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Tartuffe Moli?re et Son Premier : Gen?se et ?volution d'une pièce ? scandale : ...
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Numéro de l'objet eBay :325793646643
Dernière mise à jour : mai 24, 2024 15:54:41 HAEAfficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- ISBN
- 9780719085840
- Book Title
- Molière Et Son Premier Tartuffe : Genèse Et Évolution D'une Pièce À Scandale
- Publisher
- Manchester University Press
- Item Length
- 8.5 in
- Publication Year
- 2012
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6 in
- Genre
- Literary Criticism
- Topic
- Drama, General
- Item Weight
- 12.6 Oz
- Item Width
- 5.4 in
- Number of Pages
- 278 Pages
À propos de ce produit
Product Identifiers
Publisher
Manchester University Press
ISBN-10
0719085845
ISBN-13
9780719085840
eBay Product ID (ePID)
99520024
Product Key Features
Book Title
Molière Et Son Premier Tartuffe : Genèse Et Évolution D'une Pièce À Scandale
Number of Pages
278 Pages
Language
English
Publication Year
2012
Topic
Drama, General
Genre
Literary Criticism
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
12.6 Oz
Item Length
8.5 in
Item Width
5.4 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
23
Dewey Decimal
842.4
Table Of Content
Introduction1. L'acheminement vers le premier Tartuffe et la verteuse indignation d'un ingénu2. Les dévots, la cour, et le premier Tartuffe3. Les trois premiers actes de 16644. Au lendemain du premier TartuffeAppendice IAppendice IIAppendice IIIBibliographie
Synopsis
Molière et son premier Tartuffe sheds light on one of the most enduring mysteries in world theatre: the nature, structure and purpose of the first and no longer extant version of his most controversial play, Le Tartuffe. The study provides a succinct overview of the problem and a close analysis of events leading up to the original performance at Versailles. A careful reading of Molière's own defence of this version situates its overriding inspiration in his wish to satirise specific religious groupings, whilst hoping vainly to avoid censure from the religious establishment of his day. There are three appendices: the first evaluates the hypotheses of a complete or incomplete play; the second analyses the claims that Molière took certain people as models for Tartuffe, and the final appendix seeks to reopen the question of Molière's stance towards religion. The conclusion is that Le Tartuffe should not be seen as inherently hostile to religion, but rather as constituting a plea for tolerance, charity and transparency in its practice, none of which runs counter to the spirit and tenets of historic Christianity. This will appeal to lecturers and students of French Studies and Theatre Studies., A study of one of the most enduring mysteries in world theatre: the nature, structure and purpose of the first and no longer extant version of his most controversial play, Le Tartuffe. -- ., Molière et son premier Tartuffe sheds light on one of the most enduring mysteries in world theatre: the nature, structure and purpose of the first and no longer extant version of his most controversial play, Le Tartuffe. The study provides a succinct overview of the problem and a close analysis of events leading up to the original performance at Versailles. A careful reading of Molière's own defence of this version situates its overriding inspiration in his wish to satirise specific religious groupings, whilst hoping vainly to avoid censure from the religious establishment of his day. There are three appendices: the first evaluates the hypotheses of a complete or incomplete play; the second analyses the claims that Molière took certain people as models for Tartuffe, and the final appendix seeks to reopen the question of Molière's stance towards religion. The conclusion is that Le Tartuffe should not be seen as inherently hostile to religion, but rather as constituting a plea for tolerance, charity and transparency in its practice, none of which runs counter to the spirit and tenets of historic Christianity.This will appeal to lecturers and students of French Studies and Theatre Studies., Moli re et son premier Tartuffe sheds light on one of the most enduring mysteries in world theatre: the nature, structure and purpose of the first and no longer extant version of his most controversial play, Le Tartuffe. The study provides a succinct overview of the problem and a close analysis of events leading up to the original performance at Versailles. A careful reading of Moli re's own defence of this version situates its overriding inspiration in his wish to satirise specific religious groupings, whilst hoping vainly to avoid censure from the religious establishment of his day. There are three appendices: the first evaluates the hypotheses of a complete or incomplete play; the second analyses the claims that Moli re took certain people as models for Tartuffe, and the final appendix seeks to reopen the question of Moli re's stance towards religion. The conclusion is that Le Tartuffe should not be seen as inherently hostile to religion, but rather as constituting a plea for tolerance, charity and transparency in its practice, none of which runs counter to the spirit and tenets of historic Christianity. This will appeal to lecturers and students of French Studies and Theatre Studies., Moliere et son premier Tartuffe sheds light on one of the most enduring mysteries in world theatre: the nature, structure and purpose of the first and no longer extant version of his most controversial play, Le Tartuffe. The study provides a succinct overview of the problem and a close analysis of events leading up to the original performance at Versailles. A careful reading of Moliere's own defence of this version situates its overriding inspiration in his wish to satirise specific religious groupings, whilst hoping vainly to avoid censure from the religious establishment of his day. There are three appendices: the first evaluates the hypotheses of a complete or incomplete play; the second analyses the claims that Moliere took certain people as models for Tartuffe, and the final appendix seeks to reopen the question of Moliere's stance towards religion. The conclusion is that Le Tartuffe should not be seen as inherently hostile to religion, but rather as constituting a plea for tolerance, charity and transparency in its practice, none of which runs counter to the spirit and tenets of historic Christianity.This will appeal to lecturers and students of French Studies and Theatre Studies. -- ., Moliere et son premier Tartuffe sheds light on one of the most enduring mysteries in world theatre: the nature, structure and purpose of the first and no longer extant version of his most controversial play, Le Tartuffe. The study provides a succinct overview of the problem and a close analysis of events leading up to the original performance at Versailles. A careful reading of Moliere's own defence of this version situates its overriding inspiration in his wish to satirise specific religious groupings, whilst hoping vainly to avoid censure from the religious establishment of his day. There are three appendices: the first evaluates the hypotheses of a complete or incomplete play; the second analyses the claims that Moliere took certain people as models for Tartuffe, and the final appendix seeks to reopen the question of Moliere's stance towards religion.The conclusion is that Le Tartuffe should not be seen as inherently hostile to religion, but rather as constituting a plea for tolerance, charity and transparency in its practice, none of which runs counter to the spirit and tenets of historic Christianity.This will appeal to lecturers and students of French Studies and Theatre Studies. -- .
LC Classification Number
PQ1871
Copyright Date
2012
ebay_catalog_id
4
Description de l'objet du vendeur
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :325793646643
Dernière mise à jour : mai 24, 2024 15:54:41 HAEAfficher toutes les modificationsAfficher toutes les modifications
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Lieu où se trouve l'objet :
Wharton, New Jersey, États-Unis
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