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Wagner et l'impulsion érotique Laurence Dreyfus Harvard University Press 2010 HC

État :
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Excellent condition
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Numéro de l'objet eBay :364361691506
Dernière mise à jour : sept. 09, 2023 03:30:05 HAEAfficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État
Très bon
Un livre qui n’a pas l’air neuf et qui a été lu, mais qui est en excellent état. La couverture ne présente aucun dommage apparent et la jaquette (si applicable) est incluse (dans le cas des livres à reliure). Il n'y a aucune page manquante ou endommagée, aucun pli, aucune déchirure, aucun passage surligné ou souligné et aucune inscription en marge. Il est possible que le contreplat porte d'infimes marques d'identification. Le livre présente des traces d'usure infimes. Afficher toutes les définitions d'état(s'ouvre dans une nouvelle fenêtre ou un nouvel onglet)
Remarques du vendeur
“Excellent condition”
Era
2010s
Signed
No
Ex Libris
No
Narrative Type
Nonfiction
Personalized
No
Original Language
English
Country/Region of Manufacture
United States
Intended Audience
Adults
Inscribed
No
Vintage
No
ISBN
9780674018815
Book Title
Wagner and the Erotic Impulse
Item Length
9.4 in
Publisher
Harvard University Press
Publication Year
2010
Format
Hardcover
Language
English
Illustrator
Yes
Item Height
1 in
Author
Laurence Dreyfus
Genre
Music, History
Topic
History & Criticism, Modern / 19th Century, Genres & Styles / Opera, Ethnic
Item Width
6.3 in
Item Weight
20.5 Oz
Number of Pages
238 Pages

À propos de ce produit

Product Identifiers

Publisher
Harvard University Press
ISBN-10
0674018818
ISBN-13
9780674018815
eBay Product ID (ePID)
84520024

Product Key Features

Book Title
Wagner and the Erotic Impulse
Author
Laurence Dreyfus
Format
Hardcover
Language
English
Topic
History & Criticism, Modern / 19th Century, Genres & Styles / Opera, Ethnic
Publication Year
2010
Illustrator
Yes
Genre
Music, History
Number of Pages
238 Pages

Dimensions

Item Length
9.4 in
Item Height
1 in
Item Width
6.3 in
Item Weight
20.5 Oz

Additional Product Features

Lc Classification Number
Ml410.W13d74 2010
Reviews
[Dreyfus's] persuasive contention is that this music is not only erotic to our ears and understanding, but that it was interpreted as such from the very start. Furthermore, he shows that the explicit connections of eroticism with music long predate the nineteenth century, going back at least as far as the terpsichorean tradition of the sixteenth century. Dreyfus impressively manages to argue that music can be interpreted as expressly erotic without getting himself entangled in the complexities of whether music can in general be assigned particular interpretation., At this point, the only good reason to add to the mountains of Wagner scholarship is to add another peak, which is precisely what Lawrence Dreyfus has done in Wagner and the Erotic Impulse ...The payoff for following him through his 250-page argument is that Wagner's music sounds deeper, richer and better than ever...Dreyfus' greatest achievement, a great deal of it pioneering, is in his investigation of Wagner's eroticism in the music itself. It's the hardest kind of work a writer about music can do, and Dreyfus does it with rare insight and imagination, and in language as accessible to the interested lay reader as it would be to fellow scholars... Wagner and the Erotic Impulse tears the roof off Wagner scholarship. The artistic cosmos it finds inside is a vastly more vital and compelling place., [Dreyfus] has produced a scholarly yet eminently readable volume that will bewitch any opera-lover. Like a benign magician--like Wagner himself, perhaps--Dreyfus conjures up a vivid array of characters and allows them to reveal their innermost thoughts through their own words and deeds. Nietzche and Schopenhauer are there, as are Baudelaire, Bulow, Heine, D'Annunzio, Thomas Mann, Krafft-Ebing and Henry James., This is an altogether unusual portrait of the composer, one resting on a platform of brazen sexuality. Dreyfus posits Eros both as a prism through which to access Wagner's biography and oeuvre anew, and as the impulse driving the latter into existence...The hazards attendant on a study of Eros are offset by the strength of Dreyfus's argument. He elevates the erotic to a central paradigm for Wagner: its force is thematised in Tannhäuser , Tristan and Parsifal , documented throughout Wagner's writings, and substantiated by contemporary discourse, both passionate espousal and disgust. But as the author later explains, erotic impulse is also fundamental to the experience of music...Telling details are often the gems in any history, and this book is richly studded...Dreyfus's command of sources is impressive; all are newly translated, their contextual breadth forming a latter-day answer to Greenblatt's so-called new historicism...A rich study, saturated with insight, fresh perspective and delivered with panache. The virtuosity of Dreyfus's readings is often dazzling, if challenging to a more mainstream approach to Wagner...Yet Dreyfus's strategy of bringing historical voices to the fore allows him to open up broader hermeneutic horizons with ease...So thought-provoking is this study in its claims that it will surely give impetus to further scholarly work on erotics, as an historical nodal point both for Wagner reception, and perhaps for music more broadly., Dreyfus' book is an excellent account of what is by any measure a crucial aspect of Wagner's extraordinary art., At this point, the only good reason to add to the mountains of Wagner scholarship is to add another peak, which is precisely what Laurence Dreyfus has done in Wagner and the Erotic Impulse ...The payoff for following him through his 250-page argument is that Wagner's music sounds deeper, richer and better than ever...Dreyfus' greatest achievement, a great deal of it pioneering, is in his investigation of Wagner's eroticism in the music itself. It's the hardest kind of work a writer about music can do, and Dreyfus does it with rare insight and imagination, and in language as accessible to the interested lay reader as it would be to fellow scholars... Wagner and the Erotic Impulse tears the roof off Wagner scholarship. The artistic cosmos it finds inside is a vastly more vital and compelling place., The Nazis have cast a long, retrospective shadow over Wagner, but as Laurence Dreyfus argues in Wagner and the Erotic Impulse , what scandalized (and delighted) 19th-century listeners to Wagner's music was not its politics but its unbridled sensuality. Dreyfus explores the aesthetic and biographical issues (including the composer's fondness for wearing women's silk lingerie) with admirable clarity, laying bare an aspect of the composer that is both central and often strangely ignored., Even in this supposedly liberal era Wagner's detractors still wag fingers at his love-life...As this ground-breaking new study suggests, it's the erotic yearnings so central to his great works that remain arresting.
Copyright Date
2010
Target Audience
Trade
Lccn
2010-011118
Dewey Decimal
782.1092
Dewey Edition
22

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