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She-Wolf: A Cultural History of Female Werewolves, Priest 9781526116895 Neuf..

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Caractéristiques de l'objet

État
Entièrement neuf: Un livre neuf, non lu, non utilisé et en parfait état, sans aucune page manquante ...
PublishedOn
2017-07-01
Title
She-Wolf: A Cultural History of Female Werewolves
ISBN
9781526116895
EAN
9781526116895
Book Title
She-Wolf : a Cultural History of Female Werewolves
Item Length
9.2in
Publisher
Manchester University Press
Publication Year
2017
Format
Trade Paperback
Language
English
Item Height
0.5in
Author
Hannah Priest
Genre
Literary Criticism, Social Science
Topic
Science Fiction & Fantasy, Folklore & Mythology
Item Width
6.1in
Item Weight
13.1 Oz
Number of Pages
240 Pages

À propos de ce produit

Product Information

She-wolf explores the cultural history of the female werewolf, from her first appearance in medieval literature to recent incarnations in film, television and popular literature. The book includes contributors from various disciplines, and offers a cross-period, interdisciplinary exploration of a perennially popular cultural production. The book covers material from the Middle Ages to the present day with chapters on folklore, history, witch trials, Victorian literature, young adult literature, film and gaming. Considering issues such as religious and social contexts, colonialism, constructions of racial and gendered identities, corporeality and subjectivity - as well as female body hair, sexuality and violence - She-wolf reveals the varied ways in which the female werewolf is a manifestation of complex cultural anxieties, as well as a site of continued fascination.

Product Identifiers

Publisher
Manchester University Press
ISBN-10
1526116898
ISBN-13
9781526116895
eBay Product ID (ePID)
237449496

Product Key Features

Book Title
She-Wolf : a Cultural History of Female Werewolves
Author
Hannah Priest
Format
Trade Paperback
Language
English
Topic
Science Fiction & Fantasy, Folklore & Mythology
Publication Year
2017
Genre
Literary Criticism, Social Science
Number of Pages
240 Pages

Dimensions

Item Length
9.2in
Item Height
0.5in
Item Width
6.1in
Item Weight
13.1 Oz

Additional Product Features

Lc Classification Number
Gr830.W4
Reviews
"The chapters address many of the standards in werewolf literature but, ultimately, they strive to challenge this canon, arguing both that werewolf literature is not restrictively a masculine archetype and that feminist studies of the wild woman should not simply sweep she-werewolves under the monstrous feminine rug. But by the end even with these complications - and contradictions - they merge at last, readers will find, into a multifaceted beast who stares readers in the eye and grins wickedly, hungrily. For, after all, like the adolescent protagonist giggling in the burly wolf's arms in Angela Carter's "The Company of Wolves", "[we are] nobody's meat"." - Jonathan W. Thurston, Michigan State University, Nordic Journal of Science Fiction and Fantasy Research "Overall, the collection delivers on its promise to "take ... a specific and localised approach, revealing historical, literary, cinematic and folkloric contexts for iterations of the female lycanthrope" ... In general, the volume, both in its entirety and as individual chapters, will interest cultural historians, English and comparative literature scholars, and film/media and area studies specialists, and could be employed in lower-level and upper-division courses on the topic." - Svitlana Krys, MacEwan University, HNet Online, 'The chapters address many of the standards in werewolf literature but, ultimately, they strive to challenge this canon, arguing both that werewolf literature is not restrictively a masculine archetype and that feminist studies of the wild woman should not simply sweep she-werewolves under the monstrous feminine rug. But by the end even with these complications - and contradictions - they merge at last, readers will find, into a multifaceted beast who stares readers in the eye and grins wickedly, hungrily. For, after all, like the adolescent protagonist giggling in the burly wolf's arms in Angela Carter's "The Company of Wolves", "[we are] nobody's meat".' Jonathan W. Thurston, Michigan State University, Nordic Journal of Science Fiction and Fantasy Research 'Overall, the collection delivers on its promise to "take ... a specific and localised approach, revealing historical, literary, cinematic and folkloric contexts for iterations of the female lycanthrope" ... In general, the volume, both in its entirety and as individual chapters, will interest cultural historians, English and comparative literature scholars, and film/media and area studies specialists, and could be employed in lower-level and upper-division courses on the topic.' Svitlana Krys, MacEwan University, HNet Online, 'The chapters address many of the standards in werewolf literature but, ultimately, they strive to challenge this canon, arguing both that werewolf literature is not restrictively a masculine archetype and that feminist studies of the wild woman should not simply sweep she-werewolves under the monstrous feminine rug. But by the end even with these complications - and contradictions - they merge at last, readers will find, into a multifaceted beast who stares readers in the eye and grins wickedly, hungrily. For, after all, like the adolescent protagonist giggling in the burly wolf's arms in Angela Carter's "The Company of Wolves", "[we are] nobody's meat".'Jonathan W. Thurston, Michigan State University, Nordic Journal of Science Fiction and Fantasy Research'Overall, the collection delivers on its promise to "take ... a specific and localised approach, revealing historical, literary, cinematic and folkloric contexts for iterations of the female lycanthrope" ... In general, the volume, both in its entirety and as individual chapters, will interest cultural historians, English and comparative literature scholars, and film/media and area studies specialists, and could be employed in lower-level and upper-division courses on the topic.'Svitlana Krys, MacEwan University, HNet Online, "The chapters address many of the standards in werewolf literature but, ultimately, they strive to challenge this canon, arguing both that werewolf literature is not restrictively a masculine archetype and that feminist studies of the wild woman should not simply sweep she-werewolves under the monstrous feminine rug. But by the end even with these complications - and contradictions - they merge at last, readers will find, into a multifaceted beast who stares readers in the eye and grins wickedly, hungrily. For, after all, like the adolescent protagonist giggling in the burly wolf's arms in Angela Carter's "The Company of Wolves", "[we are] nobody's meat"." - Jonathan W. Thurston, Michigan State University, Nordic Journal of Science Fiction and Fantasy Research
Table of Content
1. Introduction: A history of female werewolves - Hannah Priest 2. Estonian werewolf legends collected from the island of Saaremaa - Merili Metsvahi 3. 'She transformed into a werewolf, devouring and killing two children': trials of she-werewolves in early modern French Burgundy - Rolf Schulte 4. Participatory lycanthropy: female werewolves in Werewolf: The Apocalypse - Jay Cate 5. Fur girls and wolf women: fur, hair and subversive female lycanthropy - Jazmina Cininas 6. Female werewolf as monstrous other in Honoré Beaugrand's 'The Werewolves' Shannon Scott 7. 'The complex and antagonistic forces that constitute one soul': conflict between societal expectations and individual desires in Clemence Housman's 'The Werewolf' and Rosamund Marriott Watson's 'A Ballad of the Were-wolf' - Carys Crossen 8. I was a teenage she-wolf: boobs, blood and sacrifice - Hannah Priest 9. The case of the cut off hand: Angela Carter's werewolves in historical perspective - Willem de Blécourt 10. The she-wolves of horror cinema - Peter Hutchings 11. Ginger Snaps: the monstrous feminine as femme animale - Barbara Creed 12. Dans Ma Peau: shape-shifting and subjectivity - Laura Wilson Bibliography Index
Copyright Date
2015
Dewey Decimal
398.2454
Intended Audience
Trade
Dewey Edition
23
Illustrated
Yes

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  • GB 724498118
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