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Michael Anderegg Orson Welles, Shakespeare et culture populaire (livre de poche)

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Caractéristiques de l'objet

État
Entièrement neuf: Un livre neuf, non lu, non utilisé et en parfait état, sans aucune page manquante ...
Book Title
Orson Welles, Shakespeare, and Popular Culture
Publication Name
Orson Welles, Shakespeare, and Popular Culture
Title
Orson Welles, Shakespeare, and Popular Culture
ISBN-10
0231112297
EAN
9780231112291
ISBN
9780231112291
Publisher
Columbia University Press
Format
Trade Paperback
Release Year
1998
Release Date
01/12/1998
Language
English
Country/Region of Manufacture
US
Author
Michael Anderegg
Genre
Music Dance & Theatre
Topic
Society & Culture
Series
Film and Culture Ser.
Item Length
0.9in
Publication Year
1998
Type
Textbook
Item Height
0.1in
Item Width
0.6in
Item Weight
12.6 Oz
Number of Pages
216 Pages

À propos de ce produit

Product Information

Anderegg considers Welles's influence as an interpreter of Shakespeare for twentieth-century American popular audiences, drawing on his knowledge of the abundant, lowbrow popularity of Shakespeare in nineteenth-century America. Welles's three film adaptations of Shakespeare, Macbeth, Othello, and Chimes at Midnight, are examined.

Product Identifiers

Publisher
Columbia University Press
ISBN-10
0231112297
ISBN-13
9780231112291
eBay Product ID (ePID)
474533

Product Key Features

Author
Michael Anderegg
Publication Name
Orson Welles, Shakespeare, and Popular Culture
Format
Trade Paperback
Language
English
Publication Year
1998
Series
Film and Culture Ser.
Type
Textbook
Number of Pages
216 Pages

Dimensions

Item Length
0.9in
Item Height
0.1in
Item Width
0.6in
Item Weight
12.6 Oz

Additional Product Features

Lc Classification Number
Pr3093.A53 1999
Grade from
College Graduate Student
Reviews
"Andregg provides an eloquent illustration of how, when Welles scholarship is at its best, it avoids the biographical and panoramic in favor of a particular theme or angle of investigation and, in the course of pursuing that angle, brings a fresh understanding to the Wellesian tapestry as a whole." -- Catherine Benamou, Michigan Quarterly Review, A valuable and much-needed contribution to Welles studies. Anderegg's book represents for me an important intervention that throws light not only on certain neglected aspects of Welles's work -- particullarly Everybody's Shakespeare and the Mercury Text Records -- but also on a fresh new approach toward understanding his career as a whole., "On 15 October 1956 the I Love Lucy show aired an episode guest-starring Orson Welles....Welles's appearance in this bizarre episode of a popular television situation comedy is Michael Anderegg's point of departure in his fine, extremely well-written, compact contribution to Shakespeare and film studies....Anderegg proceeds to make clear Welles's centrality to any history of Shakespeare and film: he begins with two illuminating chapters focused on Welles' s theatrical background and his production of Everybody's Shakespeare (Mercury Text Records)....In his fascinating last chapter (the best, in my view) Anderegg compares Welles to Brecht and focuses on Welles's auteur status in relation to his star qualities....Anderegg does not generally aim to produce 'new readings of Welles's Shakespearean films' but 'to place each film within a larger contextual field and to suggest the extent to which the meaning and significance of each are intimately tied to the circumstances in which it was produced, distributed, exhibited, and received' (73). And here Anderegg succeeds admirably, providing much new and very interesting information about the films' reception....Anyone interested in Shakespeare and American film will find this book extremely useful....I very much enjoyed readinng Orson Welles, Shakespeare, and Popular Culture, and I strongly recommend it. It's a wonderful book." -- Richard Burt, Shakespeare Quarterly, A valuable and much-needed contribution to Welles studies. Anderegg's book represents for me an important intervention that throws light not only on certain neglected aspects of Welles's work-particullarly Everybody's Shakespeare and the Mercury Text Records-but also on a fresh new approach toward understanding his career as a whole., "A valuable and much-needed contribution to Welles studies. Anderegg's book represents for me an important intervention that throws light not only on certain neglected aspects of Welles's work -- particullarly Everybody's Shakespeare and the Mercury Text Records -- but also on a fresh new approach toward understanding his career as a whole." -- Jonathan Rosenbaum, editor of This is Orson Welles, Andregg provides an eloquent illustration of how, when Welles scholarship is at its best, it avoids the biographical and panoramic in favor of a particular theme or angle of investigation and, in the course of pursuing that angle, brings a fresh understanding to the Wellesian tapestry as a whole., A valuable and much-needed contribution to Welles studies. Anderegg's book represents for me an important intervention that throws light not only on certain neglected aspects of Welles's work--particullarly Everybody's Shakespeare and the Mercury Text Records--but also on a fresh new approach toward understanding his career as a whole.
Table of Content
1. Shakespeare in Las Vegas: Welles and American Culture 2. "Raise Hell with Everything": Shakespeare as Event 3. "Cashing in on the Classics": Everybody's Shakespeare and the Mercury Text Records 4. Welles/Shakespeare/Film: An Overview 5. Shakespeare Rides Again: The Republic Macbeth 6. The Texts of Othello 7. Chimes at Midnight: Rhetoric and History 8. Welles as Performer: From Shakespeare to Brecht Epilogue
Copyright Date
1999
Topic
Film / General, Theater / General, Shakespeare, European / General, Popular Culture, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / History & Criticism
Lccn
98-024770
Dewey Decimal
791.43/0233/092
Intended Audience
Scholarly & Professional
Dewey Edition
21
Illustrated
Yes
Genre
Literary Criticism, Social Science, Performing Arts

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