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Bright Eyes - Down in the Weeds, Where the World Once Was [Vinyle rouge/orange] NEUF
État :
Expédition :
Lieu : Glendale, California, États-Unis
Livraison :
Livraison prévue entre le ven. 21 juin et le lun. 24 juin à 43230
Renvois :
Renvoi sous 30jours. L'acheteur paie les frais de port du renvoi. En savoir plus- pour en savoir plus sur les renvois
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Magasinez en toute confiance
Informations sur le vendeur
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :285595136503
Caractéristiques de l'objet
- État
- Speed
- 33 RPM
- Type
- Double LP
- Record Grading
- Mint (M)
- Sleeve Grading
- Mint (M)
- Color
- Red
- Record Size
- 12"
- Style
- 2000s, Indie
- Features
- Colored Vinyl
- Material
- Vinyl
- Edition
- Collector's Edition, Limited Edition
- UPC
- 0656605151045
- Artist
- Bright Eyes
- Format
- Record
- Release Year
- 2020
- Record Label
- Dead Oceans, Dedo
- Release Title
- Down in the Weeds, Where the World Once Was (Iex) (Red/Orange Vinyl)
- Genre
- Rock
À propos de ce produit
Product Identifiers
Record Label
Dead Oceans, Dedo
UPC
0656605151045
eBay Product ID (ePID)
10046091542
Product Key Features
Release Year
2020
Format
Record
Genre
Rock
Artist
Bright Eyes
Release Title
Down in the Weeds, Where the World Once Was (Iex) (Red/Orange Vinyl)
Dimensions
Item Height
0.21in
Item Weight
0.90lb.
Item Length
12.27in
Item Width
12.25in
Additional Product Features
Number of Tracks
14
Country/Region of Manufacture
United States
Tracks
Pageturners Rag, Dance and Sing, Just Once in the World, Mariana Trench, One and Done, Pan and Broom, Stairwell Song, Persona Non Grata, Tilt-A-Whirl, Hot Car in the Sun, Forced Convalescence, To Death's Heart (In Three Parts), Calais to Dover, Comet Song
Number of Discs
2
Notes
Transparent red / transparent orange vinyl. Sometimes it feels like you hear a Bright Eyes song with your whole body. From Conor Oberst's early recordings in an Omaha basement in 1995 all the way up to 2020, Bright Eyes' music tries to unravel the impossible tangles of dissent: personal and political, external and internal. It's a study of the beauty in unsteadiness in all it's forms - in a voice, beliefs, love, identity, and what fills up the spaces in-between. And in so many ways, it's just about searching for a way through. The year 2020 is full of significant anniversaries for Bright Eyes. Fevers and Mirrors was released 20 years ago this May, while Digital Ash in a Digital Urn and I'm Wide Awake It's Morning both turned 15 in January. The latter, a singer-songwriter tour-de-force released amidst the Bush presidency and Iraq war, wades through incisive anti-war rhetoric and micro, intimate calamities. On the title track and throughout the record, Oberst sings about body counts in the newspaper, televised wars, the bottomless pit of American greed, struggling to understand the world alongside one's own turmoil. In it's own way, I'm Wide Awake It's Morning carved out it's place in the canon of great anti-war albums by being both present and prophetic, it's urgency enduring 15 years later. In 2011 the release of The People's Key, Bright Eyes' ninth and most recent album, ushered in an unofficial hiatus for the beloved project. In the time since, the work of the band's core members - Oberst, multi-instrumentalist Mike Mogis, and multi-instrumentalist Nathaniel Walcott - has remained omnipresent, through both the members' original work and collaboration. In recent years, Mogis produced records for beloved folk acts First Aid Kit and Joseph, among others, as well as mixed the fine-spun ennui of Phoebe Bridgers' breakthrough 2017 debut, Stranger in the Alps. Mogis and bandmate Walcott also teamed up to write the original scores for The Fault in Our Stars, Stuck in Love, and Lovely Still, and Walcott worked as a solo composer scoring number of independent feature-length films. Walcott spent extensive time on collaboration; in addition to his arrangement work for Mavis Staples, First Aid Kit, and M. Ward, he contributed studio work to artists ranging from U2 to jazz guitarist Jeff Parker, and also toured heavily as a member of the Red Hot Chili Peppers. Oberst, who's nearly 30 years into a prolific musical career, spent the last decade in similarly productive fashion. Across three years he released a string of solo albums: Salutations (2017), Ruminations (2016), and Upside Down Mountain (2014), as well as guested on records by First Aid Kit, Phoebe Bridgers, and Alt-J. His punk band, Desaparecidos, emerged from a 13-year hiatus in 2015 with the thunderous sophomore LP, Payola, a white-knuckled disarray of hollered political fury. And at the top of 2019, Oberst and Bridgers debuted their new band, Better Oblivion Community Center, digitally dropping the critically-lauded eponymous debut LP alongside a surprise performance on The Late Show with Stephen Colbert. The heart at Bright Eyes' songwriting still looms culturally, in films and TV shows and through re-imaginings by other artists. Mac Miller covered both "Lua" and "First Day of My Life"; Lorde's version of the penultimate The People's Key track, the funereal-waltz "Ladder Song," was a focal point of The Hunger Games' soundtrack; The Killers covered "Four Winds" for their Spaceman EP; and Lil Peep's "Worlds Away" samples "Something Vague" while Young Thug's "Me Or Us" samples "First Day of My Life." Bright Eyes' expansive catalog has traversed genre, sound, and countless players; unpolished demos or fuzzy folk, electrified rock or country twang. The sharp songwriting and musicianship is all anchored in Bright Eyes' singular ability to flip deep intimacy into something universal. For so many, for so long, listening to Bright Eyes has been like hearing yourself in someon
Description de l'objet du vendeur
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :285595136503
Expédition et manutention
Lieu où se trouve l'objet :
Glendale, California, États-Unis
Expédition :
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Lieux exclus :
Barbade, Guadeloupe, Guyane française, Libye, Martinique, Nouvelle-Calédonie, Polynésie française, Russie, Réunion, Ukraine, Venezuela
Expédition et manutention | À | Service | Livraison*Voir les remarques sur la livraison |
---|---|---|---|
4,87 $US (environ 6,70 $C) | États-Unis | Expédition au tarif économique (USPS Media MailTM) | Livraison prévue entre le ven. 21 juin et le lun. 24 juin à 43230 |
Délai de manutention |
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Expédition dans les 1 jours ouvrables après réception du paiement. |
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Évaluations comme vendeur (386)
a***e (1693)- Évaluation laissée par l'acheteur.
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Thank you for the outstanding service and FAST delivery!
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Great seller, fast shipping, A+
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Fast delivery! Amazing record! Thanks