Photo 1 sur 1

Vous en avez un à vendre?

Vendez le vôtre

I Like to Watch : Arguing My Way Through the TV Revolution, Paperback by Nuss...

État :

Entièrement neuf

Quantité :

5 disponibles

Prix :

16,94 $US

Environ23,25 $C

Ayez l'esprit tranquille. Renvois acceptés.

Expédition :

Sans frais Economy Shipping. En savoir plussur l'expédition

Lieu : Jessup, Maryland, États-Unis

Livraison :

Livraison prévue entre le jeu. 27 juin et le mar. 2 juil. à 43230

Renvois :

Renvoi sous 14jours. L'acheteur paie les frais de port du renvoi. En savoir plus- pour en savoir plus sur les renvois

Paiements :

Magasinez en toute confiance

Garantie de remboursement eBay

Recevez l'objet commandé ou obtenez un remboursement.

En savoir plusGarantie de remboursement eBay - s'ouvre dans une nouvelle fenêtre ou un nouvel onglet

Informations sur le vendeur

greatbookprices1 (305157)
96,8% d'évaluations positives

Inscrit comme vendeur professionnel

Signaler cet objet - s'ouvre dans une nouvelle fenêtre ou un nouvel onglet

Le vendeur assume l'entière responsabilité de cette annonce.

Numéro de l'objet eBay :354956213553

Dernière mise à jour : janv. 10, 2024 04:02:23 HNEAfficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État: Entièrement neuf: Un livre neuf, non lu, non utilisé et en parfait état, sans aucune page manquante ...

ISBN: 9780525508984

Book Title: I like to Watch : Arguing My Way Through the TV Revolution

Publisher: Random House Publishing Group

Item Length: 7.9 in

Publication Year: 2020

Format: Picture Book

Language: English

Item Height: 0.8 in

Author: Emily Nussbaum

Genre: Art, Performing Arts, Literary Collections

Topic: Television / History & Criticism, Art & Politics, Essays

Item Weight: 10.2 Oz

Item Width: 5.2 in

Number of Pages: 384 Pages

À propos de ce produit

Product Identifiers

Publisher

Random House Publishing Group

ISBN-10

0525508988

ISBN-13

9780525508984

eBay Product ID (ePID)

8050081543

Product Key Features

Book Title

I like to Watch : Arguing My Way Through the TV Revolution

Number of Pages

384 Pages

Language

English

Topic

Television / History & Criticism, Art & Politics, Essays

Publication Year

2020

Genre

Art, Performing Arts, Literary Collections

Author

Emily Nussbaum

Format

Picture Book

Dimensions

Item Height

0.8 in

Item Weight

10.2 Oz

Item Length

7.9 in

Item Width

5.2 in

Additional Product Features

Intended Audience

Trade

LCCN

2018-055067

Reviews

"You'll be delighted. . . . Nussbaum's essay about men, art, and the #MeToo movement is alone worth the price of the book."-- The Washington Post "Sometimes I'll just be sitting around, reading something this woman's written, and I'll actually think, Why doesn't somebody just put all of Emily Nussbaum's writing into a book ? And now somebody has! Except I Like to Watch is more than I knew I wanted. It's got some of the Nussbaum hits (on The Sopranos, on Girls, on Joan Rivers, on Vanderpump Rules, for starters). But it's also more: a work of sustained philosophical argument (What is television?) and resonant personal reflection (What does fandom cost?). It's a book by a critic who loves an art form ardently and remains committed to both questioning the people who make the art and interrogating the ardor itself." --Wesley Morris, critic at large, The New York Times "Emily Nussbaum is the perfect critic--smart, engaging, funny, generous, and insightful. All of these talents are on display in this marvelous anthology of her essays on television. They illuminate the shows shaping our culture and the power of this flourishing art form." --David Grann, author of Killers of the Flower Moon "Taken together, the pieces in I Like to Watch form a searching, brilliant history of American attraction, repulsion, and fascination in the era of peak TV. The book assembles a picture, alive with rigor and pleasure, that only Nussbaum could paint of a medium that has risen and transformed into a high-culture institution that's also an ever-shifting experiment about scorn and anxiety and desire. We're lucky to have this record of it, as well as this casual reminder that criticism, at its very best, is an irreplaceable thrill." --Jia Tolentino, author of Trick Mirror "Some critics, even great ones, you read to agree or disagree with them, but Emily Nussbaum writing about television is something else again. As you read her, you can feel her enlarging your mind: not just what you think about the show at hand or television itself, but pop culture and our place inside it. Her fantastically smart work has always been a pleasure to read a week at a time; this book proves she's equally great to binge, and 'Confessions of the Human Shield,' a new essay on how to think about art in the time of #MeToo, is essential twenty-first-century reading." --Elizabeth McCracken, author of Bowlaway "Nussbaum has proven to be a shrewd, highly reliable source for evaluating this rapidly progressing medium. . . . Sharp, insightful writing that firmly positions Nussbaum as one of the leading TV critics of our time." -- Kirkus Reviews (starred review), "You'll be delighted. . . . Nussbaum's essay about men, art, and the MeToo movement is alone worth the price of the book."-- The Washington Post "Sometimes I'll just be sitting around, reading something this woman's written, and I'll actually think, Why doesn't somebody just put all of Emily Nussbaum's writing into a book ? And now somebody has! Except I Like to Watch is more than I knew I wanted. It's got some of the Nussbaum hits (on The Sopranos, on Girls, on Joan Rivers, on Vanderpump Rules, for starters). But it's also more: a work of sustained philosophical argument (What is television?) and resonant personal reflection (What does fandom cost?). It's a book by a critic who loves an art form ardently and remains committed to both questioning the people who make the art and interrogating the ardor itself." --Wesley Morris, critic at large, The New York Times "Emily Nussbaum is the perfect critic--smart, engaging, funny, generous, and insightful. All of these talents are on display in this marvelous anthology of her essays on television. They illuminate the shows shaping our culture and the power of this flourishing art form." --David Grann, author of Killers of the Flower Moon "Taken together, the pieces in I Like to Watch form a searching, brilliant history of American attraction, repulsion, and fascination in the era of peak TV. The book assembles a picture, alive with rigor and pleasure, that only Nussbaum could paint of a medium that has risen and transformed into a high-culture institution that's also an ever-shifting experiment about scorn and anxiety and desire. We're lucky to have this record of it, as well as this casual reminder that criticism, at its very best, is an irreplaceable thrill." --Jia Tolentino, author of Trick Mirror "Some critics, even great ones, you read to agree or disagree with them, but Emily Nussbaum writing about television is something else again. As you read her, you can feel her enlarging your mind: not just what you think about the show at hand or television itself, but pop culture and our place inside it. Her fantastically smart work has always been a pleasure to read a week at a time; this book proves she's equally great to binge, and 'Confessions of the Human Shield,' a new essay on how to think about art in the time of MeToo, is essential twenty-first-century reading." --Elizabeth McCracken, author of Bowlaway "Nussbaum has proven to be a shrewd, highly reliable source for evaluating this rapidly progressing medium. . . . Sharp, insightful writing that firmly positions Nussbaum as one of the leading TV critics of our time." -- Kirkus Reviews (starred review)

CLASSIFICATION_METADATA

{"IsNonfiction":["No"],"IsOther":["Yes"],"IsAdult":["No"],"MuzeFormatDesc":["Picture Book"],"IsChildren":["No"],"Genre":["PERFORMING ARTS","LITERARY COLLECTIONS","ART"],"Topic":["Television / History & Criticism","Essays","Art & Politics"],"IsTextBook":["No"],"IsFiction":["No"]}

Synopsis

From The New Yorker 's fiercely original, Pulitzer Prize-winning culture critic, a provocative collection of new and previously published essays arguing that we are what we watch. "Emily Nussbaum is the perfect critic--smart, engaging, funny, generous, and insightful."--David Grann, author of Killers of the Flower Moon NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR - Chicago Tribune - Esquire - Library Journal - Kirkus Reviews From her creation of the "Approval Matrix" in New York magazine in 2004 to her Pulitzer Prize-winning columns for The New Yorker, Emily Nussbaum has argued for a new way of looking at TV. In this collection, including two never-before-published essays, Nussbaum writes about her passion for television, beginning with Buffy the Vampire Slayer, the show that set her on a fresh intellectual path. She explores the rise of the female screw-up, how fans warp the shows they love, the messy power of sexual violence on TV, and the year that jokes helped elect a reality-television president. There are three big profiles of television showrunners--Kenya Barris, Jenji Kohan, and Ryan Murphy--as well as examinations of the legacies of Norman Lear and Joan Rivers. The book also includes a major new essay written during the year of MeToo, wrestling with the question of what to do when the artist you love is a monster. More than a collection of reviews, the book makes a case for toppling the status anxiety that has long haunted the "idiot box," even as it transformed. Through it all, Nussbaum recounts her fervent search, over fifteen years, for a new kind of criticism, one that resists the false hierarchy that elevates one kind of culture (violent, dramatic, gritty) over another (joyful, funny, stylized). I Like to Watch traces her own struggle to punch through stifling notions of "prestige television," searching for a more expansive, more embracing vision of artistic ambition--one that acknowledges many types of beauty and complexity and opens to more varied voices. It's a book that celebrates television as television, even as each year warps the definition of just what that might mean. FINALIST FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD FOR THE ART OF THE ESSAY "This collection, including some powerful new work, proves once and for all that there's no better American critic of anything than Emily Nussbaum. But I Like to Watch turns out to be even greater than the sum of its brilliant parts--it's the most incisive, intimate, entertaining, authoritative guide to the shows of this golden television age." --Kurt Andersen, author of Fantasyland "Reading Emily Nussbaum makes us smarter not just about what we watch, but about how we live, what we love, and who we are. I Like to Watch is a joy." --Rebecca Traister, From The New Yorker 's fiercely original, Pulitzer Prize-winning culture critic, a provocative collection of newand previously published essays arguing that we are what we watch. "Emily Nussbaum is the perfect critic-smart, engaging, funny, generous, and insightful."-David Grann, author of Killers of the Flower Moon NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR . Chicago Tribune . Esquire . Library Journal . Kirkus Reviews From her creation of the "Approval Matrix" in New York magazine in 2004 to her Pulitzer Prize-winning columns for The New Yorker, Emily Nussbaum has argued for a new way of looking at TV. In this collection, including two never-before-published essays, Nussbaum writes about her passion for television, beginning with Buffy the Vampire Slayer, the show that set her on a fresh intellectual path. She explores the rise of the female screw-up, how fans warp the shows they love, the messy power of sexual violence on TV, and the year that jokes helped elect a reality-television president. There are three big profiles of television showrunners-Kenya Barris, Jenji Kohan, and Ryan Murphy-as well as examinations of the legacies of Norman Lear and Joan Rivers. The book also includes a major new essay written during the year of MeToo, wrestling with the question of what to do when the artist you love is a monster. More than a collection of reviews, the book makes a case for toppling the status anxiety that has long haunted the "idiot box," even as it transformed. Through it all, Nussbaum recounts her fervent search, over fifteen years, for a new kind of criticism, one that resists the false hierarchy that elevates one kind of culture (violent, dramatic, gritty) over another (joyful, funny, stylized). I Like to Watch traces her own struggle to punch through stifling notions of "prestige television," searching for a more expansive, more embracing vision of artistic ambition-one that acknowledges many types of beauty and complexity and opens to more varied voices. It's a book that celebrates television as television, even as each year warps the definition of just what that might mean. FINALIST FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD FOR THE ART OF THE ESSAY "This collection, including some powerful new work, proves once and for all that there's no better American critic of anything than Emily Nussbaum. But I Like to Watch turns out to be even greater than the sum of its brilliant parts-it's the mostincisive, intimate, entertaining, authoritative guide to the shows of this golden television age." -Kurt Andersen, author of Fantasyland "Reading Emily Nussbaum makes us smarter not just about what we watch, but about how we live, what we love, and who we are. I Like to Watch is a joy." -Rebecca Traister

LC Classification Number

PN1992.8.S4N87 2019

ebay_catalog_id

Description de l'objet du vendeur

Le vendeur assume l'entière responsabilité de cette annonce.

Numéro de l'objet eBay :354956213553

Dernière mise à jour : janv. 10, 2024 04:02:23 HNEAfficher toutes les modificationsAfficher toutes les modifications

Expédition et manutention

Lieu où se trouve l'objet :

Jessup, Maryland, États-Unis

Expédition :

Afghanistan, Afrique du Sud, Albanie, Algérie, Allemagne, Amériques, Andorre, Anguilla, Antigua-et-Barbuda, Argentine, Arménie, Aruba, Australie, Autriche, Azerbaïdjan, Bahamas, Bahreïn, Bangladesh, Belgique, Bermudes, Bhoutan, Bolivie, Bosnie-Herzégovine, Brunéi Darussalam, Bulgarie, Burkina Faso, Burundi, Bélize, Bénin, Cambodge, Cameroun, Canada, Chili, Chine, Chypre, Colombie, Corée du Sud, Costa Rica, Côte d'Ivoire, Danemark, Djibouti, Espagne, Estonie, Europe, Fidji, Finlande, Gabon, République du, Gambie, Ghana, Gibraltar, Grenade, Groenland, Grèce, Guatemala, Guinée, Guinée équatoriale, Guinée-Bissau, Guyana, Géorgie, Haïti, Honduras, Hong Kong, Hongrie, Inde, Indonésie, Irlande, Islande, Israël, Italie, Jamaïque, Japon, Jordanie, Kazakhstan, Kenya, Kirghizistan, Kiribati, Koweït, Lettonie, Liban, Libéria, Liechtenstein, Lituanie, Luxembourg, Macao, Madagascar, Malaisie, Malawi, Maldives, Mali, Malte, Maroc, Mauritanie, Mexique, Moldavie, Monaco, Mongolie, Montserrat, Monténégro, Mozambique, Namibie, Nauru, Nicaragua, Niger, Norvège, Nouvelle-Zélande, Népal, Oman, Ouganda, Ouzbékistan, Pakistan, Panama, Papouasie-Nouvelle-Guinée, Paraguay, Pays-Bas, Philippines, Pologne, Portugal, Pérou, Qatar, Roumanie, Royaume-Uni, Rwanda, République de Croatie, République dominicaine, République du Congo, République démocratique du Congo, République tchèque, Saint-Kitts-et-Nevis, Saint-Marin, Saint-Vincent-et-les Grenadines, Sainte-Lucie, Salvador, Samoa, Serbie, Sierra Leone, Singapour, Slovaque, Slovénie, Sri Lanka, Suisse, Suriname, Suède, Sénégal, Tanzanie, Taïwan, Thaïlande, Togo, Tonga, Trinité-et-Tobago, Tunisie, Vanuatu, Vietnam, Wallis-et-Futuna, Zambie, Zimbabwe, Égypte, Émirats arabes unis, Équateur, Érythrée, État de la Cité du Vatican, Éthiopie, Îles Caïmans, Îles Salomon, Îles Turks et Caicos, Îles du Cap-Vert

Lieux exclus :

Adresses militaires ou navales, Angola, Arabie saoudite, Barbade, Botswana, Brésil, France, Guadeloupe, Guyane française, Laos, Lesotho, Libye, Macédoine, Martinique, Nigeria, Nouvelle-Calédonie, Polynésie française, Protectorats des États-Unis, Russie, République centrafricaine, Réunion, Saint-Pierre-et-Miquelon, Seychelles, Swaziland, Tadjikistan, Tchad, Turkménistan, Turquie, Ukraine, Uruguay, Venezuela, Yémen, Île Maurice

Quantité :

Changer de pays :

Code postal :

Expédition et manutention	Chaque objet supplémentaire	À	Service	Livraison*Voir les remarques sur la livraison
Expédition sans frais	Sans frais	États-Unis	Economy Shipping	Livraison prévue entre le jeu. 27 juin et le mar. 2 juil. à 43230

*Les dates de livraison approximatives – s'ouvre dans une nouvelle fenêtre ou un nouvel onglet tiennent compte du délai de manutention du vendeur, du code postal de l'expéditeur, du code postal du destinataire et de l'heure de l'acceptation et dépendent du service d'expédition sélectionné et de la réception du paiement. Les délais de livraison peuvent varier, particulièrement lors de périodes achalandées.Remarques - Livraison *Les dates de livraison approximatives tiennent compte du délai de manutention du vendeur, du code postal de l'expéditeur, du code postal du destinataire et de l'heure de l'acceptation et dépendent du service d'expédition sélectionné et de la réception du paiement. Les délais de livraison peuvent varier, particulièrement lors de périodes achalandées.

Délai de manutention

Expédition dans les 4 jours ouvrables après réception du paiement.

Taxes

Le vendeur facture une taxe de vente dans