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Scies à chaîne pour hommes, femmes : genre dans le film d'horreur moderne (livre de poche ou softb
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- Achat immédiatScies à chaîne pour hommes, femmes : genre dans le film d'horreur moderne (livre de poche ou softb
Expédition :
Lieu : Grand Rapids, Michigan, États-Unis
Livraison :
Livraison prévue entre le ven. 31 mai et le mar. 4 juin à 43230
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Numéro de l'objet eBay :363589331905
Dernière mise à jour : avr. 15, 2024 13:56:39 HAEAfficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- ISBN
- 0691166293
- EAN
- 9780691166292
- Binding
- TP
- Book Title
- Men, Women, and Chain Saws : Gender in the Modern Horror Film-Updated Edition
- Item Length
- 8.5in
- Publisher
- Princeton University Press
- Publication Year
- 2015
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6in
- Features
- Revised
- Genre
- Social Science, Performing Arts
- Topic
- Film / Genres / Horror, Film / General, Popular Culture, Film / History & Criticism
- Item Width
- 5.5in
- Item Weight
- 8 Oz
- Number of Pages
- 280 Pages
À propos de ce produit
Product Information
From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditiona
Product Identifiers
Publisher
Princeton University Press
ISBN-10
0691166293
ISBN-13
9780691166292
eBay Product ID (ePID)
208787578
Product Key Features
Book Title
Men, Women, and Chain Saws : Gender in the Modern Horror Film-Updated Edition
Format
Trade Paperback
Language
English
Features
Revised
Topic
Film / Genres / Horror, Film / General, Popular Culture, Film / History & Criticism
Publication Year
2015
Genre
Social Science, Performing Arts
Number of Pages
280 Pages
Dimensions
Item Length
8.5in
Item Height
0.6in
Item Width
5.5in
Item Weight
8 Oz
Additional Product Features
Series Volume Number
15
Lc Classification Number
Pn1995.9.H6
Edition Description
Revised Edition
Preface by
Clover, Carol J.
Reviews
"Fascinating, Clover has shown how the allegedly nave makers of crude films have done something more schooled directors have difficulty doing - creating females with whom male veiwers are quite prepared to identify with on the most profound levels" -- The Modern Review, "In her reading of both particular horror films and of film and gender theory, Clover does what every cultural critic hopes to: she calls into question our habits of seeing." --Ramona Naddaff, Artforum, Clover makes a convincing case for studying the pulp-pop excesses of 'exploitation' horror as a reflection of our psychic times. ---Misha Berson, San Francisco Chronicle, Fascinating, Clover has shown how the allegedly naïve makers of crude films have done something more schooled directors have difficulty doing - creating females with whom male veiwers are quite prepared to identify with on the most profound levels, It's easy to see why this book is considered such a landmark in film analysis. ---Rod Lott, Flick Attack,, "Carol Clover's compelling [book] challenges simplistic assumptions about the relationship between gender and culture. . . . She suggests that the "low tradition' in horror movies possesses positive subversive potential, a space to explore gender ambiguity and transgress traditional boundaries of masculinity and femininity." --Andrea Walsh, The Boston Globe, "[A] brilliant analysis of gender and its disturbances in modern horror films. . . . Bubbling away beneath Clover's multi-faceted readings of slasher, occult, and rape-revenge films is the question of what the viewer gets out of them. . . . [She] argues that most horror films are obsessed with feminism, playing out plots which climax with an image of (masculinized) female power and offering visual pleasures which are organized not around a mastering gaze, but around a more radical "victim-identified' look." --Linda Ruth Williams, Sight and Sound, "Clover actually bothers (as few have done before) to go into the theaters, to sit with the horror fans, and to watch how they respond to what appears on screen." --Wendy Lesser, Washington Post, [A] brilliant analysis of gender and its disturbances in modern horror films. . . . Bubbling away beneath Clover's multi-faceted readings of slasher, occult, and rape-revenge films is the question of what the viewer gets out of them. . . . [She] argues that most horror films are obsessed with feminism, playing out plots which climax with an image of (masculinized) female power and offering visual pleasures which are organized not around a mastering gaze, but around a more radical "victim-identified' look. ---Linda Ruth Williams, Sight and Sound, "It's easy to see why this book is considered such a landmark in film analysis." --Rod Lott, Flick Attack, In her reading of both particular horror films and of film and gender theory, Clover does what every cultural critic hopes to: she calls into question our habits of seeing. ---Ramona Naddaff, Artforum, "Clover makes a convincing case for studying the pulp-pop excesses of 'exploitation' horror as a reflection of our psychic times." --Misha Berson, San Francisco Chronicle, "Clover makes a convincing case for studying the pulp-pop excesses of 'exploitation' horror as a reflection of our psychic times." ---Misha Berson, San Francisco Chronicle, Clover, takes the most extreme genre, horror flicks, seriously. There is no condescension in this significant and probing discussion of psychology and sexuality and their role in lurid fantasy. ---Desmond Ryan, Philadelphia Inquirer, "Clover, takes the most extreme genre, horror flicks, seriously. There is no condescension in this significant and probing discussion of psychology and sexuality and their role in lurid fantasy." ---Desmond Ryan, Philadelphia Inquirer, "[A] brilliant analysis of gender and its disturbances in modern horror films. . . . Bubbling away beneath Clover's multi-faceted readings of slasher, occult, and rape-revenge films is the question of what the viewer gets out of them. . . . [She] argues that most horror films are obsessed with feminism, playing out plots which climax with an image of (masculinized) female power and offering visual pleasures which are organized not around a mastering gaze, but around a more radical "victim-identified' look." ---Linda Ruth Williams, Sight and Sound, "It's easy to see why this book is considered such a landmark in film analysis." ---Rod Lott, Flick Attack,, Clover actually bothers (as few have done before) to go into the theaters, to sit with the horror fans, and to watch how they respond to what appears on screen. ---Wendy Lesser, Washington Post, Carol Clover's compelling [book] challenges simplistic assumptions about the relationship between gender and culture. . . . She suggests that the "low tradition' in horror movies possesses positive subversive potential, a space to explore gender ambiguity and transgress traditional boundaries of masculinity and femininity. ---Andrea Walsh, The Boston Globe, "Carol Clover's compelling [book] challenges simplistic assumptions about the relationship between gender and culture. . . . She suggests that the "low tradition' in horror movies possesses positive subversive potential, a space to explore gender ambiguity and transgress traditional boundaries of masculinity and femininity." ---Andrea Walsh, The Boston Globe, "Fascinating, Clover has shown how the allegedly naïve makers of crude films have done something more schooled directors have difficulty doing - creating females with whom male veiwers are quite prepared to identify with on the most profound levels" -- The Modern Review, "In her reading of both particular horror films and of film and gender theory, Clover does what every cultural critic hopes to: she calls into question our habits of seeing." ---Ramona Naddaff, Artforum, "It's easy to see why this book is considered such a landmark in film analysis." ---Rod Lott, Flick Attack, "Clover actually bothers (as few have done before) to go into the theaters, to sit with the horror fans, and to watch how they respond to what appears on screen." ---Wendy Lesser, Washington Post, "Clover, takes the most extreme genre, horror flicks, seriously. There is no condescension in this significant and probing discussion of psychology and sexuality and their role in lurid fantasy." --Desmond Ryan, Philadelphia Inquirer
Copyright Date
2015
Lccn
2015-930407
Dewey Decimal
791.436164
Intended Audience
Trade
Series
Princeton Classics Ser.
Dewey Edition
23
Illustrated
Yes
Description de l'objet du vendeur
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :363589331905
Dernière mise à jour : avr. 15, 2024 13:56:39 HAEAfficher toutes les modificationsAfficher toutes les modifications
Expédition et manutention
Lieu où se trouve l'objet :
Grand Rapids, Michigan, États-Unis
Expédition :
Monde entier
Lieux exclus :
Adresses militaires ou navales, Afrique, Alaska/Hawaii, Asie, Asie du Sud-Est, Barbade, Brésil, Guadeloupe, Guyane française, Libye, Martinique, Moyen-Orient, Nouvelle-Calédonie, Océanie, Polynésie française, Protectorats des États-Unis, Russie, Réunion, Ukraine, Venezuela
| Expédition et manutention | Chaque objet supplémentaire | À | Service | Livraison*Voir les remarques sur la livraison |
|---|---|---|---|---|
| Expédition sans frais | Sans frais | États-Unis | Standard Shipping | Livraison prévue entre le ven. 31 mai et le mar. 4 juin à 43230 |
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|---|
| Expédition dans les 5 jours ouvrables après réception du paiement. |
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