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American Sublime: Landscape Painting in the United States 1820-1880
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Expédition :
Lieu : Albuquerque, New Mexico, États-Unis
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Livraison prévue entre le ven. 28 juin et le mer. 3 juil. à 43230
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Numéro de l'objet eBay :295994434579
Caractéristiques de l'objet
- État
- ISBN
- 9780691115566
- Book Title
- American Sublime : Landscape Painting in the United States 1820-1880
- Publisher
- Princeton University Press
- Item Length
- 11.5 in
- Publication Year
- 2003
- Format
- Trade Paperback
- Language
- English
- Illustrator
- Yes
- Genre
- Art
- Topic
- American / General, History / General
- Item Weight
- 57.1 Oz
- Item Width
- 9.5 in
- Number of Pages
- 256 Pages
À propos de ce produit
Product Information
The painters who came to be known as the Hudson River School--Thomas Cole, Asher B. Durand, Frederic Edwin Church, Jasper Cropsey, Sanford Robinson Gifford, and others--found inspiration in our young country's natural wonders and were the first to paint many of its still-wild vistas. As America was settled and the wilderness receded, their successors--most notably Albert Bierstadt and Thomas Moran--carried their quest for the sublime to the Far West, communicating its breathtaking grandeur in brilliant views of Rocky Mountain peaks, roaring waterfalls, and vast canyons. Within a single generation these artists established the dramatic approach to American landscape painting that is celebrated in this stirringly beautiful book. The freshness of their vision, the intensity of their invention, and the energy of their execution were all born of the urgency these artists sensed in the life of America itself. Published to accompany a major transatlantic exhibition, American Sublime rejoices in America the Beautiful as seen in some of the country's most glorious landscape paintings. It contains a fully illustrated catalogue of all the paintings in the exhibition, with more than one hundred color plates, including three gatefolds. Biographies of the artists are included, and thoughtful and elegantly written essays cast new light on their ambitions and achievements. The lucid text places American landscape painting in the context of the international art world and of the European landscape tradition. And it explores ideas of national identity and empire in America, looking in particular at how these landscapes, whether real or imagined, reflect Americans' hopes and fears for their country. As a tribute to some of our most important American artists and the land that inspired them, this stunningly illustrated book will have a deep and wide appeal.
Product Identifiers
Publisher
Princeton University Press
ISBN-10
0691115567
ISBN-13
9780691115566
eBay Product ID (ePID)
2480203
Product Key Features
Book Title
American Sublime : Landscape Painting in the United States 1820-1880
Number of Pages
256 Pages
Language
English
Publication Year
2003
Topic
American / General, History / General
Illustrator
Yes
Genre
Art
Format
Trade Paperback
Dimensions
Item Weight
57.1 Oz
Item Length
11.5 in
Item Width
9.5 in
Additional Product Features
Dewey Edition
22
Reviews
"The catalog is far more than a souvenir of this astonishing [exhibition]. There are two well-contrasted essays by the exhibition's organizers Andrew Wilton and Tim Barringer, and reproductions of each work are accompanied by very ample notes. . . . [B]oth authors emphasize the religious and ethical themes portrayed, or more often symbolized, in many of the works." ---Geoffrey Newman, The Art Book, "Splendid. . . . Andrew Wilton and Tim Barringer have written a book to treasure. . . . A valuable contribution to the study of American art history." ---Phyllis Tuchman, ArtNet Magazine, The term Hudson River School was once an insult. . . . But as the paintings included in this lavishly illustrated exhibition catalog demonstrate, the landscape of the North American continent made for strong local color. . . . The drama of American space gave artists a new subject matter, and they conveyed the news of craggy mountain ranges and impossibly deep canyons with striking detail. ---Carly Berwick, ArtNews, The essays and catalog entries are well written and informative, providing a geographic and historical context for the artwork, [but] it is the stunning illustrations (including several two-page foldouts) that dazzle the eye and imagination., Splendid. . . . Andrew Wilton and Tim Barringer have written a book to treasure. . . . A valuable contribution to the study of American art history., Wilton and Barringer no doubt convinced their British readers and exhibition patrons that these Americans do indeed fit into an aesthetic continuum, engaging in the discourse of the Sublime (as well as the Beautiful). They move American readers to a less parochial appreciation of our local heroes., "Wilton and Barringer no doubt convinced their British readers and exhibition patrons that these Americans do indeed fit into an aesthetic continuum, engaging in the discourse of the Sublime (as well as the Beautiful). They move American readers to a less parochial appreciation of our local heroes." ---Nancy J. D. Hazelton, The Bloomsbury Review, A gorgeously illustrated and learned history of nineteenth-century American landscape painting. . . . Wilton and Barringer's commentary is stimulating and important, and the exceptional plates are bliss unadulterated., The spectacular paintings that record [the] search for sublimity, handsomely printed here, retain their power to entice and overwhelm., The term Hudson River School was once an insult. . . . But as the paintings included in this lavishly illustrated exhibition catalog demonstrate, the landscape of the North American continent made for strong local color. . . . The drama of American space gave artists a new subject matter, and they conveyed the news of craggy mountain ranges and impossibly deep canyons with striking detail., The catalog is far more than a souvenir of this astonishing [exhibition]. There are two well-contrasted essays by the exhibition's organizers Andrew Wilton and Tim Barringer, and reproductions of each work are accompanied by very ample notes. . . . [B]oth authors emphasize the religious and ethical themes portrayed, or more often symbolized, in many of the works., Wilton and Barringer no doubt convinced their British readers and exhibition patrons that these Americans do indeed fit into an aesthetic continuum, engaging in the discourse of the Sublime (as well as the Beautiful). They move American readers to a less parochial appreciation of our local heroes. ---Nancy J. D. Hazelton, The Bloomsbury Review, The catalog is far more than a souvenir of this astonishing [exhibition]. There are two well-contrasted essays by the exhibition's organizers Andrew Wilton and Tim Barringer, and reproductions of each work are accompanied by very ample notes. . . . [B]oth authors emphasize the religious and ethical themes portrayed, or more often symbolized, in many of the works. ---Geoffrey Newman, The Art Book, At first glance, the color plates reproduced inAmerican Sublimeseem to be nothing more than pretty pictures. Only when the authors put them back into the political and cultural context in which they were created do the images take on new meanings, and only then do we begin to see the sometimes grandiose intentions of the artists who painted them and the art collectors who displayed them., "The term Hudson River School was once an insult. . . . But as the paintings included in this lavishly illustrated exhibition catalog demonstrate, the landscape of the North American continent made for strong local color. . . . The drama of American space gave artists a new subject matter, and they conveyed the news of craggy mountain ranges and impossibly deep canyons with striking detail." ---Carly Berwick, ArtNews, At first glance, the color plates reproduced in American Sublime seem to be nothing more than pretty pictures. Only when the authors put them back into the political and cultural context in which they were created do the images take on new meanings, and only then do we begin to see the sometimes grandiose intentions of the artists who painted them and the art collectors who displayed them. ---Jonathan Kirsch, Los Angeles Times, Splendid. . . . Andrew Wilton and Tim Barringer have written a book to treasure. . . . A valuable contribution to the study of American art history. ---Phyllis Tuchman, ArtNet Magazine, "At first glance, the color plates reproduced in American Sublime seem to be nothing more than pretty pictures. Only when the authors put them back into the political and cultural context in which they were created do the images take on new meanings, and only then do we begin to see the sometimes grandiose intentions of the artists who painted them and the art collectors who displayed them." ---Jonathan Kirsch, Los Angeles Times
Target Audience
Trade
Dewey Decimal
758.1/0973/09034
Lc Classification Number
Nd1351.5.W565
Table of Content
Forward 7 Acknowledgments 9 ANDREW WILTON: The Subline in the Old World and the New 10 TIM BARRINGER: The Course of Empires: Landscape and Identity in America and Britain, 1820-1880 38 ANDREW WILTON AND TIM BARRINGER: Catalogue 1. Wilderness 66 2. The Course of Empire 86 3. The Still Small Voice 114 4. "Awful Grandeur" 132 5. Painting from nature 156 6. A Transcendental Vision 186 7. Explorations 216 8. The Great West 228 GRAHAM C. BOETTCHER Biographies of the Artists 252 Notes 262 Bibliography 272 Lenders and Credits 278 Index 279
Copyright Date
2003
Description de l'objet du vendeur
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :295994434579
Expédition et manutention
Lieu où se trouve l'objet :
Albuquerque, New Mexico, États-Unis
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Expédition et manutention | À | Service | Livraison*Voir les remarques sur la livraison |
---|---|---|---|
5,00 $US (environ 6,85 $C) | États-Unis | Expédition au tarif économique (USPS Media MailTM) | Livraison prévue entre le ven. 28 juin et le mer. 3 juil. à 43230 |
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