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Loup : une histoire culturelle des loups-garous féminins : par prêtre, Hannah
État :
2 disponibles
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Lieu : Wharton, New Jersey, États-Unis
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Livraison prévue entre le ven. 21 juin et le mer. 26 juin à 43230
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Numéro de l'objet eBay :323463727134
Dernière mise à jour : mai 22, 2024 12:35:38 HAEAfficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- ISBN
- 9781526116895
- Book Title
- She-Wolf : a Cultural History of Female Werewolves
- Publisher
- Manchester University Press
- Item Length
- 9.2 in
- Publication Year
- 2017
- Format
- Trade Paperback
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.5 in
- Genre
- Literary Criticism, Social Science
- Topic
- Science Fiction & Fantasy, Folklore & Mythology
- Item Weight
- 13.3 Oz
- Item Width
- 6.1 in
- Number of Pages
- 240 Pages
À propos de ce produit
Product Identifiers
Publisher
Manchester University Press
ISBN-10
1526116898
ISBN-13
9781526116895
eBay Product ID (ePID)
237449496
Product Key Features
Book Title
She-Wolf : a Cultural History of Female Werewolves
Number of Pages
240 Pages
Language
English
Topic
Science Fiction & Fantasy, Folklore & Mythology
Publication Year
2017
Illustrator
Yes
Genre
Literary Criticism, Social Science
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
13.3 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
23
Reviews
"The chapters address many of the standards in werewolf literature but, ultimately, they strive to challenge this canon, arguing both that werewolf literature is not restrictively a masculine archetype and that feminist studies of the wild woman should not simply sweep she-werewolves under the monstrous feminine rug. But by the end even with these complications - and contradictions - they merge at last, readers will find, into a multifaceted beast who stares readers in the eye and grins wickedly, hungrily. For, after all, like the adolescent protagonist giggling in the burly wolf's arms in Angela Carter's "The Company of Wolves", "[we are] nobody's meat"." - Jonathan W. Thurston, Michigan State University, Nordic Journal of Science Fiction and Fantasy Research "Overall, the collection delivers on its promise to "take ... a specific and localised approach, revealing historical, literary, cinematic and folkloric contexts for iterations of the female lycanthrope" ... In general, the volume, both in its entirety and as individual chapters, will interest cultural historians, English and comparative literature scholars, and film/media and area studies specialists, and could be employed in lower-level and upper-division courses on the topic." - Svitlana Krys, MacEwan University, HNet Online, 'The chapters address many of the standards in werewolf literature but, ultimately, they strive to challenge this canon, arguing both that werewolf literature is not restrictively a masculine archetype and that feminist studies of the wild woman should not simply sweep she-werewolves under the monstrous feminine rug. But by the end even with these complications - and contradictions - they merge at last, readers will find, into a multifaceted beast who stares readers in the eye and grins wickedly, hungrily. For, after all, like the adolescent protagonist giggling in the burly wolf's arms in Angela Carter's "The Company of Wolves", "[we are] nobody's meat".' Jonathan W. Thurston, Michigan State University, Nordic Journal of Science Fiction and Fantasy Research 'Overall, the collection delivers on its promise to "take ... a specific and localised approach, revealing historical, literary, cinematic and folkloric contexts for iterations of the female lycanthrope" ... In general, the volume, both in its entirety and as individual chapters, will interest cultural historians, English and comparative literature scholars, and film/media and area studies specialists, and could be employed in lower-level and upper-division courses on the topic.' Svitlana Krys, MacEwan University, HNet Online, 'The chapters address many of the standards in werewolf literature but, ultimately, they strive to challenge this canon, arguing both that werewolf literature is not restrictively a masculine archetype and that feminist studies of the wild woman should not simply sweep she-werewolves under the monstrous feminine rug. But by the end even with these complications - and contradictions - they merge at last, readers will find, into a multifaceted beast who stares readers in the eye and grins wickedly, hungrily. For, after all, like the adolescent protagonist giggling in the burly wolf's arms in Angela Carter's "The Company of Wolves", "[we are] nobody's meat".'Jonathan W. Thurston, Michigan State University, Nordic Journal of Science Fiction and Fantasy Research'Overall, the collection delivers on its promise to "take ... a specific and localised approach, revealing historical, literary, cinematic and folkloric contexts for iterations of the female lycanthrope" ... In general, the volume, both in its entirety and as individual chapters, will interest cultural historians, English and comparative literature scholars, and film/media and area studies specialists, and could be employed in lower-level and upper-division courses on the topic.'Svitlana Krys, MacEwan University, HNet Online, "The chapters address many of the standards in werewolf literature but, ultimately, they strive to challenge this canon, arguing both that werewolf literature is not restrictively a masculine archetype and that feminist studies of the wild woman should not simply sweep she-werewolves under the monstrous feminine rug. But by the end even with these complications - and contradictions - they merge at last, readers will find, into a multifaceted beast who stares readers in the eye and grins wickedly, hungrily. For, after all, like the adolescent protagonist giggling in the burly wolf's arms in Angela Carter's "The Company of Wolves", "[we are] nobody's meat"." - Jonathan W. Thurston, Michigan State University, Nordic Journal of Science Fiction and Fantasy Research
Dewey Decimal
398.2454
Table Of Content
1. Introduction: A history of female werewolves - Hannah Priest2. Estonian werewolf legends collected from the island of Saaremaa - Merili Metsvahi 3. 'She transformed into a werewolf, devouring and killing two children': trials of she-werewolves in early modern French Burgundy - Rolf Schulte4. Participatory lycanthropy: female werewolves in Werewolf: The Apocalypse - Jay Cate5. Fur girls and wolf women: fur, hair and subversive female lycanthropy - Jazmina Cininas6. Female werewolf as monstrous other in Honoré Beaugrand's 'The Werewolves' Shannon Scott7. 'The complex and antagonistic forces that constitute one soul': conflict between societal expectations and individual desires in Clemence Housman's 'The Werewolf' and Rosamund Marriott Watson's 'A Ballad of the Were-wolf' - Carys Crossen8. I was a teenage she-wolf: boobs, blood and sacrifice - Hannah Priest9. The case of the cut off hand: Angela Carter's werewolves in historical perspective - Willem de Blécourt10. The she-wolves of horror cinema - Peter Hutchings11. Ginger Snaps: the monstrous feminine as femme animale - Barbara Creed12. Dans Ma Peau: shape-shifting and subjectivity - Laura WilsonBibliographyIndex
Synopsis
She-Wolf explores the cultural history of the female werewolf, from her first appearance in medieval literature to recent incarnations in film, television and popular literature. -- ., She-wolf explores the cultural history of the female werewolf, from her first appearance in medieval literature to recent incarnations in film, television and popular literature. The book includes contributors from various disciplines, and offers a cross-period, interdisciplinary exploration of a perennially popular cultural production. The book covers material from the Middle Ages to the present day with chapters on folklore, history, witch trials, Victorian literature, young adult literature, film and gaming. Considering issues such as religious and social contexts, colonialism, constructions of racial and gendered identities, corporeality and subjectivity - as well as female body hair, sexuality and violence - She-wolf reveals the varied ways in which the female werewolf is a manifestation of complex cultural anxieties, as well as a site of continued fascination., She-Wolf explores the cultural history of the female werewolf, from her first appearance in medieval literature to recent incarnations in film, television and popular literature. The book includes contributors from various disciplines, and offers a cross-period, interdisciplinary exploration of a perennially popular cultural production. The essays in this collection explore the particular challenges female werewolves pose - to gender construction, to ideals of femininity and corporeality, to racial and sexual norms, and to our concepts of 'human' and 'monster'. The book's historical scope is broad, covering material from the Middle Ages to the present day. With chapters on folklore, history, witch trials, Victorian literature, young adult literature, film and gaming, the contributors offer a variety of critical approaches to the figure of the female werewolf. Considering issues such as religious and social contexts, colonialism, constructions of racial and gendered identities, corporeality and subjectivity - as well as female body hair, sexuality and violence - She-Wolf reveals the varied ways in which the female werewolf is a manifestation of deep-rooted and complex cultural anxieties, as well as a site of continued fascination. For scholars of popular culture, cultural history and gender studies, this is an essential study of a complex and multifaceted creation., She-wolf explores the cultural history of the female werewolf, from her first appearance in medieval literature to recent incarnations in film, television and popular literature. The book includes contributors from various disciplines, and offers a cross-period, interdisciplinary exploration of a perennially popular cultural production. The book covers material from the Middle Ages to the present day with chapters on folklore, history, witch trials, Victorian literature, young adult literature, film and gaming. Considering issues such as religious and social contexts, colonialism, constructions of racial and gendered identities, corporeality and subjectivity - as well as female body hair, sexuality and violence - She-wolf reveals the varied ways in which the female werewolf is a manifestation of complex cultural anxieties, as well as a site of continued fascination. -- .
LC Classification Number
GR830.W4
ebay_catalog_id
4
Copyright Date
2015
Description de l'objet du vendeur
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :323463727134
Dernière mise à jour : mai 22, 2024 12:35:38 HAEAfficher toutes les modificationsAfficher toutes les modifications
Expédition et manutention
Lieu où se trouve l'objet :
Wharton, New Jersey, États-Unis
Expédition :
Afghanistan, Afrique du Sud, Albanie, Algérie, Allemagne, Andorre, Angola, Anguilla, Antigua-et-Barbuda, Arabie saoudite, Argentine, Arménie, Aruba, Australie, Autriche, Azerbaïdjan, Bahamas, Bahreïn, Bangladesh, Belgique, Bermudes, Bhoutan, Bolivie, Bosnie-Herzégovine, Botswana, Brunéi Darussalam, Brésil, Bulgarie, Burkina Faso, Burundi, Bélize, Bénin, Cambodge, Cameroun, Canada, Chili, Chine, Chypre, Colombie, Corée du Sud, Costa Rica, Côte d'Ivoire, Danemark, Djibouti, Espagne, Estonie, Fidji, Finlande, France, Gabon, République du, Gambie, Ghana, Gibraltar, Grenade, Groenland, Grèce, Guatemala, Guinée, Guinée équatoriale, Guinée-Bissau, Guyana, Géorgie, Haïti, Honduras, Hong Kong, Hongrie, Inde, Indonésie, Irlande, Islande, Israël, Italie, Jamaïque, Japon, Jordanie, Kazakhstan, Kenya, Kirghizistan, Kiribati, Koweït, Laos, Lesotho, Lettonie, Liban, Libéria, Liechtenstein, Lituanie, Luxembourg, Macao, Macédoine, Madagascar, Malaisie, Malawi, Maldives, Mali, Malte, Maroc, Mauritanie, Mexique, Moldavie, Monaco, Mongolie, Montserrat, Monténégro, Mozambique, Namibie, Nauru, Nicaragua, Niger, Nigeria, Norvège, Nouvelle-Zélande, Népal, Oman, Ouganda, Ouzbékistan, Pakistan, Panama, Papouasie-Nouvelle-Guinée, Paraguay, Pays-Bas, Philippines, Pologne, Portugal, Pérou, Qatar, Roumanie, Royaume-Uni, Rwanda, République centrafricaine, République de Croatie, République dominicaine, République du Congo, République démocratique du Congo, République tchèque, Saint-Kitts-et-Nevis, Saint-Marin, Saint-Vincent-et-les Grenadines, Sainte-Lucie, Salvador, Samoa, Serbie, Seychelles, Sierra Leone, Singapour, Slovaque, Slovénie, Sri Lanka, Suisse, Suriname, Suède, Swaziland, Sénégal, Tadjikistan, Tanzanie, Taïwan, Tchad, Thaïlande, Togo, Tonga, Trinité-et-Tobago, Tunisie, Turkménistan, Turquie, Uruguay, Vanuatu, Vietnam, Wallis-et-Futuna, Yémen, Zambie, Zimbabwe, Égypte, Émirats arabes unis, Équateur, Érythrée, État de la Cité du Vatican, États-Unis, Éthiopie, Île Maurice, Îles Caïmans, Îles Salomon, Îles Turks et Caicos, Îles du Cap-Vert
Lieux exclus :
Adresses militaires ou navales, Alaska/Hawaii, Antilles néerlandaises, Barbade, Biélorussie, Comores, Dominique, Guadeloupe, Guam, Guernesey, Guyane française, Irak, Jersey, Libye, Martinique, Mayotte, Micronésie, Nioué, Nouvelle-Calédonie, Palau, Polynésie française, Porto Rico, Protectorats des États-Unis, Russie, Réunion, Sahara occidental, Saint-Pierre-et-Miquelon, Sainte-Hélène, Samoa américaines, Somalie, Svalbard et Jan Mayen, Tuvalu, Ukraine, Venezuela, Îles Cook, Îles Malouines (îles Falkland), Îles Marshall, Îles Vierges (États-Unis), Îles Vierges britanniques
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Expédition sans frais | Sans frais | États-Unis | Expédition au tarif économique (USPS Media MailTM) | Livraison prévue entre le ven. 21 juin et le mer. 26 juin à 43230 |
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Great
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no time yet to read yet, happy i have it
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The book was in new condition and shipped fast! I appreciate it