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Le portrait de l'excentricité : Arcimboldo et le maniériste grotesque - Maiorino

État :
Très bon
Very good condition with some minor shelf/reading wear, marker across bottom page edges.
Prix :
25,00 $US
Environ34,43 $C
Expédition :
4,87 $US (environ 6,71 $C) Expédition au tarif économique. En savoir plussur l'expédition
Lieu : Attica, Michigan, États-Unis
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Livraison prévue entre le sam. 15 juin et le ven. 21 juin à 43230
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Numéro de l'objet eBay :305540600338

Caractéristiques de l'objet

État
Très bon
Un livre qui n’a pas l’air neuf et qui a été lu, mais qui est en excellent état. La couverture ne présente aucun dommage apparent et la jaquette (si applicable) est incluse (dans le cas des livres à reliure). Il n'y a aucune page manquante ou endommagée, aucun pli, aucune déchirure, aucun passage surligné ou souligné et aucune inscription en marge. Il est possible que le contreplat porte d'infimes marques d'identification. Le livre présente des traces d'usure infimes. Afficher toutes les définitions d'état(s'ouvre dans une nouvelle fenêtre ou un nouvel onglet)
Remarques du vendeur
“Very good condition with some minor shelf/reading wear, marker across bottom page edges.”
Binding
Hardcover
Product Group
Book
Weight
1 lbs
IsTextBook
No
ISBN
9780271007274
Subject Area
Art, History
Publication Name
Portrait of Eccentricity : Arcimboldo and the Mannerist Grotesque
Item Length
9 in
Publisher
Pennsylvania STATE University Press
Subject
Conceptual, Civilization, European, History / General, History / Renaissance
Publication Year
1991
Type
Textbook
Format
Hardcover
Language
English
Item Height
0.4 in
Author
Giancarlo Maiorino
Item Width
6 in
Item Weight
19.6 Oz
Number of Pages
184 Pages

À propos de ce produit

Product Information

In this companion to his The Cornucopian Mind and the Baroque Unity of the Arts , Maiorino examines the links between Renaissance and the modern versions of the Groteseque. In this interdisciplinary study, the term "eccentricity" refers to styles of playful extravagance. Maiorino focuses on the rhetorical figures of excess employed by a critic-historian (Giorgio Vasari), on the willful artificiality of a painter (Giuseppe Arcimboldo), and on the programmatic and interpretive commentary of a theorist (Gregorio Comanini). Maiorino draws subtle and persuasive connections between the images he discusses and the grotesque "face" of sixteenth-century poetics and rhetoric. He sets the mannerist and the grotesque against the philosophical seriousness of Renaissance humanism, interpreting them as a celebration of the ludic and fantastic possibilities of art itself. Aiming at pleasure rather than instruction, this art plays on the boundaries of the natural and the artificial, the credible and the impossible, taking delight in parody, excess, disjunction, and exaggeration.

Product Identifiers

Publisher
Pennsylvania STATE University Press
ISBN-10
0271007273
ISBN-13
9780271007274
eBay Product ID (ePID)
69949

Product Key Features

Author
Giancarlo Maiorino
Publication Name
Portrait of Eccentricity : Arcimboldo and the Mannerist Grotesque
Format
Hardcover
Language
English
Subject
Conceptual, Civilization, European, History / General, History / Renaissance
Publication Year
1991
Type
Textbook
Subject Area
Art, History
Number of Pages
184 Pages

Dimensions

Item Length
9 in
Item Height
0.4 in
Item Width
6 in
Item Weight
19.6 Oz

Additional Product Features

LCCN
90-043219
Intended Audience
Scholarly & Professional
Lc Classification Number
Nd623.A7m35 1991
Reviews
"In many ways, like its subject, marvelously idiosyncratic and playful, this book will make an important contribution to our understanding of the rhetoric of mannerism." -Ernest B. Gilman, New York University, "Ranging widely in truly breathtaking fashion over a body of diverse visual and verbal texts, both Renaissance and modern, Maiorino manages to say much that is new and perceptive about not only Arcimboldo-his are the best pages I have read on this artist-but also on the Grotesque itself and on the links between Renaissance and modern versions of Grotesque. Maiorino is unique in combining a thorough knowledge of the Renaissance texts with full awareness of recent literary theory; hence his work is likely to prove especially welcome to several audiences." -James V. Mirollo, Columbia University, &"In many ways, like its subject, marvelously idiosyncratic and playful, this book will make an important contribution to our understanding of the rhetoric of mannerism.&" &-Ernest B. Gilman, New York University, "Ranging widely in truly breathtaking fashion over a body of diverse visual and verbal texts, both Renaissance and modern, Maiorino manages to say much that is new and perceptive about not only Arcimboldo--his are the best pages I have read on this artist--but also on the Grotesque itself and on the links between Renaissance and modern versions of Grotesque. Maiorino is unique in combining a thorough knowledge of the Renaissance texts with full awareness of recent literary theory; hence his work is likely to prove especially welcome to several audiences." --James V. Mirollo,Columbia University, "In many ways, like its subject, marvelously idiosyncratic and playful, this book will make an important contribution to our understanding of the rhetoric of mannerism." --Ernest B. Gilman, New York University, "In many ways, like its subject, marvelously idiosyncratic and playful, this book will make an important contribution to our understanding of the rhetoric of mannerism." --Ernest B. Gilman,New York University, &"Ranging widely in truly breathtaking fashion over a body of diverse visual and verbal texts, both Renaissance and modern, Maiorino manages to say much that is new and perceptive about not only Arcimboldo&-his are the best pages I have read on this artist&-but also on the Grotesque itself and on the links between Renaissance and modern versions of Grotesque. Maiorino is unique in combining a thorough knowledge of the Renaissance texts with full awareness of recent literary theory; hence his work is likely to prove especially welcome to several audiences.&" &-James V. Mirollo, Columbia University, "Ranging widely in truly breathtaking fashion over a body of diverse visual and verbal texts, both Renaissance and modern, Maiorino manages to say much that is new and perceptive about not only Arcimboldo--his are the best pages I have read on this artist--but also on the Grotesque itself and on the links between Renaissance and modern versions of Grotesque. Maiorino is unique in combining a thorough knowledge of the Renaissance texts with full awareness of recent literary theory; hence his work is likely to prove especially welcome to several audiences." --James V. Mirollo, Columbia University
Copyright Date
1991
Dewey Decimal
759.5
Dewey Edition
20
Illustrated
Yes

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