Dernier mois
Achat vérifié
Super fast shipment- thank you!
y***l (1460)- Évaluation laissée par l'acheteur.
Dernier mois
Achat vérifié
Smooth transaction. Thank you.
2***1 (5737)- Évaluation laissée par l'acheteur.
Dernier mois
Achat vérifié
Good transaction A++