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Milton and the Rise of Russian Satanism, livre de poche par Boss, Valentin, Like Ne...
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Numéro de l'objet eBay :363677102932
Dernière mise à jour : juin 11, 2024 11:25:28 HAEAfficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Book Title
- Milton and the Rise of Russian Satanism
- ISBN
- 9781442612938
- Subject Area
- Literary Criticism, History
- Publication Name
- Milton and the Rise of Russian Satanism
- Publisher
- University of Toronto Press
- Item Length
- 9 in
- Subject
- Horror & Supernatural, Russia & the Former Soviet Union, European / Eastern (See Also Russian & Former Soviet Union), Poetry
- Publication Year
- 2011
- Series
- Heritage Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.7 in
- Item Weight
- 19.7 Oz
- Item Width
- 6 in
- Number of Pages
- 276 Pages
À propos de ce produit
Product Identifiers
Publisher
University of Toronto Press
ISBN-10
1442612932
ISBN-13
9781442612938
eBay Product ID (ePID)
128662776
Product Key Features
Number of Pages
276 Pages
Language
English
Publication Name
Milton and the Rise of Russian Satanism
Subject
Horror & Supernatural, Russia & the Former Soviet Union, European / Eastern (See Also Russian & Former Soviet Union), Poetry
Publication Year
2011
Type
Textbook
Subject Area
Literary Criticism, History
Series
Heritage Ser.
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
19.7 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
Grade From
College Graduate Student
Synopsis
Russian notions of good and evil changed before the Revolution and will change again under glasnost' and perestroika. But no literary character has reflected such changes more dramatically than Milton's Satan, who managed to be both a hero to Romantic poets and Marxist critics., No European Devil can claim so long or so political a connection with Russian culture as Milton's Satan. Russian poets came to know him before they heard of Dante, Marlowe, Tasso, or of the devils of the Baroque era. This may explain why Milton's influence was so intensely felt by the Russians, especially during the Romantic age. In this, the first study in any language of Milton's reception in Russia, that influence is traced to an early translation of Paradise Lostuncovered by Valentin Boss in the Moscow archives. British radicals who professed to believe that Milton himself was of the Devil's party were, with the notable exception of Byron and Tom Moore, hardly known by Pushkin and his contemporaries. Russian literary Satanism, although derived from Milton, thus developed its own characteristics which tsarist censors considered morally subversive. A brilliant pleiade of poets from Zhukovsky to Lermontov gave Milton's outcast from Heaven some of his many modern masks. Towards the end of the nineteenth century these inspired the alarming paintings and sculptures of Mikhail Vrubel who, like Lermentov, was obsessed by the demonic. In cultural influence Goethe's Devil had by then eclipsed Milton's, but Goethe's did not survive 1917 with the same political authority. Boss concludes with a description of what happened to Milton's Satan after October 1917, when his connection with the English Revolution gave him an edge his German rival lacked. Lunacharsky, Lenin's Commissar for Education, who admired Milton's Arch-rebel, steered him past Left-wing Communists who continued to regard Paradise Lostand Paradise Regainedas Christian propaganda. Despite such attacks, Milton's Satan resurfaced under Brezhnev to bask in Soviet pedagogic approval as an Anti-Imperialist and 'the embodiment of love of freedom.' Russian notions of good and evil changed before the Revolution and will change again under glasnost' and perestroika. But no literary character has reflected such changes more dramatically than Milton's Satan, who managed to be both a hero to Romantic poets and Marxist critics., No European Devil can claim so long or so political a connection with Russian culture as Milton's Satan. Russian poets came to know him before they heard of Dante, Marlowe, Tasso, or of the devils of the Baroque era. This may explain why Milton's influence was so intensely felt by the Russians, especially during the Romantic age. In this, the first study in any language of Milton's reception in Russia, that influence is traced to an early translation of Paradise Lost uncovered by Valentin Boss in the Moscow archives. British radicals who professed to believe that Milton himself was of the Devil's party were, with the notable exception of Byron and Tom Moore, hardly known by Pushkin and his contemporaries. Russian literary Satanism, although derived from Milton, thus developed its own characteristics which tsarist censors considered morally subversive. A brilliant pleiade of poets from Zhukovsky to Lermontov gave Milton's outcast from Heaven some of his many modern masks. Towards the end of the nineteenth century these inspired the alarming paintings and sculptures of Mikhail Vrubel who, like Lermentov, was obsessed by the demonic. In cultural influence Goethe's Devil had by then eclipsed Milton's, but Goethe's did not survive 1917 with the same political authority. Boss concludes with a description of what happened to Milton's Satan after October 1917, when his connection with the English Revolution gave him an edge his German rival lacked. Lunacharsky, Lenin's Commissar for Education, who admired Milton's Arch-rebel, steered him past Left-wing Communists who continued to regard Paradise Lost and Paradise Regained as Christian propaganda. Despite such attacks, Milton's Satan resurfaced under Brezhnev to bask in Soviet pedagogic approval as an Anti-Imperialist and 'the embodiment of love of freedom.' Russian notions of good and evil changed before the Revolution and will change again under glasnost' and perestroika. But no literary character has reflected such changes more dramatically than Milton's Satan, who managed to be both a hero to Romantic poets and Marxist critics.
Copyright Date
1991
ebay_catalog_id
4
Description de l'objet du vendeur
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :363677102932
Dernière mise à jour : juin 11, 2024 11:25:28 HAEAfficher toutes les modificationsAfficher toutes les modifications
Expédition et manutention
Lieu où se trouve l'objet :
Jessup, Maryland, États-Unis
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