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Annette Brauerhoch Une nouvelle histoire du cinéma allemand (Hardback)
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Numéro de l'objet eBay :335029513060
Dernière mise à jour : juin 04, 2024 13:37:41 HAEAfficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Book Title
- A New History of German Cinema
- Publication Name
- New History of German Cinema
- Title
- A New History of German Cinema
- Contributor
- Will Lehman (Contributions by)
- Format
- Hardcover
- ISBN-10
- 1571134905
- EAN
- 9781571134905
- ISBN
- 9781571134905
- Publisher
- Boydell & Brewer, Incorporated
- Genre
- Films & TV
- Release Date
- 17/09/2012
- Release Year
- 2012
- Language
- English
- Country/Region of Manufacture
- US
- Item Height
- 1.9 in
- Item Length
- 9.3 in
- Item Weight
- 0 Oz
- Series
- Screen Cultures: German Film and the Visual Ser.
- Subject Area
- History, Performing Arts
- Subject
- Europe / Germany, Film / History & Criticism
- Publication Year
- 2012
- Type
- Textbook
- Item Width
- 6.3 in
- Number of Pages
- 692 Pages
À propos de ce produit
Product Information
A dynamic, event-centered exploration of the hundred-year history of German-language film.This dynamic, event-centered anthology offers a new understanding of the hundred-year history of German-language film, from the earliest days of the Kintopp to contemporary productions like The Lives of Others. Eachof the more than eighty essays takes a key date as its starting point and explores its significance for German film history, pursuing its relationship with its social, political, and aesthetic moment. While the essays offer ampletemporal and topical spread, this book emphasizes the juxtaposition of famous and unknown stories, granting attention to a wide range of cinematic events. Brief section introductions provide a larger historical and film-historicalframework that illuminates the essays within it, offering both scholars and the general reader a setting for the individual texts and figures under investigation. Cross-references to other essays in the book are included at the close of each entry, encouraging readers not only to pursue familiar trajectories in the development of German film, but also to trace particular figures and motifs across genres and historical periods. Together, the contributionsoffer a new view of the multiple, intersecting narratives that make up German-language cinema. The constellation that is thus established challenges unidirectional narratives of German film history and charts new ways of thinkingabout film historiography more broadly. Jennifer Kapczynski is Associate Professor of German at Washington University, St. Louis, and Michael Richardson is Associate Professor of German at Ithaca College. readers not only to pursue familiar trajectories in the development of German film, but also to trace particular figures and motifs across genres and historical periods. Together, the contributionsoffer a new view of the multiple, intersecting narratives that make up German-language cinema. The constellation that is thus established challenges unidirectional narratives of German film history and charts new ways of thinkingabout film historiography more broadly. Jennifer Kapczynski is Associate Professor of German at Washington University, St. Louis, and Michael Richardson is Associate Professor of German at Ithaca College. readers not only to pursue familiar trajectories in the development of German film, but also to trace particular figures and motifs across genres and historical periods. Together, the contributionsoffer a new view of the multiple, intersecting narratives that make up German-language cinema. The constellation that is thus established challenges unidirectional narratives of German film history and charts new ways of thinkingabout film historiography more broadly. Jennifer Kapczynski is Associate Professor of German at Washington University, St. Louis, and Michael Richardson is Associate Professor of German at Ithaca College. readers not only to pursue familiar trajectories in the development of German film, but also to trace particular figures and motifs across genres and historical periods. Together, the contributionsoffer a new view of the multiple, intersecting narratives that make up German-language cinema. The constellation that is thus established challenges unidirectional narratives of German film history and charts new ways of thinkingabout film historiography more broadly. Jennifer Kapczynski is Associate Professor of German at Washington University, St. Louis, and Michael Richardson is Associate Professor of German at Ithaca College.ory and charts new ways of thinkingabout film historiography more broadly. Jennifer Kapczynski is Associate Professor of German at Washington University, St. Louis, and Michael Richardson is Associate Professor of German at Ithaca College.
Product Identifiers
Publisher
Boydell & Brewer, Incorporated
ISBN-10
1571134905
ISBN-13
9781571134905
eBay Product ID (ePID)
111077747
Product Key Features
Publication Name
New History of German Cinema
Format
Hardcover
Language
English
Subject
Europe / Germany, Film / History & Criticism
Publication Year
2012
Series
Screen Cultures: German Film and the Visual Ser.
Type
Textbook
Subject Area
History, Performing Arts
Number of Pages
692 Pages
Dimensions
Item Length
9.3 in
Item Height
1.9 in
Item Width
6.3 in
Item Weight
0 Oz
Additional Product Features
LCCN
2012-008162
Intended Audience
Scholarly & Professional
Series Volume Number
7
Lc Classification Number
Pn1993.5.G3n485 2012
Reviews
There has never been a history of German film like this one. [Its] original approach is to write film history from the margins of the established film canon . . . . The contributions are compact in their argumentation and quite readable; an encyclopedia wasn't the intention. . . . The book is supremely suited as a completion of and especially as a critical confrontation with the canon . . . . [I]n the future one won't be able to bypass Kapczynski and Richardson's volume. . . . FILMBLATT [Wolfgang Fuhrmann] The volume offers extensive and varied material on the history of German cinema; especially to be noted are the careful bibliographies. . . . The volume is well suited for classes on both the history of German cinema and on its present state, because it treats the most diverse topics carefully and offers concisely formulated insights along with suggestions for further reading. MONATSHEFTE [A]n extremely rich and informative book [that makes an] important contribution to the area of German film studies . . . . [It] certainly performs the task demanded of this changing discipline and revises, reconfigures, and advances German national cinema in all of its dimensions. H-GERMAN REVIEWS Film Book of the Year, 2012. I have decided in favor of [this] American publication on German film because I find its perspective on our film history particularly richly detailed, thought provoking, and original. HANS-HELMUT PRINZLER, WWW.HHPRINZLER.DE Can claim top position just by its extent and number of contributions . . . . The chronological jigsaw puzzle joins together into an original and substantial whole. . . . One shouldn't forget that this is a film book from America. Thus: a view from the outside, which, however, has the advantage of a different curiosity and perspective. . . . It is astounding, given their brevity, how the texts hit their crucial marks. . . . With this book [the editors] have accomplished an extraordinary editorial feat. HANS-HELMUT PRINZLER, WWW.HHPRINZLER.DE
Copyright Date
2012
Dewey Decimal
791.430943
Dewey Edition
23
Illustrated
Yes
Description de l'objet du vendeur
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :335029513060
Dernière mise à jour : juin 04, 2024 13:37:41 HAEAfficher toutes les modificationsAfficher toutes les modifications
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Lieu où se trouve l'objet :
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