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Richard Melo Happy Talk (Livre de poche)

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Numéro de l'objet eBay :335208023344
Dernière mise à jour : mai 24, 2024 13:55:42 HAEAfficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État
Entièrement neuf: Un livre neuf, non lu, non utilisé et en parfait état, sans aucune page manquante ...
Author
Richard Melo
Book Title
Happy Talk : a Novel
Country/Region of Manufacture
US
Publication Name
Happy Talk
Format
Trade Paperback
EAN
9781935869177
ISBN
9781935869177
Publisher
Cursor
Genre
Fiction
Language
English
Item Height
0.9in
Item Length
8.2in
Item Weight
13.4 Oz
Title
Happy Talk
Subtitle
A Novel
Release Date
11/07/2013
Release Year
2013
Publication Year
2013
Topic
Literary, Action & Adventure, Humorous / General
Item Width
5.5in
Number of Pages
288 Pages

À propos de ce produit

Product Information

Gun-slinging American student nurses and boozy New York-playwrights-turned-educational-filmmakers find themselves stuck in the Haiti of 1955 as part of a government plan to pump up tourism and turn the Magic Island into the next Hawaii. The story follows the travels of Culprit Clutch, who appears mostly through rumor and innuendo, and his strange encounters with a plane-hopping British spy, Haitian street magicians, and a Scandinavian zombie. Josie, Culprit's ghostly paramour with a morphine habit, may or may not have voodoo spirits flowing through her, but the power-mad doctor channeling Baron Samedi is sure as hell bent on Culprit's destruction. The novel's cascading epilogues include a legendary car race down the length of Meco&Mexico; street theatre in Golden Gate Park, circa 1968; a Skylab tinyμ origins of the musical comedy Godspell; and cameos by the Nation of Islam and early followers of Jim Jones.

Product Identifiers

Publisher
Cursor
ISBN-10
1935869175
ISBN-13
9781935869177
eBay Product ID (ePID)
114247853

Product Key Features

Book Title
Happy Talk : a Novel
Author
Richard Melo
Format
Trade Paperback
Language
English
Topic
Literary, Action & Adventure, Humorous / General
Publication Year
2013
Genre
Fiction
Number of Pages
288 Pages

Dimensions

Item Length
8.2in
Item Height
0.9in
Item Width
5.5in
Item Weight
13.4 Oz

Additional Product Features

Reviews
Ambitious...dazzling...Melo is a great spinner of yarns through polyphonic hearsay-- Publishers Weekly Often one finds surprises in a novel, but it is rare to find a novel that is a surprise. Richard Melo's Happy Talk is just that. It is like a collision of William Gaddis, MASH and The Beguiled. It is a Haiti I could never have imagined and will not soon forget. These nurses are crazy and I wish I knew them.--Percival Everett Happy Talk is a ribald and fantastic act of literary derring-do. Richard Melo has written a delightful throwback, an absurdist romp in the tradition of Terry Southern, that is sure to challenge and reward its readers.--Jonathan Evison To read Happy Talk is to crash a party as vivid and surreal as Fellini's 8½. It's the business of show business, the American dream, told by a chorus of Americans locked just outside of that dream, outside of the United States, relegated to expatriate status on the shores of Haiti. Melo paints a version of Haiti that's an interior landscape perhaps even more than an external place. This Haiti is a plan, a memory, a morphine-drip fueled dream out to bond its inhabitants forever.--Monica Drake, author of Clown Girl, Often one finds surprises in a novel, but it is rare to find a novel that is a surprise. Richard Melo's Happy Talk is just that. It is like a collision of William Gaddis, MASH and The Beguiled. It is a Haiti I could never have imagined and will not soon forget. These nurses are crazy and I wish I knew them.--Percival Everett To read Happy Talk is to crash a party as vivid and surreal as Fellini's 8½. It's the business of show business, the American dream, told by a chorus of Americans locked just outside of that dream, outside of the United States, relegated to expatriate status on the shores of Haiti. Melo paints a version of Haiti that's an interior landscape perhaps even more than an external place. This Haiti is a plan, a memory, a morphine-drip fueled dream out to bond its inhabitants forever.--Monica Drake, author of Clown Girl, Ambitious...dazzling...Melo is a great spinner of yarns through polyphonic hearsay-- Publishers Weekly Often one finds surprises in a novel, but it is rare to find a novel that is a surprise. Richard Melo's Happy Talk is just that. It is like a collision of William Gaddis, MASH and The Beguiled. It is a Haiti I could never have imagined and will not soon forget. These nurses are crazy and I wish I knew them.--Percival Everett Happy Talk is a ribald and fantastic act of literary derring-do. Richard Melo has written a delightful throwback, an absurdist romp in the tradition of Terry Southern, that is sure to challenge and reward its readers.--Jonathan Evison To read Happy Talk is to crash a party as vivid and surreal as Fellini's 8. It's the business of show business, the American dream, told by a chorus of Americans locked just outside of that dream, outside of the United States, relegated to expatriate status on the shores of Haiti. Melo paints a version of Haiti that's an interior landscape perhaps even more than an external place. This Haiti is a plan, a memory, a morphine-drip fueled dream out to bond its inhabitants forever.--Monica Drake, author of Clown Girl, Ambitious…dazzling…Melo is a great spinner of yarns through polyphonic hearsay— Publishers Weekly Often one finds surprises in a novel, but it is rare to find a novel that is a surprise. Richard Melo's Happy Talk is just that. It is like a collision of William Gaddis, MASH and The Beguiled. It is a Haiti I could never have imagined and will not soon forget. These nurses are crazy and I wish I knew them.—Percival Everett Happy Talk is a ribald and fantastic act of literary derring-do. Richard Melo has written a delightful throwback, an absurdist romp in the tradition of Terry Southern, that is sure to challenge and reward its readers.—Jonathan Evison To read Happy Talk is to crash a party as vivid and surreal as Fellini's 8½. It's the business of show business, the American dream, told by a chorus of Americans locked just outside of that dream, outside of the United States, relegated to expatriate status on the shores of Haiti. Melo paints a version of Haiti that's an interior landscape perhaps even more than an external place. This Haiti is a plan, a memory, a morphine-drip fueled dream out to bond its inhabitants forever.—Monica Drake, author of Clown Girl
Target Audience
Trade

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