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Helene Cooper The House at Sugar Beach (Livre de poche)

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Numéro de l'objet eBay :335196622063
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Caractéristiques de l'objet

État
Entièrement neuf: Un livre neuf, non lu, non utilisé et en parfait état, sans aucune page manquante ...
Book Title
House at Sugar Beach : in Search of a Lost African Childhood
Publication Name
The House at Sugar Beach
Title
The House at Sugar Beach
Subtitle
In Search of a Lost African Childhood
ISBN-10
0743266250
EAN
9780743266253
ISBN
9780743266253
Publisher
Simon & Schuster
Format
Trade Paperback
Release Year
2009
Release Date
20/08/2009
Language
English
Country/Region of Manufacture
US
Item Height
0.9in
Item Length
8.2in
Item Width
5.5in
Item Weight
11.6 Oz
Author
Helene Cooper
Genre
Biography & Autobiography, History, Social Science
Publication Year
2009
Topic
Editors, Journalists, Publishers, Africa / West, Social Classes & Economic Disparity, Personal Memoirs, Historical
Number of Pages
384 Pages

À propos de ce produit

Product Information

A haunting memoir of a war-torn childhood in Liberia, a deeply personal story and an examination of a violent and divided country.

Product Identifiers

Publisher
Simon & Schuster
ISBN-10
0743266250
ISBN-13
9780743266253
eBay Product ID (ePID)
71702403

Product Key Features

Book Title
House at Sugar Beach : in Search of a Lost African Childhood
Author
Helene Cooper
Format
Trade Paperback
Language
English
Topic
Editors, Journalists, Publishers, Africa / West, Social Classes & Economic Disparity, Personal Memoirs, Historical
Publication Year
2009
Genre
Biography & Autobiography, History, Social Science
Number of Pages
384 Pages

Dimensions

Item Length
8.2in
Item Height
0.9in
Item Width
5.5in
Item Weight
11.6 Oz

Additional Product Features

Reviews
"To understand what happened in Liberia is to understand what has happened in much of Africa, and Cooper tells it not like a seasoned journalist -- which is what she is -- but like a poet." -- Entertainment Weekly, "The tragedy of Liberia -- the most American of all the African tragedies -- is brought painfully to life in Helene Cooper's memoir. Her work is an antidote to statistics and headlines and the blur of Africa's sorrows, a reminder that history and war proceed one family at a time, one person at a time. They are never abstract, always personal."-- Arthur Phillips, author ofPrague,The Egyptologist, andAngelica, "There is tenderness in this memoir, and Cooper is clear-eyed even as she tells of her loss." -- The New Yorker, "There is tenderness in this memoir, and Cooper is clear-eyed even as she tells of her loss." --The New Yorker, "Nearly three decades after fleeing Liberia, Cooper offers an indelible view of her homeland and makes palpable the pain that she felt when she lost it."--People, "You must read Cooper's wildly tender memoir. It's that rarest of things, a personal story that transcends the people, the place, the world it is talking about and becomes a universal tale about the thousands of segregations, small and large, subtle and obvious, that shred all of us. It is beautifully written, utterly unself-conscious, and without a hint of self-pity. Cooper has an un-failing ear for language and a poet's tender heart. A powerful, important book that will teach you not only something about war and love, race and power, loss and hope, but also a great deal about yourself."-- Alexandra Fuller, author ofDon't Let's Go to the Dogs Tonight: An African ChildhoodandThe Legend of Colton H. Bryant, "To understand what happened in Liberia is to understand what has happened in much of Africa, and Cooper tells it not like a seasoned journalist -- which is what she is -- but like a poet." --Entertainment Weekly, "Among Cooper's aims in becoming a journalist were to reveal the atrocities committed in her native country. With amazing forthrightness, she has done so, delivering an eloquent, if painful, history of the African migratory experience." -- Ms . Magazine, "Rendered with aching nostalgia and wonderful language -- is a voyage of return, through which the author seeks to recover the past and to find that missing sister, even as the war deepens over the years to come. Elegant and eloquent, and full of news from places about which we know too little." -- Kirkus (Starred review), "Nearly three decades after fleeing Liberia, Cooper offers an indelible view of her homeland and makes palpable the pain that she felt when she lost it." -- People, "Nearly three decades after fleeing Liberia, Cooper offers an indelible view of her homeland and makes palpable the pain that she felt when she lost it."-- People, "Among Cooper's aims in becoming a journalist were to reveal the atrocities committed in her native country. With amazing forthrightness, she has done so, delivering an eloquent, if painful, history of the African migratory experience." --Ms. Magazine, "You must read Cooper's wildly tender memoir. It's that rarest of things, a personal story that transcends the people, the place, the world it is talking about and becomes a universal tale about the thousands of segregations, small and large, subtle and obvious, that shred all of us. It is beautifully written, utterly unself-conscious, and without a hint of self-pity. Cooper has an un-failing ear for language and a poet's tender heart. A powerful, important book that will teach you not only something about war and love, race and power, loss and hope, but also a great deal about yourself." -- Alexandra Fuller, author of Don't Let's Go to the Dogs Tonight: An African Childhood and The Legend of Colton H. Bryant, "Rendered with aching nostalgia and wonderful language -- is a voyage of return, through which the author seeks to recover the past and to find that missing sister, even as the war deepens over the years to come. Elegant and eloquent, and full of news from places about which we know too little." --Kirkus(Starred review), "You must read Cooper's wildly tender memoir. It's that rarest of things, a personal story that transcends the people, the place, the world it is talking about and becomes a universal tale about the thousands of segregations, small and large, subtle and obvious, that shred all of us. It is beautifully written, utterly unself-conscious, and without a hint of self-pity. Cooper has an un-failing ear for language and a poet's tender heart. A powerful, important book that will teach you not only something about war and love, race and power, loss and hope, but also a great deal about yourself."-- Alexandra Fuller, author of Don't Let's Go to the Dogs Tonight: An African Childhood and The Legend of Colton H. Bryant, "Helene Cooper's memoir is a remarkable page-turner: gripping, perceptive, sometimes hilarious, and always moving. Her keen eye, fierce honesty, and incisive intelligence open a window on war-torn Liberia, America, and the stunning challenge of a life that straddles these deeply intertwined societies."-- Jeffrey D. Sachs, special adviser to UN Secretary-General Ban Ki-Moon and author of The End of Poverty, "Helene Cooper's memoir is a remarkable page-turner: gripping, perceptive, sometimes hilarious, and always moving. Her keen eye, fierce honesty, and incisive intelligence open a window on war-torn Liberia, America, and the stunning challenge of a life that straddles these deeply intertwined societies." -- Jeffrey D. Sachs, special adviser to UN Secretary-General Ban Ki-Moon and author of The End of Poverty, "The tragedy of Liberia -- the most American of all the African tragedies -- is brought painfully to life in Helene Cooper's memoir. Her work is an antidote to statistics and headlines and the blur of Africa's sorrows, a reminder that history and war proceed one family at a time, one person at a time. They are never abstract, always personal."-- Arthur Phillips, author of Prague , The Egyptologist , and Angelica, "The tragedy of Liberia -- the most American of all the African tragedies -- is brought painfully to life in Helene Cooper's memoir. Her work is an antidote to statistics and headlines and the blur of Africa's sorrows, a reminder that history and war proceed one family at a time, one person at a time. They are never abstract, always personal." -- Arthur Phillips, author of Prague , The Egyptologist , and Angelica
Intended Audience
Trade
Illustrated
Yes

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