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Picnic at Hanging Rock, livre de poche par Rogers, Anna Backman, comme neuf d'occasion, Fre...
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- Achat immédiatPicnic at Hanging Rock, livre de poche par Rogers, Anna Backman, comme neuf d'occasion, Fre...
Expédition :
Lieu : Jessup, Maryland, États-Unis
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Livraison prévue entre le jeu. 13 juin et le mar. 25 juin à 43230
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Numéro de l'objet eBay :354957517042
Dernière mise à jour : mai 05, 2024 09:42:41 HAEAfficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- ISBN
- 9781839023354
- Book Title
- Picnic at Hanging Rock
- Item Length
- 7.4in
- Publisher
- BFI Publishing
- Publication Year
- 2022
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.4in
- Genre
- Performing Arts
- Topic
- Film / History & Criticism
- Item Width
- 5.3in
- Item Weight
- 5.8 Oz
- Number of Pages
- 104 Pages
À propos de ce produit
Product Information
A study Peter Weir's Picnic at Hanging Rock (1975) in the BFI Film Classics series, considering the film's production history and its reception through a feminist and decolonial lens.
Product Identifiers
Publisher
BFI Publishing
ISBN-10
183902335x
ISBN-13
9781839023354
eBay Product ID (ePID)
7057285873
Product Key Features
Book Title
Picnic at Hanging Rock
Format
Trade Paperback
Language
English
Topic
Film / History & Criticism
Publication Year
2022
Genre
Performing Arts
Number of Pages
104 Pages
Dimensions
Item Length
7.4in
Item Height
0.4in
Item Width
5.3in
Item Weight
5.8 Oz
Additional Product Features
Lc Classification Number
Pn1997
Reviews
Such an attentive, impassioned awareness of the politics which underscore the figuration of the girl on screen not only offers up a provocative re-reading of a classic film, but it also speaks directly to its gestures of love, of kinship and pleasure which operate outside, and in spite of, patriarchal culture. This is a beautiful book of relevance to any and all interested in the expanding vistas of female subjectivity in film and those real and metaphorical 'rocks' which might lodge, vociferously, between such positions of imagination, selfhood and desire., "The BFI Film Classics are a perfect way to explore a film such as this, and Rogers' monograph is another essential entry in the series." - Adrian Smith , Cinema Retro "Such an attentive, impassioned awareness of the politics which underscore the figuration of the girl on screen not only offers up a provocative re-reading of a classic film, but it also speaks directly to its gestures of love, of kinship and pleasure which operate outside, and in spite of, patriarchal culture. This is a beautiful book of relevance to any and all interested in the expanding vistas of female subjectivity in film and those real and metaphorical 'rocks' which might lodge, vociferously, between such positions of imagination, selfhood and desire." --Davina Quinlivan, Kingston University, UK "A beautifully constructed analysis of a complex and haunting film. Backman Rogers skillfully dissects the patriarchal working environment of Patricia Lovell's project to realize a faithful rendering of Joan Lindsay's perplexing novel while also offering a subtle reading of the film via its distinctive cinematography. A tour de force of feminist film analysis, intellectual clarity and cinephilia." --Griselda Pollock, University of Leeds, UK "This is a ravishing book. Anna Backman Rogers passionately honours the enchantment of Picnic at Hanging Rock , its veiled images, the love between Miranda and Sarah, its languor, 'the slow bleed from morning into afternoon'. Yet she also, in coruscating prose, shows quite brilliantly how the film decries the horror of empire and the 'violence wrought on the female body', then and now. I urge you to read this book, to enter its dream." --Emma Wilson, University of Cambridge, UK "The BFI Film Classics are a perfect way to explore a film such as this, and Rogers' monograph is another essential entry in the series." - Adrian Smith , Cinema Retro, "Such an attentive, impassioned awareness of the politics which underscore the figuration of the girl on screen not only offers up a provocative re-reading of a classic film, but it also speaks directly to its gestures of love, of kinship and pleasure which operate outside, and in spite of, patriarchal culture. This is a beautiful book of relevance to any and all interested in the expanding vistas of female subjectivity in film and those real and metaphorical 'rocks' which might lodge, vociferously, between such positions of imagination, selfhood and desire." -- Davina Quinlivan, Kingston University, UK, "Such an attentive, impassioned awareness of the politics which underscore the figuration of the girl on screen not only offers up a provocative re-reading of a classic film, but it also speaks directly to its gestures of love, of kinship and pleasure which operate outside, and in spite of, patriarchal culture. This is a beautiful book of relevance to any and all interested in the expanding vistas of female subjectivity in film and those real and metaphorical 'rocks' which might lodge, vociferously, between such positions of imagination, selfhood and desire." -- Davina Quinlivan, Kingston University, UK "A beautifully constructed analysis of a complex and haunting film. Backman Rogers skillfully dissects the patriarchal working environment of Patricia Lovell's project to realize a faithful rendering of Joan Lindsay's perplexing novel while also offering a subtle reading of the film via its distinctive cinematography. A tour de force of feminist film analysis, intellectual clarity and cinephilia." -- Griselda Pollock, University of Leeds, UK, "Such an attentive, impassioned awareness of the politics which underscore the figuration of the girl on screen not only offers up a provocative re-reading of a classic film, but it also speaks directly to its gestures of love, of kinship and pleasure which operate outside, and in spite of, patriarchal culture. This is a beautiful book of relevance to any and all interested in the expanding vistas of female subjectivity in film and those real and metaphorical 'rocks' which might lodge, vociferously, between such positions of imagination, selfhood and desire." --Davina Quinlivan, Kingston University, UK "A beautifully constructed analysis of a complex and haunting film. Backman Rogers skillfully dissects the patriarchal working environment of Patricia Lovell's project to realize a faithful rendering of Joan Lindsay's perplexing novel while also offering a subtle reading of the film via its distinctive cinematography. A tour de force of feminist film analysis, intellectual clarity and cinephilia." --Griselda Pollock, University of Leeds, UK "This is a ravishing book. Anna Backman Rogers passionately honours the enchantment of Picnic at Hanging Rock , its veiled images, the love between Miranda and Sarah, its languor, 'the slow bleed from morning into afternoon'. Yet she also, in coruscating prose, shows quite brilliantly how the film decries the horror of empire and the 'violence wrought on the female body', then and now. I urge you to read this book, to enter its dream." --Emma Wilson, University of Cambridge, UK
Table of Content
Acknowledgments 1 Within a Dream: Origins, Production and Filming 2 Waiting a Million Years Just for Us: Artistic Influences and Uncanny Spaces 3 Quite Intact: The Male Imaginary and Courtly Love Conclusion: Girls on the Verge; Femininity and Hysteria Notes Credits
Target Audience
Trade
Dewey Decimal
791.4372
Series
Bfi Film Classics Ser.
Dewey Edition
23
Illustrated
Yes
Description de l'objet du vendeur
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :354957517042
Dernière mise à jour : mai 05, 2024 09:42:41 HAEAfficher toutes les modificationsAfficher toutes les modifications
Expédition et manutention
Lieu où se trouve l'objet :
Jessup, Maryland, États-Unis
Expédition :
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Adresses militaires ou navales, Angola, Arabie saoudite, Barbade, Botswana, Brésil, France, Guadeloupe, Guyane française, Laos, Lesotho, Libye, Macédoine, Martinique, Nigeria, Nouvelle-Calédonie, Polynésie française, Protectorats des États-Unis, Russie, Réunion, Saint-Pierre-et-Miquelon, Seychelles, Swaziland, Tadjikistan, Tchad, Turkménistan, Turquie, Ukraine, Uruguay, Venezuela, Yémen, Île Maurice
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_***b (5526)- Évaluation laissée par l'acheteur.
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As listed.
d***d (133)- Évaluation laissée par l'acheteur.
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++ Very cool
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Condition was good. I’m thinking that this Bible was a printers reject. Seems the bottom of almost all pages are stuck to each other, but they do separate when you force it to open . ???