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Comment écrire sur les livres de musique extraits des magazines de la série 33 1/3
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- Achat immédiatComment écrire sur les livres de musique extraits des magazines de la série 33 1/3
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Lieu : Baldwin, New York, États-Unis
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Livraison prévue entre le mer. 12 juin et le lun. 17 juin à 43230
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- 99,6% d'évaluations positives
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Numéro de l'objet eBay :325592717237
Dernière mise à jour : nov. 02, 2023 01:52:18 HAEAfficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Subject
- History & Criticism, General, Genres & Styles / Rock, Composition & Creative Writing, Genres & Styles / Pop Vocal
- ISBN
- 9781628920437
- Subject Area
- Music, Language Arts & Disciplines
- Publication Name
- How to Write about Music : Excerpts from the 33 1/3 Series, Magazines, Books and Blogs with Advice from Industry-Leading Writers
- Item Length
- 9.3 in
- Publisher
- Bloomsbury Academic & Professional
- Publication Year
- 2015
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 1 in
- Item Width
- 6.3 in
- Item Weight
- 23.2 Oz
- Number of Pages
- 432 Pages
À propos de ce produit
Product Information
If writing about music is like dancing about architecture, you'd do best to hone your chops and avoid clich s (like the one that begins this sentence) by learning from the prime movers. How to Write About Music offers a selection of the best writers on what is perhaps our most universally beloved art form. Selections from the critically-acclaimed 33 1/3 series appear alongside new interviews and insights from authors like Lester Bangs, Chuck Klosterman, Owen Pallet, Ann Powers and Alex Ross. How to Write About Music includes primary sources of inspiration from a variety of go-to genres such as the album review, the personal essay, the blog post and the interview along with tips, writing prompts and advice from the writers themselves. Music critics of the past and the present offer inspiration through their work on artists like Black Sabbath, Daft Punk, J Dilla, Joy Division, Kanye West, Neutral Milk Hotel, Radiohead, Pussy Riot and countless others. How to Write About Music is an invaluable text for all those who have ever dreamed of getting their music writing published and a pleasure for everyone who loves to read about music.
Product Identifiers
Publisher
Bloomsbury Academic & Professional
ISBN-10
1628920432
ISBN-13
9781628920437
eBay Product ID (ePID)
201660378
Product Key Features
Publication Name
How to Write about Music : Excerpts from the 33 1/3 Series, Magazines, Books and Blogs with Advice from Industry-Leading Writers
Format
Trade Paperback
Language
English
Subject
History & Criticism, General, Genres & Styles / Rock, Composition & Creative Writing, Genres & Styles / Pop Vocal
Publication Year
2015
Type
Textbook
Subject Area
Music, Language Arts & Disciplines
Number of Pages
432 Pages
Dimensions
Item Length
9.3 in
Item Height
1 in
Item Width
6.3 in
Item Weight
23.2 Oz
Additional Product Features
LCCN
2014-037423
Lc Classification Number
Ml3785.H69 2015
Reviews
Collection of great long and short pieces on (pop) music, profiles, analyses and personal reactions; practical manual for breaking into a challenging and protean business; text for a cool college course; all-star lineup of contemporary music writers; models for venues from your own blog to the New Yorker; thing to dip into for bite-size bits of advice-- How To Write About Music is, as the Dead Boys never quite put it, all this (and more). Highlights include Chuck Klosterman's interview how-to, Susan Fast's exegesis of Dangerous , Alex Ross's Radiohead, and, and, and--the volume draws on the 33 1/3 books without being in thrall to them, and it introduces many styles and many tastes, All killer and no filler- How to Write About Music is crammed full of stylistically diverse excerpts and stellar advice from the world's leading music writers. From Tavi Gevinson's chit-chatty Taylor Swift defense to Susan Fast's benchmark 33 1/3 proposal on Michael Jackson; students, bloggers and experienced critics alike are sure to find plenty of inspiration. Innovative, accessible and organized like a lovingly compiled mix tape, How to Write About Music will have you jiving around The Shard in no time. - Samantha Bennett, Senior Lecturer, The Australian National University, Australia Collection of great long and short pieces on (pop) music, profiles, analyses and personal reactions; practical manual for breaking into a challenging and protean business; text for a cool college course; all-star lineup of contemporary music writers; models for venues from your own blog to the New Yorker; thing to dip into for bite-size bits of advice- How To Write About Music is, as the Dead Boys never quite put it, all this (and more). Highlights include Chuck Klosterman's interview how-to, Susan Fast's exegesis of Dangerous , Alex Ross's Radiohead, and, and, and-the volume draws on the 33 1/3 books without being in thrall to them, and it introduces many styles and many tastes-it's hard to imagine a better place to start. - Stephen Burt, Professor of English, Harvard University, USA The best critics make it look easy, but figuring out how and why music works on us-why certain sounds and melodies can incite ecstasy or devastation-is extraordinarily tough work. This smartly compiled primer, the first of its kind, is jammed full of priceless advice on how to make it happen. - Amanda Petrusich, author of Do Not Sell At Any Price: The Wild, Obsessive Hunt for the World's Rarest 78rpm Records, ... there's really no reason why anyone interested in music-writing - both writer and reader - wouldn't want to get hold of this book. Loads of great advice and examples, practical tips and a checklist for how to go about (attempting) to make your mark in this modern and then post-modern world. A pretty crucial, indispensable even set of words., All killer and no filler- How to Write About Music is crammed full of stylistically diverse excerpts and stellar advice from the world's leading music writers. From Tavi Gevinson's chit-chatty Taylor Swift defense to Susan Fast's benchmark 33 1/3 proposal on Michael Jackson; students, bloggers and experienced critics alike are sure to find plenty of inspiration. Innovative, accessible and organized like a lovingly compiled mix tape, How to Write About Music will have you jiving around The Shard in no time., The long-running 33 1/3 series is branching out from its usual pocket-sized, album-by-album format to round up some of the best writing about writing from the sharpest minds in the business., Collection of great long and short pieces on (pop) music, profiles, analyses and personal reactions; practical manual for breaking into a challenging and protean business; text for a cool college course; all-star lineup of contemporary music writers; models for venues from your own blog to the New Yorker; thing to dip into for bite-size bits of advice- How To Write About Music is, as the Dead Boys never quite put it, all this (and more). Highlights include Chuck Klosterman's interview how-to, Susan Fast's exegesis of Dangerous , Alex Ross's Radiohead, and, and, and-the volume draws on the 33 1/3 books without being in thrall to them, and it introduces many styles and many tastes-it's hard to imagine a better place to start., The best critics make it look easy, but figuring out how and why music works on us--why certain sounds and melodies can incite ecstasy or devastation
Table of Content
FOREWORD BY RICK MOODY INTRODUCTION BY MARC WOODWORTH HOW TO USE THIS BOOK THE WRITERS OVERTURE: EXPERT ADVICE FROM OUR WRITERS CHAPTER 1 THE ALBUM REVIEW INTRODUCTION EXPERT ADVICE FROM OUR WRITERS ANN POWERS ON DAFT PUNK''S RANDOM ACCESS MEMORIES JIM DEROGATIS ON SIMON AND GARFUNKEL''S BOOKENDS LAURIE ANDERSON ON ANIMAL COLLECTIVE''S CENTIPEDE HZ LOU REED ON KANYE WEST''S YEEZUS WRITING PROMPT: THE BLIND REVIEW WRITING PROMPT: MAKE IT BETTER THE GO-BETWEENS: HOW TO MAKE CONTACTS CHAPTER 2 THE LIVE REVIEW INTRODUCTION EXPERT ADVICE FROM OUR WRITERS PAUL MORLEY ON JOY DIVISION AT UNIVERSITY COLLEGE LONDON ZACH SCHONFELD ON SPIRITUALIZED AT WEBSTER HALL CHARLES AARON ON HOLE WRITING PROMPT: THE LIVE SHOW THE GO-BETWEENS: THE FIVE THINGS EVERY MUSIC WRITER OR EDITOR NEEDS CHAPTER 3 TRACK-BY-TRACK INTRODUCTION EXPERT ADVICE FROM OUR WRITERS KIM COOPER ON NEUTRAL MILK HOTEL MARY GAITSKILL ON B-MOVIE TAVI GEVINSON ON TAYLOR SWIFT JONATHAN LETHEM ON TALKING HEADS WRITING PROMPT: TRACK-BY-TRACK THE GO-BETWEENS: HOW DID YOU LAND YOUR JOB? CHAPTER 4 ANALYSIS INTRODUCTION RICHARD MELTZER ON EVIL AND ROCK ''N'' ROLL LUKE TURNER ON ENYA BRIAN MORTON ON COMPUTER MUSIC JORDAN FERGUSON ON J DILLA WRITING PROMPT: LATE STYLE THE GO-BETWEENS: OFF-BEAT ADVICE CHAPTER 5 THE ARTIST INTERVIEW INTRODUCTION EXPERT ADVICE FROM OUR WRITERS LIZZY GOODMAN WITH KIM GORDON THOMAS SAYERS ELLIS WITH BOOTSY COLLINS ALLEN GINSBERG WITH BECK WRITING PROMPT: BE BOTH INTERVIEWER AND INTERVIEWEE WRITING PROMPT: LEARN FROM THE BEST THE GO-BETWEENS: YOUR DREAM INTERVIEW SUBJECT CHAPTER 6 THE PERSONAL ESSAY INTRODUCTION BRUCE EATON ON BIG STAR LESTER BANGS ON VAN MORRISON JAMES WOOD ON THE WHO RICK MOODY ON OTIS REDDING, SIMON & GARFUNKEL, THE BEATLES , FUNKADELIC AND OTHERS WRITING PROMPT: THE PERSONAL ESSAY WRITING PROMPT: OFF-THE-RADAR MUSIC THAT MATTERS THE GO-BETWEENS: HOW IS MUSIC WRITING DIFFERENT? CHAPTER 7 THE BLOG PIECE INTRODUCTION EXPERT ADVICE FROM OUR WRITERS CHRIS DEVILLE ON MUMFORD AND SONS NICHOLAS CROGGON AND JAMES PARKER ON THE TROUBLE WITH CONTEMPORARY MUSIC CRITICISM MATT MELIS ON FANDOM WRITING PROMPT: THE BLOG PIECE THE GO-BETWEENS: YOUR BIGGEST MISTAKE CHAPTER 8 THE ARTIST PROFILE INTRODUCTION EXPERT ADVICE FROM OUR WRITERS ALEX ROSS ON RADIOHEAD JOHN JEREMIAH SULLIVAN ON AXL ROSE LINDSEY ZOLADZ ON PUSSY RIOT SASHA FRERE JONES ON BEYONCÉ WRITING PROMPT: THE LOCAL ARTIST PROFILE THE GO-BETWEENS: WHAT SOURCES DO YOU USE? CHAPTER 9 ALTERNATIVES INTRODUCTION JOHN DARNIELLE ON BLACK SABBATH MARTY DAVIS ON BLACK FLAG ROB SHEFFIELD FROM LOVE IS A MIX TAPE JOE DEUEL ON Hüsker Dü CAMPBELL MCGRATH ON BOB DYLAN WRITING PROMPT: THE ANNOTATED MIX TAPE WRITING PROMPT: OTHER VOICES WRITING PROMPT: HEADLINES FROM TITLES THE GO-BETWEENS: DESERT ISLAND DISCS CHAPTER 10 HOW IT SOUNDS INTRODUCTION EXPERT ADVICE FROM OUR WRITERS ANDY BABIUK ON THE BEATLES OWEN PALLET ON KATY PERRY SUSAN FAST ON LED ZEPPELIN JOHN PERRY ON JIMI HENDRIX WRITING PROMPT: ISOLATED TRACKS THE GO-BETWEENS: DO YOU NEED TO KNOW HOW TO MAKE MUSIC TO WRITE ABOUT IT? CHAPTER 11 MUSIC SCENES INTRODUCTION GINA ARNOLD ON LIZ PHAIR''S GUYVILLE ROSS SIMONINI ON JAMAICAN RUDE BOYS SIMON MORRISON ON DANCE CLUBS IN KOSOVO WRITING PROMPT: MUSIC SCENES THE GO-BETWEENS: HOW HAS THE FIELD OF WRITING ABOUT MUSIC CHANGED? CHAPTER 12 CULTURAL CRITICISM INTRODUCTION CARL WILSON ON CELINE DION CHUCK KLOSTERMAN ON EMINEM GREIL MARCUS ON CLARENCE ASHLEY WRITING PROMPT: CULTURAL CRITICISM THE GO-BETWEENS: WORDS OF ADVICE TO THE LONELY MUSIC CRITIC CHAPTER 33 1/3 HOW TO PITCH A 33 1/3 INTRODUCTION A SUCCESSFUL PITCH: SUSAN FAST ON MICHAEL JACKSON''S DANGEROUS A SUCCESSFUL PITCH: PHILLIP CRANDALL ON ANDREW WK''S I GET WET PHILLIP CRANDALL REVISITS HIS 33 1/3 PROPOSAL WRITING PROMPT: THE 33 1/3 PITCH COMPANION WEBSITE ACKNOWLEDGEMENTS INDEX
Copyright Date
2015
Target Audience
College Audience
Dewey Decimal
808.06/678
Dewey Edition
23
Illustrated
Yes
Description de l'objet du vendeur
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :325592717237
Dernière mise à jour : nov. 02, 2023 01:52:18 HAEAfficher toutes les modificationsAfficher toutes les modifications
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| Expédition et manutention | À | Service | Livraison*Voir les remarques sur la livraison |
|---|---|---|---|
| 4,87 $US (environ 6,68 $C) | États-Unis | Expédition au tarif économique (USPS Media MailTM) | Livraison prévue entre le mer. 12 juin et le lun. 17 juin à 43230 |
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Fast shipping. As described. Would recommend. Thank you!
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