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Loss and the Other in the Visionary Work of Anna Maria Ortese, couverture rigide par D...

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Numéro de l'objet eBay :355683190498
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Caractéristiques de l'objet

État
Comme neuf: Un livre qui a l’air neuf mais qui a été lu. La couverture ne présente pas d’usure et ...
Book Title
Loss and the Other in the Visionary Work of Anna Maria Ortese
ISBN
9780199673810
Subject Area
Literary Criticism, Psychology
Publication Name
Loss and the Other in the Visionary Work of Anna Maria Ortese
Publisher
Oxford University Press, Incorporated
Item Length
8.8 in
Subject
General, European / Italian, Subjects & Themes / General
Publication Year
2014
Series
Oxford Modern Languages and Literature Monographs
Type
Textbook
Format
Hardcover
Language
English
Item Height
1 in
Author
Vilma Degasperin
Item Weight
18 Oz
Item Width
6.2 in
Number of Pages
320 Pages

À propos de ce produit

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0199673810
ISBN-13
9780199673810
eBay Product ID (ePID)
173843403

Product Key Features

Number of Pages
320 Pages
Language
English
Publication Name
Loss and the Other in the Visionary Work of Anna Maria Ortese
Publication Year
2014
Subject
General, European / Italian, Subjects & Themes / General
Type
Textbook
Author
Vilma Degasperin
Subject Area
Literary Criticism, Psychology
Series
Oxford Modern Languages and Literature Monographs
Format
Hardcover

Dimensions

Item Height
1 in
Item Weight
18 Oz
Item Length
8.8 in
Item Width
6.2 in

Additional Product Features

Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
858.91409
Table Of Content
Introduction1. Beginnings2. Fictional autobiography3. Realist short stories4. Fairy Tales5. Animal allegories6. Conclusion
Synopsis
This book examines the oevre of Anna Maria Ortese (1914-1998) from her first literary writings in the Thirties to her great novels in the Nineties. The analysis focusses on two interweaving core themes, loss and the Other. It begins with the shaping of personal loss of an Other following death, separation, abandonment, coupled with melancholy for life's transience as depicted in autobiographical works and in her masterpiece Il porto di Toledo . The book then addresses Ortese's literary engagement with social themes in realist stories set in post-war Naples in her collection Il mare non bagna Napoli and then explores her continuing preoccupation with socio-ethical issues, imbued with autobiographical elements, in non-realist texts, including her masterful novels L'Iguana , Il cardillo addolorato and Alonso e i visionari The book combines theme and genre analysis, highlighting Ortese's adoption and hybridization of diverse literary forms such as poetry, the novel, the short story, the essay, autobiography, realism, fairy tales, fantasy, allegory. In her work Ortese weaves an ongoing dialogue with literary and non-literary works, through direct quotations, allusions, echoes, adoption of motifs and topoi. The book thus highlights the intertextual relationship with her sources: Leopardi, Dante, Petrarch, Manzoni, Collodi, Montale, Serao; Shakespeare, Milton, Keats, Blake, Joyce, Conrad, Melville, Poe, Hawthorne, Hardy; Manrique, Gongora, de Quevedo, Villalon, Bello, Cantar del mio Cid; Heine, Valery, Puccini's Madam Butterfly, folklore, popular songs, and the Bible. Ortese thus shapes her literary themes in the background of social, political and economic upheavals over six decades of Italian history, culminating in an allegorical critique of modernity and a call for a renewed bond between humans and the Other., This book examines the oevre of Anna Maria Ortese (1914-1998) from her first literary writings in the Thirties to her great novels in the Nineties. The analysis focusses on two interweaving core themes, loss and the Other. It begins with the shaping of personal loss of an Other following death, separation, abandonment, coupled with melancholy for life's transience as depicted in autobiographical works and in her masterpiece Il porto di Toledo. The book then addresses Ortese's literary engagement with social themes in realist stories set in post-war Naples in her collection Il mare non bagna Napoli and then explores her continuing preoccupation with socio-ethical issues, imbued with autobiographical elements, in non-realist texts, including her masterful novels L'Iguana, Il cardillo addolorato and Alonso e i visionariThe book combines theme and genre analysis, highlighting Ortese's adoption and hybridization of diverse literary forms such as poetry, the novel, the short story, the essay, autobiography, realism, fairy tales, fantasy, allegory. In her work Ortese weaves an ongoing dialogue with literary and non-literary works, through direct quotations, allusions, echoes, adoption of motifs and topoi. The book thus highlights the intertextual relationship with her sources: Leopardi, Dante, Petrarch, Manzoni, Collodi, Montale, Serao; Shakespeare, Milton, Keats, Blake, Joyce, Conrad, Melville, Poe, Hawthorne, Hardy; Manrique, Gongora, de Quevedo, Villalón, Bello, Cantar del mio Cid; Heine, Valery, Puccini's Madam Butterfly, folklore, popular songs, and the Bible. Ortese thus shapes her literary themes in the background of social, political and economic upheavals over six decades of Italian history, culminating in an allegorical critique of modernity and a call for a renewed bond between humans and the Other., This book explores the literary work of Anna Maria Ortese (1914-1998), one of the greatest and most original writers in twentieth-century Italian and European literature and shows the intense relationship between Ortese's texts and masterpieces of European literature.
ebay_catalog_id
4
Copyright Date
2014

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