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CD du soir 1992 Joe Wilder Alone with Just My Dreams scellé neuf

État :
Comme neuf
Brand new. Sealed.
Prix :
11,99 $US
Environ16,34 $C
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Expédition :
4,50 $US (environ 6,13 $C) Expédition au tarif économique. En savoir plussur l'expédition
Lieu : Wilmington, Delaware, États-Unis
Livraison :
Livraison prévue entre le jeu. 6 juin et le sam. 8 juin à 43230
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Informations sur le vendeur

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Numéro de l'objet eBay :296432330714
Dernière mise à jour : mai 14, 2024 14:11:29 HAEAfficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État
Comme neuf
Un objet qui semble tout juste sorti de son emballage. Il ne présente aucune trace d'usure et toutes ses facettes sont intactes. Afficher toutes les définitions d'état(s'ouvre dans une nouvelle fenêtre ou un nouvel onglet)
Remarques du vendeur
“Brand new. Sealed.”
CD Grading
Mint (M)
Producer
Horst Weber
Case Condition
Mint (M)
Style
Piano
Features
Sealed
Run Time
67 min.
Country/Region of Manufacture
United States
UPC
0750366010129
Artist
Wilder, Joe
Format
CD
Release Year
2003
Record Label
Cdb, CD Baby
Release Title
Alone with Just My Dreams
Genre
Jazz

À propos de ce produit

Product Identifiers

Record Label
Cdb, CD Baby
UPC
0750366010129
eBay Product ID (ePID)
28046057156

Product Key Features

Release Year
2003
Format
CD
Genre
Jazz
Artist
Wilder, Joe
Release Title
Alone with Just My Dreams

Dimensions

Item Height
0.39 in
Item Weight
0.22 lb
Item Length
5.79 in
Item Width
4.87 in

Additional Product Features

Number of Tracks
12
Number of Discs
1
Tracks
1.1 But Not for Me 1.2 Everything Happens to Me 1.3 I Will Wait for You 1.4 Answer Me, My Love 1.5 Far Away Places 1.6 Alone with Just My Dreams 1.7 Wonderland 1.8 I Love You 1.9 It Might As Well Be Spring 1.10 Struttin' with Some Barbecue 1.11 Joe's Blues 1.12 What a Wonderful World
Notes
Mention the name Joe Wilder to almost any professional musician in both the jazz and classical worlds, and you're sure to get a smile and a testimonial -- not only to Wilder's musical talents, but also to his sterling personal qualities. Wilder has accomplished just about everything one can accomplish in music -- from big bands to bebop, classical concertos to commercials. He has not enjoyed the same success is in bringing his name to the general public, however. This failing is far more a function of his self-effacive nature than any lack of appeal in his music. Considering his near-legendary status among his peers, it is hard to believe that this is his first album as leader in over thirty years (he was co-leader with fellow trumpeter Joe Newman for a fine Concord LP in 1985). Wilder was born into a musical family in Philadelphia in 1922. His father, Curtis, was (and still is) a bassist and bandleader. An older brother, Curtis Jr., also played bass. Initially drawn to classical music, the trumpeter studied at the Mastbaum School of Music. Realizing that, talent notwithstanding, a career in classical music was not a realistic goal for a black musician coming of age in the late 1930s, Wilder set out on a veritable big band odyssey. In great demand for his superb lead playing, as well as his solo ability, from the 1940s to the early 1950s he played in the orchestras of Les Hite, Lionel Hampton, Jimmie Lunceford, Herbie Fields, Sam Donahue, Lucky Millinder, Dizzy Gillespie, Noble Sissle, and Count Basie. With the demise of the big bands, Wilder's musicianship enabled him to forge a new career playing for top Broadway shows. Beginning with Alive and Kicking in 1950, Wilder played in such hit productions as Guys and Dolls and Silk Stockings. He toured joined the touring company for the latter in 1953. When the show's composer, Cole Porter, was asked if he would object to having a black lead trumpet player in the show, Wilder recalls that he replied, 'Can he play my music?' In the mid-1950s, Wilder also penetrated the highly competitive New York studio scene. Once again confronted with racial barriers, Wilder overcame prejudice and stereotypes with sheer talent and consummate professionalism. He joined the select group of elite 'first-call' studio musicians who skillfully (and almost always anonymously) produced much of America's recorded popular music until synthesizers and sampling began to replace orchestras. On staff at ABC from 1957 to 1974, Wilder was often called for two or more sessions a day, encompassing the most diverse musical settings. He found this life demanding, yet challenging. In addition to his busy studio schedule, Wilder continued to build a reputation as a highly original jazz soloist through his own albums for Savoy and Columbia, and countless sessions as a sideman with Hank Jones, Gil Evans, Tadd Dameron, Michel Legrand, Benny Goodman, and many others. He also became a favorite of vocalists, such as Billie Holiday, Lena Horne, Harry Belafonte, Johnny Mathis, Tony Bennett, Helen Humes and Johnny Hartman, who found their own work to be greatly enhanced by Wilder's sympathetic obligati. (Most recently, he has been the featured soloist on several recorded 'songbooks' by Eileen Farrell.) During the last decade, Wilder enjoyed a long tenure in the orchestra of 42nd Street. He has appeared on the Bill Cosby Show in both playing and speaking roles, and is currently a regular on Garrison Keiller's radio series. Wilder is a favorite on the jazz party circuit, and a frequent participant in the burgeoning jazz repertory movement. As senior member of the Smithsonian Jazz Masterworks Orchestra, Wilder often finds himself in the singular position of re-creating performances of historic big band charts which he played when they were new. Throughout these varied endeavors, however, Wilder never lost sight of his dream of becoming a classical trumpeter. He graduated from the Manhattan School of Music, and, as some b

Description de l'objet du vendeur

Music & Lyrics

Music & Lyrics

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10/10 seller! Packaged with extreme care!!

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