Photo 1 sur 1
Jouer la carte de la course : mélodrames en noir et blanc de l'oncle Tom à O.J.
État :
Prix :
49,58 $US
Environ68,12 $C
- Achat immédiatJouer la carte de la course : mélodrames en noir et blanc de l'oncle Tom à O.J.
Expédition :
Lieu : Sparks, Nevada, États-Unis
Livraison :
Livraison prévue entre le ven. 14 juin et le jeu. 20 juin à 43230
Renvois :
Renvoi sous 30jours. L'acheteur paie les frais de port du renvoi. En savoir plus- pour en savoir plus sur les renvois
Paiements :
Magasinez en toute confiance
Informations sur le vendeur
- 98,5% d'évaluations positives
Inscrit comme vendeur professionnel
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :363478469099
Dernière mise à jour : mai 22, 2024 07:00:28 HAEAfficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Book Title
- Playing the Race Card: Melodramas of Black and White from Uncle T
- Publication Date
- 2002-09-23
- Pages
- 424
- ISBN
- 9780691102832
- Subject Area
- Performing Arts
- Publication Name
- Playing the Race Card : Melodramas of Black and White from Uncle Tom to O. J. Simpson
- Item Length
- 9.1 in
- Publisher
- Princeton University Press
- Subject
- Film / History & Criticism
- Publication Year
- 2002
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 1 in
- Item Width
- 5.9 in
- Item Weight
- 21 Oz
- Number of Pages
- 424 Pages
À propos de ce produit
Product Information
The black man suffering at the hands of whites, the white woman sexually threatened by the black man. Both images have long been burned into the American conscience through popular entertainment, and today they exert a powerful and disturbing influence on Americans' understanding of race. So argues Linda Williams in this boldly inquisitive book, where she probes the bitterly divisive racial sentiments aroused by such recent events as O. J. Simpson's criminal trial. Williams, the author of Hard Core , explores how these images took root, beginning with melodramatic theater, where suffering characters acquire virtue through victimization. The racial sympathies and hostilities that surfaced during the trial of the police in the beating of Rodney King and in the O. J. Simpson murder trial are grounded in the melodramatic forms of Uncle Tom's Cabin and The Birth of a Nation . Williams finds that Stowe's beaten black man and Griffith's endangered white woman appear repeatedly throughout popular entertainment, promoting interracial understanding at one moment, interracial hate at another. The black and white racial melodrama has galvanized emotions and fueled the importance of new media forms, such as serious, "integrated" musicals of stage and film, including The Jazz Singer and Show Boat . It also helped create a major event out of the movie Gone With the Wind , while enabling television to assume new moral purpose with the broadcast of Roots . Williams demonstrates how such developments converged to make the televised race trial a form of national entertainment. When prosecutor Christopher Darden accused Simpson's defense team of "playing the race card," which ultimately trumped his own team's gender card, he feared that the jury's sympathy for a targeted black man would be at the expense of the abused white wife. The jury's verdict, Williams concludes, was determined not so much by facts as by the cultural forces of racial melodrama long in the making. Revealing melodrama to be a key element in American culture, Williams argues that the race images it has promoted are deeply ingrained in our minds and that there can be no honest discussion about race until Americans recognize this predicament.
Product Identifiers
Publisher
Princeton University Press
ISBN-10
069110283x
ISBN-13
9780691102832
eBay Product ID (ePID)
3038439324
Product Key Features
Publication Name
Playing the Race Card : Melodramas of Black and White from Uncle Tom to O. J. Simpson
Format
Trade Paperback
Language
English
Subject
Film / History & Criticism
Publication Year
2002
Type
Textbook
Subject Area
Performing Arts
Number of Pages
424 Pages
Dimensions
Item Length
9.1 in
Item Height
1 in
Item Width
5.9 in
Item Weight
21 Oz
Additional Product Features
Intended Audience
College Audience
Lc Classification Number
E185.625.W523 2002
Reviews
Williams offers a fresh and insightful exploration of some of the roots of the American racial dilemma. . . . Well written and persuasively argued., Williams offers a fresh and insightful exploration of some of the roots of the American racial dilemma. . . . Well written and persuasively argued. -- Choice, "In her intellectually rousing book, Playing the Race Card , Williams find the root of [melodramatic] characterizations throughout American popular culture. . . . Such images, she argues, continue to feed attitudes of racial empathy and enmity. . . . With its thought-provoking analysis and textbook scholarship, Playing the Race Card is a . . . passionately crafted book. But Williams greatest contribution may be liberating a discussion of race from the incendiary rhetoric and polemics that accompany such a discourse. She creates a new dialogue about how popular entertainment has fostered racial sympathy as well as mistrust, and how those images still shape us today."-- Renee Graham, The Boston Globe, But the real elegance is in her thinking. . . . [Williams's writing impresses] wherever melodrama lands, it brings the same set of concerns, anPlaying the Race Cardis at it protean best when it is tracing these from medium to medium. -- Lisa Kennedy, Village Voice, "[Williams] dispenses with the cant and silliness that tangles much academic talk about racial matters. . . . Steeped in the details of text and context, she invites the reader to see familiar works in fresh ways. Williams's achievement is to recapture the complexity of our tangled racial history without sanitizing racism."-- Jonathan Rieder, New York Times Book Review, In her intellectually rousing book, Playing the Race Card , Williams find the root of [melodramatic] characterizations throughout American popular culture. . . . Such images, she argues, continue to feed attitudes of racial empathy and enmity. . . . With its thought-provoking analysis and textbook scholarship, Playing the Race Card is a . . . passionately crafted book. But Williams greatest contribution may be liberating a discussion of race from the incendiary rhetoric and polemics that accompany such a discourse. She creates a new dialogue about how popular entertainment has fostered racial sympathy as well as mistrust, and how those images still shape us today. -- Renee Graham, The Boston Globe, For any honest discussion about race relations in America, [Williams] argues, we must first acknowledge the indeterminate influence of melodrama. Conscientiously researched . . . this insightful book is essential for academic libraries and students in film studies., A work that is extremely valuable to historians who wish to enhance the sophistication of their own thinking about teaching with film and other visual media. . . . I believe the author succeeds at what she sets out to do. In such a large, sweeping, and ambitious book as this, that is high praise indeed. -- Alecia P. Long, H-Net Reviews, "It seems like a long leap to make 'from Lillian Gish to . . . Leonardo Dicaprio and from Uncle Tom to Rodney King,' but in this dazzling, benchmark work . . . Williams does it with panache and enormous insight. . . . This is a vital contribution to American studies as well as film and race studies."-- Publishers Weekly (starred review), Broad and brilliant, a combination rare in serious books these days, Playing the Race Card argues persuasively that melodrama has profoundly affected American attitudes toward race over the last century and a half. . . . Williams's success is to spell out exactly how the melodramatic imagination of our popular culture shapes how we live and understand race in America and how these stories make as well as narrative history. -- Grace Elizabeth Hale, The Historian, This book would be valuable just for its scholarly insights, sharp contextual readings, well-selected illustrations, and imaginative genealogy of melodramatic practices across various eras. What gives it special urgency is that by locating those moments when new media (print, film, TV, video) were shaping new ways of conceiving race, Williams creates a moving picture of racial melodrama in the United States that manages to connect the polemic of Uncle Tom's Cabin to the . . . televised O. J. Simpson murder trial -- Kurt Eisen, American Literature, "Williams makes the best theoretical case for descriptive representation for marginalized groups to achieve democratic equality. Her review of democratic theory is both exhaustive and masterful." --Katherine Tate, Annals of the American Academy of Political and Social Sciences, But the real elegance is in her thinking. . . . [Williams's writing impresses] wherever melodrama lands, it brings the same set of concerns, an Playing the Race Card is at it protean best when it is tracing these from medium to medium., It seems like a long leap to make 'from Lillian Gish to . . . Leonardo Dicaprio and from Uncle Tom to Rodney King,' but in this dazzling, benchmark work . . . Williams does it with panache and enormous insight. . . . This is a vital contribution to American studies as well as film and race studies., "This book would be valuable just for its scholarly insights, sharp contextual readings, well-selected illustrations, and imaginative genealogy of melodramatic practices across various eras. What gives it special urgency is that by locating those moments when new media (print, film, TV, video) were shaping new ways of conceiving race, Williams creates a moving picture of racial melodrama in the United States that manages to connect the polemic of Uncle Tom's Cabin to the . . . televised O. J. Simpson murder trial"-- Kurt Eisen, American Literature, It seems like a long leap to make 'from Lillian Gish to . . . Leonardo Dicaprio and from Uncle Tom to Rodney King,' but in this dazzling, benchmark work . . . Williams does it with panache and enormous insight. . . . This is a vital contribution to American studies as well as film and race studies. -- Publishers Weekly, Broad and brilliant, a combination rare in serious books these days, Playing the Race Card argues persuasively that melodrama has profoundly affected American attitudes toward race over the last century and a half. . . . Williams's success is to spell out exactly how the melodramatic imagination of our popular culture shapes how we live and understand race in America and how these stories make as well as narrative history., But the real elegance is in her thinking. . . . [Williams's writing impresses] wherever melodrama lands, it brings the same set of concerns, an Playing the Race Card is at it protean best when it is tracing these from medium to medium. -- Lisa Kennedy, Village Voice, Williams makes the best theoretical case for descriptive representation for marginalized groups to achieve democratic equality. Her review of democratic theory is both exhaustive and masterful., This book would be valuable just for its scholarly insights, sharp contextual readings, well-selected illustrations, and imaginative genealogy of melodramatic practices across various eras. What gives it special urgency is that by locating those moments when new media (print, film, TV, video) were shaping new ways of conceiving race, Williams creates a moving picture of racial melodrama in the United States that manages to connect the polemic of Uncle Tom's Cabin to the . . . televised O. J. Simpson murder trial, In her intellectually rousing book,Playing the Race Card, Williams find the root of [melodramatic] characterizations throughout American popular culture. . . . Such images, she argues, continue to feed attitudes of racial empathy and enmity. . . . With its thought-provoking analysis and textbook scholarship,Playing the Race Cardis a . . . passionately crafted book. But Williams greatest contribution may be liberating a discussion of race from the incendiary rhetoric and polemics that accompany such a discourse. She creates a new dialogue about how popular entertainment has fostered racial sympathy as well as mistrust, and how those images still shape us today., [Williams] dispenses with the cant and silliness that tangles much academic talk about racial matters. . . . Steeped in the details of text and context, she invites the reader to see familiar works in fresh ways. Williams's achievement is to recapture the complexity of our tangled racial history without sanitizing racism., For any honest discussion about race relations in America, [Williams] argues, we must first acknowledge the indeterminate influence of melodrama. Conscientiously researched . . . this insightful book is essential for academic libraries and students in film studies. -- Library Journal, Broad and brilliant, a combination rare in serious books these days,Playing the Race Cardargues persuasively that melodrama has profoundly affected American attitudes toward race over the last century and a half. . . . Williams's success is to spell out exactly how the melodramatic imagination of our popular culture shapes how we live and understand race in America and how these stories make as well as narrative history. -- Grace Elizabeth Hale, The Historian, Broad and brilliant, a combination rare in serious books these days,Playing the Race Cardargues persuasively that melodrama has profoundly affected American attitudes toward race over the last century and a half. . . . Williams's success is to spell out exactly how the melodramatic imagination of our popular culture shapes how we live and understand race in America and how these stories make as well as narrative history., "In her intellectually rousing book, Playing the Race Card , Williams find the root of [melodramatic] characterizations throughout American popular culture. . . . Such images, she argues, continue to feed attitudes of racial empathy and enmity. . . . With its thought-provoking analysis and textbook scholarship, Playing the Race Card is a . . . passionately crafted book. But Williams greatest contribution may be liberating a discussion of race from the incendiary rhetoric and polemics that accompany such a discourse. She creates a new dialogue about how popular entertainment has fostered racial sympathy as well as mistrust, and how those images still shape us today." --Renee Graham, The Boston Globe, "But the real elegance is in her thinking. . . . [Williams's writing impresses] wherever melodrama lands, it brings the same set of concerns, an Playing the Race Card is at it protean best when it is tracing these from medium to medium." --Lisa Kennedy, Village Voice, "Williams offers a fresh and insightful exploration of some of the roots of the American racial dilemma. . . . Well written and persuasively argued." -- Choice, [Williams] dispenses with the cant and silliness that tangles much academic talk about racial matters. . . . Steeped in the details of text and context, she invites the reader to see familiar works in fresh ways. Williams's achievement is to recapture the complexity of our tangled racial history without sanitizing racism. -- Jonathan Rieder, New York Times Book Review, "A work that is extremely valuable to historians who wish to enhance the sophistication of their own thinking about teaching with film and other visual media. . . . I believe the author succeeds at what she sets out to do. In such a large, sweeping, and ambitious book as this, that is high praise indeed."-- Alecia P. Long, H-Net Reviews, "Williams offers a fresh and insightful exploration of some of the roots of the American racial dilemma. . . . Well written and persuasively argued."-- Choice, Finalist for the Theatre Library Association Award for Outstanding Book in Recorded or Broadcast Performance, "A work that is extremely valuable to historians who wish to enhance the sophistication of their own thinking about teaching with film and other visual media. . . . I believe the author succeeds at what she sets out to do. In such a large, sweeping, and ambitious book as this, that is high praise indeed." --Alecia P. Long, H-Net Reviews, "[Williams] dispenses with the cant and silliness that tangles much academic talk about racial matters. . . . Steeped in the details of text and context, she invites the reader to see familiar works in fresh ways. Williams's achievement is to recapture the complexity of our tangled racial history without sanitizing racism." --Jonathan Rieder, New York Times Book Review, "For any honest discussion about race relations in America, [Williams] argues, we must first acknowledge the indeterminate influence of melodrama. Conscientiously researched . . . this insightful book is essential for academic libraries and students in film studies." -- Library Journal, "It seems like a long leap to make 'from Lillian Gish to . . . Leonardo Dicaprio and from Uncle Tom to Rodney King,' but in this dazzling, benchmark work . . . Williams does it with panache and enormous insight. . . . This is a vital contribution to American studies as well as film and race studies." -- Publishers Weekly (starred review), "This book would be valuable just for its scholarly insights, sharp contextual readings, well-selected illustrations, and imaginative genealogy of melodramatic practices across various eras. What gives it special urgency is that by locating those moments when new media (print, film, TV, video) were shaping new ways of conceiving race, Williams creates a moving picture of racial melodrama in the United States that manages to connect the polemic of Uncle Toms Cabin to the . . . televised O. J. Simpson murder trial"-- Kurt Eisen, American Literature, "This book would be valuable just for its scholarly insights, sharp contextual readings, well-selected illustrations, and imaginative genealogy of melodramatic practices across various eras. What gives it special urgency is that by locating those moments when new media (print, film, TV, video) were shaping new ways of conceiving race, Williams creates a moving picture of racial melodrama in the United States that manages to connect the polemic of Uncle Tom's Cabin to the . . . televised O. J. Simpson murder trial" --Kurt Eisen, American Literature, "Broad and brilliant, a combination rare in serious books these days, Playing the Race Card argues persuasively that melodrama has profoundly affected American attitudes toward race over the last century and a half. . . . Williams's success is to spell out exactly how the melodramatic imagination of our popular culture shapes how we live and understand race in America and how these stories make as well as narrative history." --Grace Elizabeth Hale, The Historian, Williams makes the best theoretical case for descriptive representation for marginalized groups to achieve democratic equality. Her review of democratic theory is both exhaustive and masterful. -- Katherine Tate, Annals of the American Academy of Political and Social Sciences, "For any honest discussion about race relations in America, [Williams] argues, we must first acknowledge the indeterminate influence of melodrama. Conscientiously researched . . . this insightful book is essential for academic libraries and students in film studies."-- Library Journal, "But the real elegance is in her thinking. . . . [Williams's writing impresses] wherever melodrama lands, it brings the same set of concerns, an Playing the Race Card is at it protean best when it is tracing these from medium to medium."-- Lisa Kennedy, Village Voice, A work that is extremely valuable to historians who wish to enhance the sophistication of their own thinking about teaching with film and other visual media. . . . I believe the author succeeds at what she sets out to do. In such a large, sweeping, and ambitious book as this, that is high praise indeed., "Broad and brilliant, a combination rare in serious books these days, Playing the Race Card argues persuasively that melodrama has profoundly affected American attitudes toward race over the last century and a half. . . . Williams's success is to spell out exactly how the melodramatic imagination of our popular culture shapes how we live and understand race in America and how these stories make as well as narrative history."-- Grace Elizabeth Hale, The Historian, "Williams makes the best theoretical case for descriptive representation for marginalized groups to achieve democratic equality. Her review of democratic theory is both exhaustive and masterful."-- Katherine Tate, Annals of the American Academy of Political and Social Sciences
Table of Content
Illustrations ix Preface xiii Acknowledgments xvii Introduction: Playing the Race Card 3 Chapter One: The American Melodramatic Mode 10 Chapter Two: ''A Wonderful, 'Leaping 'Fish'': Varieties of Uncle Tom 45 Chapter Three: Anti-Tom and The Birth of a Nation 96 Chapter Four: Posing as Black, Passing as White: The Melos of Black and White Melodrama in the Jazz Age 136 Chapter Five: Rewriting the Plantation Legend: Scarlett ''Totes a Weary Load'' 187 Chapter Six: Home Sweet Africa: Alex Haley's and TV's Roots 220 Chapter Seven: Trials of Black and White: California v. Powell and The People v. Orenthal James Simpson 252 Conclusion: Our Melodramatic Racial Fix 296 Notes 311 Bibliography 369 Index 385
Copyright Date
2001
Dewey Decimal
305.8
Dewey Edition
21
Illustrated
Yes
Description de l'objet du vendeur
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :363478469099
Dernière mise à jour : mai 22, 2024 07:00:28 HAEAfficher toutes les modificationsAfficher toutes les modifications
Expédition et manutention
Lieu où se trouve l'objet :
Sparks, Nevada, États-Unis
Expédition :
Afrique du Sud, Albanie, Allemagne, Andorre, Angola, Anguilla, Antigua-et-Barbuda, Arabie saoudite, Argentine, Arménie, Aruba, Australie, Autriche, Azerbaïdjan, Bahamas, Bahreïn, Bangladesh, Belgique, Bermudes, Bhoutan, Bolivie, Bosnie-Herzégovine, Botswana, Brunéi Darussalam, Bulgarie, Burkina Faso, Burundi, Bélize, Bénin, Cambodge, Cameroun, Canada, Chili, Chine, Chypre, Colombie, Corée du Sud, Costa Rica, Côte d'Ivoire, Danemark, Djibouti, Espagne, Estonie, Fidji, Finlande, France, Gabon, République du, Gambie, Ghana, Gibraltar, Grenade, Groenland, Grèce, Guatemala, Guinée, Guinée équatoriale, Guyana, Géorgie, Haïti, Honduras, Hong Kong, Hongrie, Inde, Indonésie, Irlande, Islande, Israël, Italie, Jamaïque, Japon, Jordanie, Kazakhstan, Kenya, Kirghizistan, Kiribati, Koweït, Laos, Lesotho, Lettonie, Liban, Liechtenstein, Lituanie, Luxembourg, Macao, Macédoine, Madagascar, Malaisie, Malawi, Maldives, Mali, Malte, Maroc, Mauritanie, Mexique, Moldavie, Monaco, Mongolie, Montserrat, Monténégro, Mozambique, Namibie, Nauru, Nicaragua, Niger, Norvège, Nouvelle-Zélande, Népal, Oman, Ouganda, Ouzbékistan, Pakistan, Panama, Papouasie-Nouvelle-Guinée, Paraguay, Pays-Bas, Philippines, Pologne, Portugal, Pérou, Qatar, Roumanie, Royaume-Uni, Rwanda, République centrafricaine, République de Croatie, République dominicaine, République du Congo, République démocratique du Congo, République tchèque, Saint-Kitts-et-Nevis, Saint-Marin, Saint-Vincent-et-les Grenadines, Sainte-Lucie, Salvador, Samoa, Serbie, Seychelles, Sierra Leone, Singapour, Slovaque, Slovénie, Sri Lanka, Suisse, Suriname, Suède, Swaziland, Sénégal, Tadjikistan, Tanzanie, Taïwan, Tchad, Thaïlande, Togo, Tonga, Trinité-et-Tobago, Tunisie, Turkménistan, Turquie, Uruguay, Vanuatu, Vietnam, Wallis-et-Futuna, Zambie, Zimbabwe, Égypte, Émirats arabes unis, Équateur, Érythrée, État de la Cité du Vatican, États-Unis, Éthiopie, Île Maurice, Îles Caïmans, Îles Salomon, Îles Turks et Caicos, Îles du Cap-Vert
Lieux exclus :
Adresses militaires ou navales, Afghanistan, Alaska/Hawaii, Algérie, Barbade, Biélorussie, Brésil, Guadeloupe, Guinée-Bissau, Guyane française, Irak, Libye, Libéria, Martinique, Nigeria, Nouvelle-Calédonie, Polynésie française, Protectorats des États-Unis, Russie, Réunion, Ukraine, Venezuela
| Expédition et manutention | À | Service | Livraison*Voir les remarques sur la livraison |
|---|---|---|---|
| Expédition sans frais | États-Unis | Standard Shipping | Livraison prévue entre le ven. 14 juin et le jeu. 20 juin à 43230 |
| 5,50 $US (environ 7,56 $C) | États-Unis | Expedited Shipping | Livraison prévue entre le ven. 14 juin et le jeu. 20 juin à 43230 |
| Délai de manutention |
|---|
| Expédition dans les 2 jours ouvrables après réception du paiement. |
| Taxes |
|---|
| Le vendeur facture une taxe de vente dans |
Taxe de vente pour cet objet (363478469099)
Taxe de vente pour cet objet (363478469099)
Le vendeur facture une taxe de vente pour les États suivants :
| État | Taux de la taxe de vente |
|---|
Modalités de renvoi
| Après réception de l'objet, contactez le vendeur dans un délai de | Mode de remboursement |
|---|---|
| 30 jours | Remboursement |
Les frais d'expédition du renvoi sont à la charge de l'acheteur.
Détails du paiement
Modes de paiement
Évaluations comme vendeur (461 775)
b***i (428)- Évaluation laissée par l'acheteur.
Dernier mois
Achat vérifié
Quick delivery and as described!
u***0 (0)- Évaluation laissée par l'acheteur.
Dernier mois
Achat vérifié
Condition was as described, timely shipping, no complaints whatsoever
6***i (80)- Évaluation laissée par l'acheteur.
Dernier mois
Achat vérifié
Book arrived in excellent condition. Highly recommend this seller.