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Noirur appropriée : Performanc..., Johnson, E. Pat

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Numéro de l'objet eBay :354624424983
Dernière mise à jour : juin 08, 2024 06:27:24 HAEAfficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État
Bon: Un livre qui a été lu, mais qui est en bon état. La couverture présente des dommages infimes, ...
Book Title
Appropriating Blackness: Performance and the Politics of Authe...
ISBN
0822331918
EAN
9780822331919
Date of Publication
20030813
Release Title
Appropriating Blackness: Performance and the Politics of Authe...
Artist
Johnson, E. Patrick
Brand
N/A
Colour
N/A
Subject Area
Biography & Autobiography, Social Science
Publication Name
Appropriating Blackness : Performance and the Politics of Authenticity
Item Length
9 in
Publisher
Duke University Press
Subject
Cultural Heritage, Ethnic Studies / African American Studies
Publication Year
2003
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
1 in
Author
E. Patrick Johnson
Item Width
6 in
Item Weight
18.4 Oz
Number of Pages
384 Pages

À propos de ce produit

Product Information

A consideration of the performance of Blackness and race in general, in relation to sexuality and critiques of authenticity

Product Identifiers

Publisher
Duke University Press
ISBN-10
0822331918
ISBN-13
9780822331919
eBay Product ID (ePID)
2479790

Product Key Features

Author
E. Patrick Johnson
Publication Name
Appropriating Blackness : Performance and the Politics of Authenticity
Format
Trade Paperback
Language
English
Subject
Cultural Heritage, Ethnic Studies / African American Studies
Publication Year
2003
Type
Textbook
Subject Area
Biography & Autobiography, Social Science
Number of Pages
384 Pages

Dimensions

Item Length
9 in
Item Height
1 in
Item Width
6 in
Item Weight
18.4 Oz

Additional Product Features

LCCN
2003-005956
Intended Audience
Scholarly & Professional
Lc Classification Number
E185.625j64 2003
Reviews
"With Appropriating Blackness, E. Patrick Johnson has given us a book worthy of the breadth its title signals. It is written in an excellent and refreshingly clear prose style which sacrifices nothing in the way of complexity of the ideas being presented. Johnson makes his observations about the relatedness of performance and blackness more compelling with each successive case study."-Dwight A. McBride, coeditor of Black Like Us: A Century of Lesbian, Gay, and Bisexual African American Fiction, "With Appropriating Blackness, E. Patrick Johnson has given us a book worthy of the breadth its title signals. It is written in an excellent and refreshingly clear prose style which sacrifices nothing in the way of complexity of the ideas being presented. Johnson makes his observations about the relatedness of performance and blackness more compelling with each successive case study."--Dwight A. McBride, coeditor of Black Like Us: A Century of Lesbian, Gay, and Bisexual African American Fiction, "a welcome addition to the field." The Lambda Book Report "Johnson adds some heretofore unheard of twists to the continuing saga of this most important black intellectual thought. . . . [A] welcome addition to the field.--Toni Lester, Lambda Book Report "Johnson's first book . . . is an accomplished and original study that deftly traverses both the mythology of, and networks of power that remain embedded within, America's deep racial segregation. . . . [I]t is obvious that he seems destined to join Cornell West as a leading authority on race, not to mention performance studies and queer theory both in the United States and abroad."-- James Tierney, M/C: A Journal of Media and Culture "Appropriating Blackness marks a daring intervention in performance studies and African American studies. Its critical and ethical concerns will resonate for those working in numerous other fields, such as cultural anthropology; philosophy; critical ethnicity and race studies; gay, lesbian and queer studies; pedagogy studies; and music."-- Antonio Viego, GLQ "Appropriating Blackness offers an illuminating and compelling example of a critical politics of performing race. It decisively intervenes in disciplinary dialogues to rethink performance theory through the praxis of blackness, and to rethink black theory through performance. . . . Appropriating Blackness is one of the most significant studies to emerge in performance studies. It is a book we will need, a book we will use, and a book that marks our best disciplinary work."--Kristin M. Langellier, Text and Performance Quarterly, Appropriating Blackness is a wonderful study that makes important and timely contributions across many fields. E. Patrick Johnson is a skilled reader of texts and offers useful introductions to complex theories of race, sexuality, and culture.â€�-David Rom n, author of Acts of Intervention: Performance, Gay Culture, and AIDS|9780822331919|, "Appropriating Blackness is a wonderful study that makes important and timely contributions across many fields. E. Patrick Johnson is a skilled reader of texts and offers useful introductions to complex theories of race, sexuality, and culture."--David Romn, author of Acts of Intervention: Performance, Gay Culture, and AIDS, "Appropriating Blackness is a wonderful study that makes important and timely contributions across many fields. E. Patrick Johnson is a skilled reader of texts and offers useful introductions to complex theories of race, sexuality, and culture."--David Román, author of Acts of Intervention: Performance, Gay Culture, and AIDS, "Appropriating Blackness is a wonderful study that makes important and timely contributions across many fields. E. Patrick Johnson is a skilled reader of texts and offers useful introductions to complex theories of race, sexuality, and culture."-David Román, author of Acts of Intervention: Performance, Gay Culture, and AIDS, "a welcome addition to the field." The Lambda Book Report"Johnson adds some heretofore unheard of twists to the continuing saga of this most important black intellectual thought. . . . [A] welcome addition to the field.-Toni Lester, Lambda Book Report"Johnson's first book . . . is an accomplished and original study that deftly traverses both the mythology of, and networks of power that remain embedded within, America's deep racial segregation. . . . [I]t is obvious that he seems destined to join Cornell West as a leading authority on race, not to mention performance studies and queer theory both in the United States and abroad."- James Tierney, M/C: A Journal of Media and Culture"Appropriating Blackness marks a daring intervention in performance studies and African American studies. Its critical and ethical concerns will resonate for those working in numerous other fields, such as cultural anthropology; philosophy; critical ethnicity and race studies; gay, lesbian and queer studies; pedagogy studies; and music."- Antonio Viego, GLQ"Appropriating Blackness offers an illuminating and compelling example of a critical politics of performing race. It decisively intervenes in disciplinary dialogues to rethink performance theory through the praxis of blackness, and to rethink black theory through performance. . . . Appropriating Blackness is one of the most significant studies to emerge in performance studies. It is a book we will need, a book we will use, and a book that marks our best disciplinary work."-Kristin M. Langellier, Text and Performance Quarterly
Table of Content
Acknowledgments ix Introduction "Blackness" and Authenticity: What's Performance Got to Do with It? 1 1. The Pot is Brewing: Marlon Riggs's Black Is . . . Black Ain't 17 2. Manifest Faggotry: Queering Masculinity in African American Culture 48 3. Mother Knows Best: Blackness and Transgressive Domestic Space 76 4. "Nevah Had uh Cross Word": Mammy and the Trope of Black Womanhood 104 5. Sounds of Blackness Down Under: The Cafe of the Gate of Salvation 160 6. Performance and/as Pedagogy: Performing Blackness in the Classroom 219 Appendix A Mary Rhyne's Narrative 257 Appendix B Interview with Mrs. Smith 311 Notes 315 Bibliography 345 Index 361
Copyright Date
2003
Dewey Decimal
305.896/073
Dewey Edition
21
Illustrated
Yes

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