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Le corps handicapé dans l'art contemporain par Ann Millett-Gallan
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- Achat immédiatLe corps handicapé dans l'art contemporain par Ann Millett-Gallant
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Numéro de l'objet eBay :315264730258
Caractéristiques de l'objet
- État
- Title
- The Disabled Body in Contemporary Art
- ISBN
- 9780230341425
- Publication Year
- 2012
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Publication Name
- Disabled Body in Contemporary Art
- Item Height
- 0.4in
- Item Length
- 9.7in
- Publisher
- Palgrave Macmillan
- Item Width
- 5.6in
- Item Weight
- 8.7 Oz
- Number of Pages
- IX, 177 Pages
À propos de ce produit
Product Information
This volume analyzes the representation of disabled and disfigured bodies in contemporary art and its various contexts, from art history to photography to medical displays to the nineteenth- and twentieth-century freak show.
Product Identifiers
Publisher
Palgrave Macmillan
ISBN-10
023034142x
ISBN-13
9780230341425
eBay Product ID (ePID)
12038250322
Product Key Features
Publication Name
Disabled Body in Contemporary Art
Format
Trade Paperback
Language
English
Publication Year
2012
Type
Textbook
Number of Pages
IX, 177 Pages
Dimensions
Item Length
9.7in
Item Height
0.4in
Item Width
5.6in
Item Weight
8.7 Oz
Additional Product Features
Number of Volumes
1 Vol.
Lc Classification Number
Ra418-418.5
Reviews
"A significant, durable contribution. Highly recommended." - CHOICE "There is little if any systematic work on the intersection between art history and disability studies. When a theory is broached, it usually comes down to the accusation that art has participated in the history of discrimination against disabled people. Millett-Gallant is able to discuss troubling aspects concerning disability in the history of art, and yet she finds a way to describe how these same troubling aspects resist discrimination. Hers is a complex idea of aesthetic representation, and her analysis does not fail to respect this complexity but, rather, dwells in it by providing a dense articulation of works of art, their allusions, and meanings. The book is of critical importance. It is the first of its kind." - Tobin Siebers, University of Michigan "An important contribution to the growing field of disability studies, Millett-Gallant brings art history into contact and collaboration with the perspectives of disabled models, artists, and critics. A must-read for everybody who is interested in cultural representations of disability." - Petra Kuppers, University of Michigan and author of The Scar of Visibility: Medical Performances and Contemporary Art "Millett-Gallant's book addresses a significant gap in both art history and disability studies through her thoughtful analysis of contemporary art that engages the extraordinary body. That enterprise is groundbreaking forboth fields, in part because there exists no other study of this kind, but also because Millett-Gallant refuses to adapt an interpretive method that reinforces binaries, importantly pointing out that hierarchical divides such as disabled/nondisabled (when considering artists) and liberating/derogatory (when considering art) can effectively limit understanding the subversive potential of disability's presence in contemporary art. Rather, her assertion that its reconsideration must of necessity be dialogic effectively demonstrates the peculiar power disability has across multiple genres of visual representation, including photography, sculpture, painting, and performance art. For Millett-Gallant, these images resist categorization; recall and respond to their own lineage in medical and popular representation; and recast the disabled body anew in social performance. Calling on her reader to resist an interpretive paternalism, she curates a fascinating and first of its kind exhibition within the pages of this book." - Ann M. Fox, Associate Professor of English, Davidson College, "A significant, durable contribution. Highly recommended." - CHOICE "Each paragraph is thick with ideas, and each description of art is thoughtful and detailed. Each analysis is meticulously built. The book is intended for scholars, but newcomers to this area of disability studies - such as myself - would be comfortable with its thorough treatment of topics. The density of the text calls for careful reading." - Review of Disability Studies: An International Journal "There is little if any systematic work on the intersection between art history and disability studies. When a theory is broached, it usually comes down to the accusation that art has participated in the history of discrimination against disabled people. Millett-Gallant is able to discuss troubling aspects concerning disability in the history of art, and yet she finds a way to describe how these same troubling aspects resist discrimination. Hers is a complex idea of aesthetic representation, and her analysis does not fail to respect this complexity but, rather, dwells in it by providing a dense articulation of works of art, their allusions, and meanings. The book is of critical importance. It is the first of its kind." - Tobin Siebers, University of Michigan "An important contribution to the growing field of disability studies, Millett-Gallant brings art history into contact and collaboration with the perspectives of disabled models, artists, and critics. A must-read for everybody who is interested in cultural representations of disability." - Petra Kuppers, University of Michigan and author of The Scar of Visibility: Medical Performances and Contemporary Art "Millett-Gallant's book addresses a significant gap in both art history and disability studies through her thoughtful analysis of contemporary art that engages the extraordinary body. That enterprise is groundbreaking for both fields, in part because there exists no other study of this kind, but also because Millett-Gallant refuses to adapt an interpretive method that reinforces binaries, importantly pointing out that hierarchical divides such as disabled/nondisabled (when considering artists) and liberating/derogatory (when considering art) can effectively limit understanding the subversive potential of disability's presence in contemporary art. Rather, her assertion that its reconsideration must of necessity be dialogic effectively demonstrates the peculiar power disability has across multiple genres of visual representation, including photography, sculpture, painting, and performance art. For Millett-Gallant, these images resist categorization; recall and respond to their own lineage in medical and popular representation; and recast the disabled body anew in social performance. Calling on her reader to resist an interpretive paternalism, she curates a fascinating and first of its kind exhibition within the pages of this book." - Ann M. Fox, Associate Professor of English, Davidson College, "A significant, durable contribution. Highly recommended."-- CHOICE "There is little if any systematic work on the intersection between art history and disability studies. When a theory is broached, it usually comes down to the accusation that art has participated in the history of discrimination against disabled people. Millett-Gallant is able to discuss troubling aspects concerning disability in the history of art, and yet she finds a way to describe how these same troubling aspects resist discrimination. Hers is a complex idea of aesthetic representation, and her analysis does not fail to respect this complexity but, rather, dwells in it by providing a dense articulation of works of art, their allusions, and meanings. The book is of critical importance. It is the first of its kind."-Tobin Siebers, University of Michigan "An important contribution to the growing field of disability studies, Millett-Gallant brings art history into contact and collaboration with the perspectives of disabled models, artists, and critics. A must-read for everybody who is interested in cultural representations of disability."-Petra Kuppers, University of Michigan and author of The Scar of Visibility: Medical Performances and Contemporary Art "Millett-Gallant's book addresses a significant gap in both art history and disability studies through her thoughtful analysis of contemporary art that engages the extraordinary body. That enterprise is groundbreaking for both fields, in part because there exists no other study of this kind, but also because Millett-Gallant refuses to adapt an interpretive method that reinforces binaries, importantly pointing out that hierarchical divides such as disabled/nondisabled (when considering artists) and liberating/derogatory (when considering art) can effectively limit understanding the subversive potential of disability's presence in contemporary art. Rather, her assertion that its reconsideration must of necessity be dialogic effectively demonstrates the peculiar power disability has across multiple genres of visual representation, including photography, sculpture, painting, and performance art. For Millett-Gallant, these images resist categorization; recall and respond to their own lineage in medical and popular representation; and recast the disabled body anew in social performance. Calling on her reader to resist an interpretive paternalism, she curates a fascinating and first of its kind exhibition within the pages of this book." -Ann M. Fox, Associate Professor of English, Davidson College, "A significant, durable contribution. Highly recommended." - CHOICE "There is little if any systematic work on the intersection between art history and disability studies. When a theory is broached, it usually comes down to the accusation that art has participated in the history of discrimination against disabled people. Millett-Gallant is able to discuss troubling aspects concerning disability in the history of art, and yet she finds a way to describe how these same troubling aspects resist discrimination. Hers is a complex idea of aesthetic representation, and her analysis does not fail to respect this complexity but, rather, dwells in it by providing a dense articulation of works of art, their allusions, and meanings. The book is of critical importance. It is the first of its kind." - Tobin Siebers, University of Michigan "An important contribution to the growing field of disability studies, Millett-Gallant brings art history into contact and collaboration with the perspectives of disabled models, artists, and critics. A must-read for everybody who is interested in cultural representations of disability." - Petra Kuppers, University of Michigan and author of The Scar of Visibility: Medical Performances and Contemporary Art "Millett-Gallant's book addresses a significant gap in both art history and disability studies through her thoughtful analysis of contemporary art that engages the extraordinary body. That enterprise is groundbreaking for both fields, in part because there exists no other study of this kind, but also because Millett-Gallant refuses to adapt an interpretive method that reinforces binaries, importantly pointing out that hierarchical divides such as disabled/nondisabled (when considering artists) and liberating/derogatory (when considering art) can effectively limit understanding the subversive potential of disability's presence in contemporary art. Rather, her assertion that its reconsideration must of necessity be dialogic effectively demonstrates the peculiar power disability has across multiple genres of visual representation, including photography, sculpture, painting, and performance art. For Millett-Gallant, these images resist categorization; recall and respond to their own lineage in medical and popular representation; and recast the disabled body anew in social performance. Calling on her reader to resist an interpretive paternalism, she curates a fascinating and first of its kind exhibition within the pages of this book." - Ann M. Fox, Associate Professor of English, Davidson College, "A significant, durable contribution. Highly recommended." - CHOICE "There is little if any systematic work on the intersection between art history and disability studies. When a theory is broached, it usually comes down to the accusation that art has participated in the history of discrimination against disabled people. Millett-Gallant is able to discuss troubling aspects concerning disability in the history of art, and yet she finds a way to describe how these same troubling aspects resist discrimination. Hers is a complex idea of aesthetic representation, and her analysis does not fail to respect this complexity but, rather, dwells in it by providing a dense articulation of works of art, their allusions, and meanings. The book is of critical importance. It is the first of its kind." - Tobin Siebers, University of Michigan "An important contribution to the growing field of disability studies, Millett-Gallant brings art history into contact and collaboration with the perspectives of disabled models, artists, and critics. A must-read for everybody who is interested in cultural representations of disability." - Petra Kuppers, University of Michigan and author of The Scar of Visibility: Medical Performances and Contemporary Art "Millett-Gallant's book addresses a significant gap in both art history and disability studies through her thoughtful analysis of contemporary art that engages the extraordinary body. That enterprise is groundbreaking for both fields, in part because there exists no other study of this kind, but also because Millett-Gallant refuses to adapt an interpretive method that reinforces binaries, importantly pointing out that hierarchical divides such as disabled/nondisabled (when considering artists) and liberating/derogatory (when considering art) can effectively limit understanding the subversive potential of disability's presence in contemporary art. Rather, her assertion that its reconsideration must of necessity be dialogic effectively demonstrates the peculiar power disability has across multiple genres of visual representation, including photography, sculpture, painting, and performance art. For Millett-Gallant, these images resist categorization; recall and respond to their own lineage in medical and popular representation; and recast the disabled body anew in social performance. Calling on her reader to resist an interpretive paternalism, she curates a fascinating and first of its kind exhibition within the pages of this book." - Ann M. Fox, Associate Professor of English, Davidson College
Table of Content
Introduction: Enabling the Image Disarming Venus Sculpting Body Ideals Performing Amputation Exceeding the Frame Conclusion: Staring Back and Forth
Copyright Date
2010
Topic
History / Contemporary (1945-), General, Disease & Health Issues, Subjects & Themes / General, History / General
Dewey Decimal
704.9/42
Intended Audience
Scholarly & Professional
Dewey Edition
22
Illustrated
Yes
Genre
Art, Social Science, Performing Arts
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Informations sur le vendeur professionnel
Numéro de TVA :
- GB 724498118
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Numéro de l'objet eBay :315264730258
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NY, États-Unis
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Monde entier
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Afrique du Sud, Alaska/Hawaii, Argentine, Barbade, Brésil, Chine, Guadeloupe, Guyane française, Irlande, Libye, Martinique, Mexique, Nouvelle-Calédonie, Polynésie française, Porto Rico, Royaume-Uni, Russie, Réunion, Ukraine, Venezuela
| Expédition et manutention | À | Service | Livraison*Voir les remarques sur la livraison |
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Perfect
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Gracias. Muy bien.
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Great book