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Peinture chinoise Craig Clunas et son public (arrière) série Bollingen

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Caractéristiques de l'objet

État
Entièrement neuf: Un livre neuf, non lu, non utilisé et en parfait état, sans aucune page manquante ...
Book Title
Chinese Painting and Its Audiences
Publication Name
Chinese Painting and Its Audiences
Title
Chinese Painting and Its Audiences
EAN
9780691171937
ISBN
9780691171937
Publisher
Princeton University Press
Format
Hardcover
Release Year
2017
Release Date
28/02/2017
Item Height
1.1 in
Item Length
11.9 in
Item Weight
55.1 Oz
Author
Craig Clunas
Language
English
ISBN-10
0691171939
Country/Region of Manufacture
US
Genre
Arts & Photography
Series
The A. W. Mellon Lectures in the Fine Arts Ser.
Subject Area
Art
Subject
Asian / Chinese, Asian / General, History / General
Publication Year
2017
Type
Textbook
Item Width
8.4 in
Number of Pages
302 Pages

À propos de ce produit

Product Information

A history of the reception of Chinese painting from the sixteenth century to the present What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences , which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Richly illustrated, Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition. Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting. Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC

Product Identifiers

Publisher
Princeton University Press
ISBN-10
0691171939
ISBN-13
9780691171937
eBay Product ID (ePID)
222178723

Product Key Features

Author
Craig Clunas
Publication Name
Chinese Painting and Its Audiences
Format
Hardcover
Language
English
Subject
Asian / Chinese, Asian / General, History / General
Series
The A. W. Mellon Lectures in the Fine Arts Ser.
Publication Year
2017
Type
Textbook
Subject Area
Art
Number of Pages
302 Pages

Dimensions

Item Length
11.9 in
Item Height
1.1 in
Item Width
8.4 in
Item Weight
55.1 Oz

Additional Product Features

LCCN
2016-027789
Intended Audience
College Audience
Series Volume Number
61
Lc Classification Number
Nd1040.C627 2016
Reviews
"Looking at a wide variety of media across a wide swath of time, Chinese Painting and Its Audiences repeatedly exposes unexpected ironies that undermine facile assumptions about the Chinese and European art traditions. With this innovative work, Clunas sets a new bar for the global history of art." --Martin Powers, University of Michigan, "Clunas's globalising approach undermines the old idea that Westerners can never truly understand Chinese painting." --John-Paul Stonard, London Review of Books, " Chinese Painting and Its Audiences brims with arresting arguments and flashes of insight familiar to readers of Clunas's earlier publications. . . . [An] exhilarating book." ---Robert E. Harrist Jr., Harvard Journal of Asiatic Studies, "[An] engaging and finely illustrated study . . . Clunas veers from a formalist view of Chinese painting to look at how paintings were viewed--by solitary aristocratic scholars, by merchants plugged into global trade networks, by new Nationalist and Communist governments, and by western curators and collectors. This is magnificent scholarship, and a model of how art history can provide us new tools to understand a new power's place in the world." ---Jason Farago, New York Times, "With an elegant, welcoming conversational style and clear arguments, this book probes the ramifications of the modern English term 'Chinese painting.' Clunas brings to this work his unique combination of deep scholarship and deep knowledge of objects, the history of the art market, and the collection of Chinese art." --Patricia Berger, University of California, Berkeley, Honorable Mention for the 2019 Joseph Levenson Pre-1900 Book Prize, China and Inner Asia Council of the Association for Asian Studies, "Impressively researched and impeccably illustrated. . . . This book also offers a methodology broadly applicable to all fields of painting history. By analysing paintings that depict figures looking at paintings, art historians in any number of fields may recover mute histories of painting vividly documented in the medium itself. Thus even as Chinese Painting and Its Audiences seeks to establish Chinese painting on its own terms, it offers its readers methods for recovering and articulating ineffable histories of painting of all times, types, and places." ---Jennifer Purtle, Art History, "Wonderful. . . . Open[s] a fresh window for us on the great adventure of Chinese art." ---Magnus Fiskesjö, Art Newspaper
Copyright Date
2017
Dewey Decimal
759.951
Dewey Edition
23
Illustrated
Yes

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