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Guilherme Carré Cinéma Brésilien et (Livre de poche) (IMPORTATION BRITANNIQUE) (PRÉVENTE 27/06/2024)

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Caractéristiques de l'objet

État
Entièrement neuf: Un livre neuf, non lu, non utilisé et en parfait état, sans aucune page manquante ...
Book Title
Brazilian Cinema and the Aesthetics of Ruins
Publication Name
Brazilian Cinema and the Aesthetics of Ruins
Title
Brazilian Cinema and the Aesthetics of Ruins
ISBN-10
1350496197
EAN
9781350496194
ISBN
9781350496194
Publisher
Bloomsbury Publishing
Format
Trade Paperback
Release Year
2024
Release Date
27/06/2024
Language
English
Country/Region of Manufacture
GB
Item Height
234mm
Item Length
9.2 in
Author
Guilherme Carréra
Genre
Films & TV
Subject
Film / Genres / Documentary, Film / History & Criticism, Latin America / South America
Series
World Cinema Ser.
Subject Area
History, Performing Arts
Publication Year
2024
Type
Textbook
Item Width
6.1 in
Number of Pages
346 Pages

À propos de ce produit

Product Information

Winner of the British Association of Film, Television and Screen Studies (BAFTSS) 2023 Award for Best First Monograph. Winner of the Association of Moving Image Researchers (AIM) 2022 Award for Best Monograph. Guilherme Carréra's compelling book examines imagery of ruins in contemporary Brazilian cinema and considers these representations in the context of Brazilian society. Carréra analyses three groups of unconventional documentaries focused on distinct geographies: Brasília - The Age of Stone (2013) and White Out, Black In (2014); Rio de Janeiro - ExPerimetral (2016), The Harbour (2013), Tropical Curse (2016) and HU Enigma (2011); and indigenous territories - Corumbiara: They Shoot Indians, Don't They? (2009), Tava, The House of Stone (2012), Two Villages, One Path (2008) and Guarani Exile (2011). In portraying ruinscapes in different ways, these powerful films articulate critiques of the notions of progress and (under) development in the Brazilian nation. Carréra invites the reader to walk amid the debris and reflect upon the strategies of spatial representation employed by the filmmakers. He addresses this body of films in relation to the legacies of Cinema Novo, Tropicália and Cinema Marginal, asking how these presentday films dialogue with or depart from previous traditions. Through this dialogue, he argues, the selected films challenge not only documentary-making conventions but also the country's official narrative.

Product Identifiers

Publisher
Bloomsbury Publishing
ISBN-10
1350496197
ISBN-13
9781350496194
eBay Product ID (ePID)
27065695036

Product Key Features

Author
Guilherme Carréra
Publication Name
Brazilian Cinema and the Aesthetics of Ruins
Format
Trade Paperback
Language
English
Subject
Film / Genres / Documentary, Film / History & Criticism, Latin America / South America
Series
World Cinema Ser.
Publication Year
2024
Type
Textbook
Subject Area
History, Performing Arts
Number of Pages
346 Pages

Dimensions

Item Length
9.2 in
Item Width
6.1 in

Additional Product Features

Intended Audience
College Audience
Reviews
This is an intriguing walk amidst Brazilian ruins, from the outskirts of the capital to a Jesuit building in an indigenous area. By looking at those testimonies of underdevelopment, the author unfolds an extraordinary series of Brazilian singularities, but also illuminates our past, present and future in a neoliberal world.
Table of Content
FiguresAcknowledgementsIntroduction: In search of Brazilian ruinsPart OneFraming the ruins: From Cinema Novo to contemporary Brazilian documentary1: A realm for the ruins of Brazil2: Cinema Novo: A country in crisis3: Documentary in the wake of Cinema da Retomada Part TwoThe other side of progress: Cinematic (re)constructions of Brasilia4: A controversial spatiality: Myth and apartheid5: Realism under erasure or not quite: New imagery and storytelling6: The Age of Stone : The uchronic mode of a monument7: White Out, Black In : Exploding the Third World from a laje point of viewPart ThreeConstructing ruins in Rio de Janeiro: An intermedial visualization of failing projects8: Tropicalia: An intermedial counterculture9: The rubble as the legacy: A ruin for the World Cup and the Olympics10: The Carmen Miranda ruinous spaceship in Tropical Curse 11: A lame-leg architecture: Half-hospital, half-ruin in H U Enigma Part FourThe long-standing ruination: Indigenous territory in dispute12: Setting the ground: Cinema Novo and indigenous representation13: The Video nas Aldeias case: For an indigenous media to emerge14: 'Here, in this scenario of destruction ...': Territory of ruins in Corumbiara 15: Made of stone and ruins: Indigenous filmmaking in Tava, The House of Stone , Two Villages, One Path and Guarani Exile Conclusion: A walk amid the cinematic ruinsNotesReferencesFilmographyIndex
Dewey Decimal
791.430981
Dewey Edition
23

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