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The Yoruba God of Drumming: Transatlantic Perspectives on the Wood That Talks, ,

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Numéro de l'objet eBay :355568319830

Dernière mise à jour : mai 10, 2024 13:21:55 HAEAfficher toutes les modificationsAfficher toutes les modifications

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Publication Name: The Yoruba God of Drumming: Transatlantic Perspectives on the Woo

Type: Textbook

ISBN: 9781496802934

Publication Year: 2016

Format: Hardcover

Language: English

Book Title: Yoruba God of Drumming : Transatlantic Perspectives on the Wood That Talks

Author: J. D. Y. Peel

Item Length: 9in

Publisher: University Press of Mississippi

Genre: Music, Religion, Social Science

Topic: Ethnomusicology, Black Studies (Global), Ethnic & Tribal, Anthropology / Cultural & Social

Item Width: 6in

Item Weight: 12.3 Oz

Number of Pages: 288 Pages

À propos de ce produit

Product Information

As one of the salient forces in the ritual life of those who worship the pre-Christian and Muslim deities called orishas, the Yorùbá god of drumming, known as Àyàn in Africa and Añá in Cuba, is variously described as the orisha of drumming, the spirit of the wood, or the more obscure Yorùbá praise name AsòròIgi (Wood That Talks). With the growing global importance of orisha religion and music, the consequence of this deity's power for devotees continually reveals itself in new constellations of meaning as a sacred drum of Nigeria and Cuba finds new diasporas. Despite the growing volume of literature about the orishas, surprisingly little has been published about the ubiquitous Yorùbá music spirit. Yet wherever one hears drumming for the orishas, Àyàn or Añá is nearby. This groundbreaking collection addresses the gap in the research with contributions from a cross-section of prestigious musicians, scholars, and priests from Nigeria, the Americas, and Europe who have dedicated themselves to studying Yorùbá sacred drums and the god sealed within. As well as offering multidisciplinary scholarly insights from transatlantic researchers, the volume includes compelling first-hand accounts from drummer-priests who were themselves history-makers in Nigerian and Cuban diasporas in the United States, Venezuela, and Brazil. This collaboration between diverse scholars and practitioners constitutes an innovative approach, where differing registers of knowledge converge to portray the many faces and voices of a single god.

Product Identifiers

Publisher

University Press of Mississippi

ISBN-10

1496802934

ISBN-13

9781496802934

eBay Product ID (ePID)

211803887

Product Key Features

Book Title

Yoruba God of Drumming : Transatlantic Perspectives on the Wood That Talks

Author

J. D. Y. Peel

Format

Hardcover

Language

English

Topic

Ethnomusicology, Black Studies (Global), Ethnic & Tribal, Anthropology / Cultural & Social

Publication Year

2016

Genre

Music, Religion, Social Science

Number of Pages

288 Pages

Dimensions

Item Length

9in

Item Width

6in

Item Weight

12.3 Oz

Additional Product Features

Lc Classification Number

Ml3760.Y67 2015

Preface by

Peel, J. D. Y.

Reviews

While each chapter offers a unique perspective, the authors' combined voices reveal an intricate and dynamic Yorùbá deity. Undergraduate courses in religious studies, history, gender studies, folklore, ethnomusicology, linguistics, and anthropology will find valuable methodologies and content. The book will also appeal to musicians and orisha devotees interested in understanding Àyàn and Añá through the experiences of both practitioners and scholars., Awarded a Commendation in the British Forum for Ethnomusicology Book Prize 2016: The Yorùbá God of Drumming is a multifaceted book with an emphasis on collaboration, deeply immersed in Yorùbá studies. It shows meticulous attention to detail and is densely referenced, with a strong sense of passion for the subject. It supports writing from practitioners whose voices might otherwise not be heard, including them as the authors rather than informants, showing impressive editorial skill in making this a coherent book while retaining a diversity of experience and communication styles., "Far more than providing yet another addition to the genre of 'single orisha volumes,' Villepastour's collection raises the bar for such enterprises. In focusing on perhaps the most mysterious and ill-understood entity in the circum-Atlantic congeries of ritual practices that hark back to what, by the late nineteenth century, gradually became known as Yorb religion, The Yorb God of Drumming presents both a major empirical contribution and a model for integrating the voices and perspectives of scholars and practitioners/musicians alike." --Stephan Palmi, professor of anthropology and social sciences, University of Chicago, Recipient of the Commendation Book Prize 2016: " The Yorùbá God of Drumming is a multifaceted book with an emphasis on collaboration, deeply immersed in Yorùbá studies. It shows meticulous attention to detail and is densely referenced, with a strong sense of passion for the subject. It supports writing from practitioners whose voices might otherwise not be heard, including them as the authors rather than informants, showing impressive editorial skill in making this a coherent book while retaining a diversity of experience and communication styles." --British Forum for Ethnomusicology, Far more than providing yet another addition to the genre of 'single orisha volumes,' Villepastour's collection raises the bar for such enterprises. In focusing on perhaps the most mysterious and ill-understood entity in the circum-Atlantic congeries of ritual practices that hark back to what, by the late nineteenth century, gradually became known as Yorùbá religion, The Yorùbá God of Drumming presents both a major empirical contribution and a model for integrating the voices and perspectives of scholars and practitioners/musicians alike., This volume is a remarkable collection of essays, in which scholars of diverse disciplines, nationalities, and regional specializations study transatlantic Yorùbá music and religion through the lens of the spiritual power invested in its drums. The result is a uniquely broad and nuanced portrait of a powerful expressive tradition that has thrived vigorously in the New World, even as it struggles to survive in its ancestral homeland., "This volume is a remarkable collection of essays, in which scholars of diverse disciplines, nationalities, and regional specializations study transatlantic Yorùbá music and religion through the lens of the spiritual power invested in its drums. The result is a uniquely broad and nuanced portrait of a powerful expressive tradition that has thrived vigorously in the New World, even as it struggles to survive in its ancestral homeland." --Peter Manuel, professor of ethnomusicology, Graduate Center of the City University of New York, Recipient of the Commendation Book Prize 2016: " The Yorb God of Drumming is a multifaceted book with an emphasis on collaboration, deeply immersed in Yorb studies. It shows meticulous attention to detail and is densely referenced, with a strong sense of passion for the subject. It supports writing from practitioners whose voices might otherwise not be heard, including them as the authors rather than informants, showing impressive editorial skill in making this a coherent book while retaining a diversity of experience and communication styles." --British Forum for Ethnomusicology, "Far more than providing yet another addition to the genre of 'single orisha volumes,' Villepastour's collection raises the bar for such enterprises. In focusing on perhaps the most mysterious and ill-understood entity in the circum-Atlantic congeries of ritual practices that hark back to what, by the late nineteenth century, gradually became known as Yorùbá religion, The Yorùbá God of Drumming presents both a major empirical contribution and a model for integrating the voices and perspectives of scholars and practitioners/musicians alike." --Stephan Palmié, professor of anthropology and social sciences, University of Chicago, This volume is a remarkable collection of essays, in which scholars of diverse disciplines, nationalities, and regional specializations study transatlantic Yorbmusic and religion through the lens of the spiritual power invested in its drums. The result is a uniquely broad and nuanced portrait of a powerful expressive tradition that has thrived vigorously in the New World, even as it struggles to survive in its ancestral homeland.Peter Manuel, professor of ethnomusicology, Graduate Center of the City University of New York, Far more than providing yet another addition to the genre of single orisha volumes,Villepastours collection raises the bar for such enterprises. In focusing on perhaps the most mysterious and ill-understood entity in the circum-Atlantic congeries of ritual practices that hark back to what, by the late nineteenth century, gradually became known as Yorbreligion, The YorbGod of Drumming presents both a major empirical contribution and a model for integrating the voices and perspectives of scholars and practitioners/musicians alike.Stephan Palmi, professor of anthropology and social sciences, University of Chicago, Recipient of the Commendation Book Prize 2016: The YorbGod of Drumming is a multifaceted book with an emphasis on collaboration, deeply immersed in Yorbstudies. It shows meticulous attention to detail and is densely referenced, with a strong sense of passion for the subject. It supports writing from practitioners whose voices might otherwise not be heard, including them as the authors rather than informants, showing impressive editorial skill in making this a coherent book while retaining a diversity of experience and communication styles.British Forum for Ethnomusicology, "This volume is a remarkable collection of essays, in which scholars of diverse disciplines, nationalities, and regional specializations study transatlantic Yorb music and religion through the lens of the spiritual power invested in its drums. The result is a uniquely broad and nuanced portrait of a powerful expressive tradition that has thrived vigorously in the New World, even as it struggles to survive in its ancestral homeland." --Peter Manuel, professor of ethnomusicology, Graduate Center of the City University of New York

2015

Lccn

2015-015799

Dewey Decimal

786.9089/96333

Intended Audience

Trade

Dewey Edition

Illustrated

Yes

Description de l'objet du vendeur

Le vendeur assume l'entière responsabilité de cette annonce.

Numéro de l'objet eBay :355568319830

Dernière mise à jour : mai 10, 2024 13:21:55 HAEAfficher toutes les modificationsAfficher toutes les modifications

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Harrisburg, Pennsylvania, États-Unis

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Expédition et manutention	À	Service	Livraison*Voir les remarques sur la livraison
Expédition sans frais	États-Unis	Economy Shipping	Livraison prévue entre le sam. 1 juin et le mar. 4 juin à 43230
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*Les dates de livraison approximatives – s'ouvre dans une nouvelle fenêtre ou un nouvel onglet tiennent compte du délai de manutention du vendeur, du code postal de l'expéditeur, du code postal du destinataire et de l'heure de l'acceptation et dépendent du service d'expédition sélectionné et de la réception du paiement. Les délais de livraison peuvent varier, particulièrement lors de périodes achalandées.Remarques - Livraison *Les dates de livraison approximatives tiennent compte du délai de manutention du vendeur, du code postal de l'expéditeur, du code postal du destinataire et de l'heure de l'acceptation et dépendent du service d'expédition sélectionné et de la réception du paiement. Les délais de livraison peuvent varier, particulièrement lors de périodes achalandées.

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