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VENTE TERMINÉE
Debths par Howe, Susan
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4,73 $US
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Lieu : Boston, Massachusetts, États-Unis
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Livraison prévue entre le mar. 18 juin et le lun. 24 juin à 43230
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Numéro de l'objet eBay :305501144803
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Caractéristiques de l'objet
- État
- ISBN
- 9780811226851
- Book Title
- Debths
- Item Length
- 9.1 in
- Publisher
- New Directions Publishing Corporation
- Publication Year
- 2017
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.5 in
- Genre
- Poetry
- Topic
- General, American / General
- Item Width
- 6.1 in
- Item Weight
- 7.4 Oz
- Number of Pages
- 244 Pages
À propos de ce produit
Product Information
A collection in five parts, Susan Howe's electrifying new book opens with a preface by the poet that lays out some of Debths' inspirations: the art of Paul Thek, the Isabella Stewart Gardner collection, and early American writings; and in it she also addresses memory's threads and galaxies, "the rule of remoteness," and "the luminous story surrounding all things noumenal." Following the preface are four sections of poetry: "Titian Air Vent," "Tom Tit Tot" (her newest collage poems), "Periscope," and "Debths." As always with Howe, Debths brings "a not-being-in-the-no."
Product Identifiers
Publisher
New Directions Publishing Corporation
ISBN-10
0811226859
ISBN-13
9780811226851
eBay Product ID (ePID)
234324794
Product Key Features
Book Title
Debths
Format
Trade Paperback
Language
English
Topic
General, American / General
Publication Year
2017
Genre
Poetry
Number of Pages
244 Pages
Dimensions
Item Length
9.1 in
Item Height
0.5 in
Item Width
6.1 in
Item Weight
7.4 Oz
Additional Product Features
Lc Classification Number
Ps3558.O893a6 2017
Reviews
Howe's telepathic poetry is also the most attentive to materiality: handwriting, spacing, the slightest fold or crevice which might contain fragments, marginalia, a scribble of poesy. And that's just it--Howe's attention is the essential rigor of all poetry., Debths is a fascinating look at art across time. Howe adroitly brings into conversation both identified and unknown source material to create a finely woven exploration of narrative and transmission anchored in the American past and future....composed of elements from her own childhood, the art of Paul Thek, draft annotations of late Yeats, fairy tales, dictionary entries, and the Isabella Stewart Gardner Museum...the resulting counterpoint is quite complex, but it is ultimately one of strange consonance that rings true in the same way as a story too strange to have been invented., Howe's telepathic poetry is also the most attentive to materiality:handwriting, spacing, the slightest fold or crevice which might containfragments, marginalia, a scribble of poesy. And that's just it--Howe'sattention is the essential rigor of all poetry., Howe should be read in the company of Pound, Stevens, Stein, Ashbery and other American poets who reconfigured the ground rules of their art. With her long career in view today, her comment on Dickinson, in 1985, applies to Howe herself: 'A great poet, carrying the antique imagination of her fathers, requires of each reader to leap from a place of certain signification, to a new situation, undiscovered, and sovereign. She carries intelligence of the past into future of our thought by reverence and revolt., For nearly thirty years,Howe has occupied a particular and invaluable place in American poetry. She's a rigorously skeptical and a profoundlyvisionary poet, a writer whose demystifying intelligence is matched by apassionate embrace of poetry's rejuvenating power., The intertextual erudition underpinning all of Howe's work is enabled--and ultimately exceeded--by an unquenchable and wide-eyed curiosity, an infinitely open-ended empathy, and the fervent belief in the notion that 'only art works are capable of transmitting chthonic echo-signals.', A fresh occasion not just to celebrate Howe, who turned seventy-eight this year, but also to read her anew, which is the more formidable and ultimately more rewarding charge. Wildly and wantonly she is bringing everything to the table, including poetry, history, research, politics, autobiography, imagination, obsession and love, all the while demonstrating how strange, puzzling, and untamed writing and thinking can be., Howe is among the worthiest heirs to the high-modernist line in American poetry, interested in the accidents, smudges, and tears that fasten works of literature to their material embodiments on the page. Howe's own 'American aesthetic of uncertainty,' shuttles among forms, genres, and states of matter. What connects it all are Howe's powers of insight, and the implied relations between her sparkling trouvailles., Susan Howe is our great poetic chronicler of what it means to dwell in possibility, to live on the Edge., Debths is a fascinating look at art across time. Howe adroitly brings into conversation both identified and unknown source material to create a finely woven exploration of narrative and transmission anchored in the American past and future....composed of elements from her own childhood, the art of Paul Thek, draft annotations of late Yeats, fairy tales, dictionary entries, and the Isabella Stewart Gardner Museum...the resulting counterpoint is quite complex, but it is ultimately one of strange consonance that rings true in the same way as a story too strange to have been invented., Coming after the publication of over thirty books and chapbooks, it is difficult not to read Debths, Susan Howe's first full-length collection of poetry since Spontaneous Particulars in 2014, as the culminating gesture of her remarkable career. Indeed, Howe, who turns eighty this year, has suggested it is likely her last book. If this is so, I can think of no better way to crown her many decades wandering through the American literary wilderness: Debths reads like the crescendo at the conclusion of a symphony. It is a profound synthesis of Howe's obsessions, methods, and concerns as a writer--a recursive loop back through her oeuvre, but also a renewal of its main lines, drawing the various threads together into a tighter weave. Howe's writing is as vital now as it has ever been., For nearly thirty years,Howe has occupied a particular and invaluable place in American poetry. She's a rigorously skeptical and a profoundlyvisionary poet, a writer whose demystifying intelligence is matched by apassionate embrace of poetry's rejuvenating power., Debths is a fascinating look at art across time. Howe adroitlybrings into conversation both identified and unknown source material tocreate a finely woven exploration of narrative and transmission anchoredin the American past and future....composed of elements from her ownchildhood, the art of Paul Thek, draft annotations of late Yeats, fairytales, dictionary entries, and the Isabella Stewart Gardner Museum...theresulting counterpoint is quite complex, but it is ultimately one ofstrange consonance that rings true in the same way as a story toostrange to have been invented., Monomania has itsrewards--an incantatory power that shines through. Howe's images, beinghistorical as well as biographical, have the eerie shading of ghostshalf-believed in, giving a surreal, dreamlike atmosphere reminiscent of Borgesat his sharpest.
Copyright Date
2017
Target Audience
Trade
Lccn
2017-009786
Description de l'objet du vendeur
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :305501144803
Dernière mise à jour : mai 09, 2024 14:17:26 HAEAfficher toutes les modificationsAfficher toutes les modifications
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Lieu où se trouve l'objet :
Boston, Massachusetts, États-Unis
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