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Pastiche, mémoire culturelle dans l'art, film, littérature, Ingeborg Hoesterey, 1er tirage

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Très bon
The book does not appear to have been read, but it is a first printing so it's been on a shelf so ... En savoir plussur l'état
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19,99 $US
Environ27,50 $C
Expédition :
4,13 $US (environ 5,68 $C) Expédition au tarif économique. En savoir plussur l'expédition
Lieu : Spring Hill, Tennessee, États-Unis
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Livraison prévue entre le jeu. 20 juin et le ven. 21 juin à 43230
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Numéro de l'objet eBay :285806348010

Caractéristiques de l'objet

État
Très bon
Un livre qui n’a pas l’air neuf et qui a été lu, mais qui est en excellent état. La couverture ne présente aucun dommage apparent et la jaquette (si applicable) est incluse (dans le cas des livres à reliure). Il n'y a aucune page manquante ou endommagée, aucun pli, aucune déchirure, aucun passage surligné ou souligné et aucune inscription en marge. Il est possible que le contreplat porte d'infimes marques d'identification. Le livre présente des traces d'usure infimes. Afficher toutes les définitions d'état(s'ouvre dans une nouvelle fenêtre ou un nouvel onglet)
Remarques du vendeur
“The book does not appear to have been read, but it is a first printing so it's been on a shelf so ...
Subject Area
Literary Criticism, Art, Philosophy, Social Science
Features
1st Edition, Illustrated
Subject
Criticism & Theory, Anthropology / Cultural & Social, History & Surveys / Modern, Semiotics & Theory, History / General, Subjects & Themes / General
ISBN
9780253214454
Publication Name
Pastiche : Cultural Memory in Art, Film, Literature
Publisher
Indiana University Press
Item Length
9.2 in
Publication Year
2001
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.6 in
Author
Ingeborg Hoesterey
Item Weight
10.1 Oz
Item Width
6.1 in
Number of Pages
160 Pages

À propos de ce produit

Product Identifiers

Publisher
Indiana University Press
ISBN-10
0253214459
ISBN-13
9780253214454
eBay Product ID (ePID)
1785031

Product Key Features

Number of Pages
160 Pages
Publication Name
Pastiche : Cultural Memory in Art, Film, Literature
Language
English
Subject
Criticism & Theory, Anthropology / Cultural & Social, History & Surveys / Modern, Semiotics & Theory, History / General, Subjects & Themes / General
Publication Year
2001
Type
Textbook
Author
Ingeborg Hoesterey
Subject Area
Literary Criticism, Art, Philosophy, Social Science
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
10.1 Oz
Item Length
9.2 in
Item Width
6.1 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
00-061397
Dewey Edition
21
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
700/.9/049
Table Of Content
Contents Introduction 1. A Discourse History of Pasticcio and Pastiche 2. Pastiche in the Visual Arts 3. Cinematic Pastiche 4. Literary Pastiche 5. Pastiche Culture Beyond High and Low Coda Notes Works Cited Index
Synopsis
Pastiche Cultural Memory in Art, Film, Literature Ingeborg Hoesterey Traces the rise of the pastiche in the arts and popular culture. In the last two decades cultural theorists and artists have redefined a genre of artistic expression that for centuries was regarded as both elusive and notorious: the pastiche, or pasticcio. Today, highly engaging manifestations of the genre minor can be found in architecture, painting, and mixed media installations; in film, literature, and performance modes ranging from the operatic to rock event; and in supposedly trivial discourses such as advertising. Postmodern pastiche is about cultural memory as a history of seeing and writing. One of the markers that sets aesthetic postmodernism apart from modernism is artistic practice that borrows ostentatiously from the archive of Western culture, which modernism, in its search for the unperformed, tended to dismiss. Contemporary artists are re-examining traditions that modernism eclipsed in its pursuit of the "Shock of the New" or--in the case of architects--the functionalism of the International style. Ingeborg Hoesterey, Professor of Comparative Literature and Germanic Studies at Indiana University, is author of Verschlungene Schriftzeichen: Intertextualität von Literatur und Kunst in der Moderne/Postmoderne; editor of Zeitgeist in Babel: The Postmodernist Controversy; and co-editor of Intertextuality: German Literature and Visual Art from the Renaissance to the Twentieth Century and Neverending Stories: Toward a Critical Narratology. March 2001 160 pages, 20 b&w photos, 6 1/8 x 9 1/4 cloth0-253-33880-8$45.95 L / £34.00 paper0-253-21445-9$19.95 s / £15.50 Contents A Discourse History of Pasticcio and Pastiche Pastiche in the Visual Arts Cinematic Pastiche Literary Pastiche Pastiche Culture beyond High and Low: Advertising Narratives, MTV, Performance Styles Coda, Pastiche Cultural Memory in Art, Film, Literature Ingeborg Hoesterey Traces the rise of the pastiche in the arts and popular culture. In the last two decades cultural theorists and artists have redefined a genre of artistic expression that for centuries was regarded as both elusive and notorious: the pastiche, or pasticcio. Today, highly engaging manifestations of the genre minor can be found in architecture, painting, and mixed media installations; in film, literature, and performance modes ranging from the operatic to rock event; and in supposedly trivial discourses such as advertising. Postmodern pastiche is about cultural memory as a history of seeing and writing. One of the markers that sets aesthetic postmodernism apart from modernism is artistic practice that borrows ostentatiously from the archive of Western culture, which modernism, in its search for the unperformed, tended to dismiss. Contemporary artists are re-examining traditions that modernism eclipsed in its pursuit of the "Shock of the New" or--in the case of architects--the functionalism of the International style. Ingeborg Hoesterey, Professor of Comparative Literature and Germanic Studies at Indiana University, is author of Verschlungene Schriftzeichen: Intertextualit t von Literatur und Kunst in der Moderne/Postmoderne; editor of Zeitgeist in Babel: The Postmodernist Controversy; and co-editor of Intertextuality: German Literature and Visual Art from the Renaissance to the Twentieth Century and Neverending Stories: Toward a Critical Narratology. March 2001 160 pages, 20 b&w photos, 6 1/8 x 9 1/4 cloth 0-253-33880-8 $45.95 L / 34.00 paper 0-253-21445-9 $19.95 s / 15.50 Contents A Discourse History of Pasticcio and Pastiche Pastiche in the Visual Arts Cinematic Pastiche Literary Pastiche Pastiche Culture beyond High and Low: Advertising Narratives, MTV, Performance Styles Coda, 95 s / £15.50 ContentsA Discourse History of Pasticcio and PastichePastiche in the Visual ArtsCinematic PasticheLiterary PastichePastiche Culture beyond High and Low: Advertising Narratives, MTV, Performance StylesCoda, Pastiche Cultural Memory in Art, Film, Literature Ingeborg Hoesterey Traces the rise of the pastiche in the arts and popular culture. In the last two decades cultural theorists and artists have redefined a genre of artistic expression that for centuries was regarded as both elusive and notorious: the pastiche, or pasticcio. Today, highly engaging manifestations of the genre minor can be found in architecture, painting, and mixed media installations; in film, literature, and performance modes ranging from the operatic to rock event; and in supposedly trivial discourses such as advertising. Postmodern pastiche is about cultural memory as a history of seeing and writing. One of the markers that sets aesthetic postmodernism apart from modernism is artistic practice that borrows ostentatiously from the archive of Western culture, which modernism, in its search for the unperformed, tended to dismiss. Contemporary artists are re-examining traditions that modernism eclipsed in its pursuit of the "Shock of the New" or--in the case of architects--the functionalism of the International style. Ingeborg Hoesterey, Professor of Comparative Literature and Germanic Studies at Indiana University, is author of Verschlungene Schriftzeichen: Intertextualität von Literatur und Kunst in der Moderne/Postmoderne; editor of Zeitgeist in Babel: The Postmodernist Controversy; and co-editor of Intertextuality: German Literature and Visual Art from the Renaissance to the Twentieth Century and Neverending Stories: Toward a Critical Narratology. March 2001 160 pages, 20 b&w photos, 6 1/8 x 9 1/4 cloth0-253-33880-8$45.95 L / 34.00 paper0-253-21445-9$19.95 s / 15.50 Contents A Discourse History of Pasticcio and Pastiche Pastiche in the Visual Arts Cinematic Pastiche Literary Pastiche Pastiche Culture beyond High and Low: Advertising Narratives, MTV, Performance Styles Coda
LC Classification Number
NX456.5.P66H63 2001
Copyright Date
2001
ebay_catalog_id
4

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