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La réalité de l'illusion: une approche écologique de la théorie du film cognitif - BON
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- Achat immédiatLa réalité de l'illusion: une approche écologique de la théorie du film cognitif - BON
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Lieu : Montgomery, Illinois, États-Unis
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Livraison prévue entre le ven. 28 juin et le mer. 3 juil. à 43230
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Numéro de l'objet eBay :276423835155
Caractéristiques de l'objet
- État
- Brand
- Unbranded
- Book Title
- The Reality of Illusion: An Ecological Approach to Cognitive Fil
- MPN
- Does not apply
- ISBN
- 9780809321964
- Subject Area
- Psychology, Performing Arts
- Publication Name
- Reality of Illusion : an Ecological Approach to Cognitive Film Theory
- Publisher
- Southern Illinois University Press
- Item Length
- 8.5 in
- Subject
- Cognitive Psychology & Cognition, Film / History & Criticism
- Publication Year
- 1998
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6 in
- Item Weight
- 1.7 Oz
- Item Width
- 5.5 in
- Number of Pages
- 216 Pages
À propos de ce produit
Product Information
Applying research findings from studies in visual perception, neurophysiology, cognitive psychology, developmental psychology, and anthropology, Joseph D. Anderson defines the complex interaction of motion pictures with the human mind and organizes the relationship between film and cognitive science.
Product Identifiers
Publisher
Southern Illinois University Press
ISBN-10
0809321963
ISBN-13
9780809321964
eBay Product ID (ePID)
554159
Product Key Features
Number of Pages
216 Pages
Language
English
Publication Name
Reality of Illusion : an Ecological Approach to Cognitive Film Theory
Publication Year
1998
Subject
Cognitive Psychology & Cognition, Film / History & Criticism
Type
Textbook
Subject Area
Psychology, Performing Arts
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
1.7 Oz
Item Length
8.5 in
Item Width
5.5 in
Additional Product Features
LCCN
94-048221
Dewey Edition
20
Reviews
"[T]his book bucks the tide ... [and] may participate in shifting the direction of film studies as a whole as well as the particular direction of film psychology. . . .The Reality of Illusiondeals with the problems-psychology and spectatorship-that are absolutely central to the field of cinema studies. It comes at them from an unorthodox angle. However, that is why the book is so potentially important." -Noel Carroll, author ofMystifying Movies: Fads and Fallacies in Contemporary Film Theory, Anderson joins a small group of theorists who are sounding a call to increase the emphasis on experimental method as the primary and most important tool for research on film viewing. The author regards cognitive theory, which treats the mind as an information processor and a computer as an inspiration, as the research paradigm of choice for film theorists. The film viewer is 'a standard biological audio/video processor.' Thus, Anderson has organized this book according to areas of film theory that can be fruitfully studied from a cognitive perspective--human perception, perception of images and sounds in the film medium, problems of continuity and narrativity, character recognition and attribution, etc. This book will stimulate discussion among those seriously interested in film study . " -- Choice, "[T]his book bucks the tide ... [and] may participate in shifting the direction of film studies as a whole as well as the particular direction of film psychology. . . . The Reality of Illusion deals with the problems--psychology and spectatorship--that are absolutely central to the field of cinema studies. It comes at them from an unorthodox angle. However, that is why the book is so potentially important." -- Noel Carroll , author of Mystifying Movies: Fads and Fallacies in Contemporary Film Theory, Anderson joins a small group of theorists who are sounding a call to increase the emphasis on experimental method as the primary and most important tool for research on film viewing. The author regards cognitive theory, which treats the mind as an information processor and a computer as an inspiration, as the research paradigm of choice for film theorists. The film viewer is #145;a standard biological audio/video processor.' Thus, Anderson has organized this book according to areas of film theory that can be fruitfully studied from a cognitive perspective--human perception, perception of images and sounds in the film medium, problems of continuity and narrativity, character recognition and attribution, etc. This book will stimulate discussion among those seriously interested in film study . " -- Choice, Anderson joins a small group of theorists who are sounding a call to increase the emphasis on experimental method as the primary and most important tool for research on film viewing. The author regards cognitive theory, which treats the mind as an information processor and a computer as an inspiration, as the research paradigm of choice for film theorists. The film viewer is ‘a standard biological audio/video processor.' Thus, Anderson has organized this book according to areas of film theory that can be fruitfully studied from a cognitive perspective--human perception, perception of images and sounds in the film medium, problems of continuity and narrativity, character recognition and attribution, etc. This book will stimulate discussion among those seriously interested in film study . " -- Choice, Anderson joins a small group of theorists who are sounding a call to increase the emphasis on experimental method as the primary and most important tool for research on film viewing. The author regards cognitive theory, which treats the mind as an information processor and a computer as an inspiration, as the research paradigm of choice for film theorists. The film viewer is 'a standard biological audio/video processor.' Thus, Anderson has organized this book according to areas of film theory that can be fruitfully studied from a cognitive perspective-human perception, perception of images and sounds in the film medium, problems of continuity and narrativity, character recognition and attribution, etc. This book will stimulate discussion among those seriously interested in film study."-Choice, "[T]his book bucks the tide ... [and] may participate in shifting the direction of film studies as a whole as well as the particular direction of film psychology. . . . The Reality of Illusion deals with the problems--psychology and spectatorship--that are absolutely central to the field of cinema studies. It comes at them from an unorthodox angle. However, that is why the book is so potentially important." -- Noel Carroll , author of Mystifying Movies: Fads and Fallacies in Contemporary Film Theory, "[T]his book bucks the tide ... [and] may participate in shifting the direction of film studies as a whole as well as the particular direction of film psychology. . . . The Reality of Illusion deals with the problems—psychology and spectatorship—that are absolutely central to the field of cinema studies. It comes at them from an unorthodox angle. However, that is why the book is so potentially important." — Noel Carroll , author of Mystifying Movies: Fads and Fallacies in Contemporary Film Theory, Anderson joins a small group of theorists who are sounding a call to increase the emphasis on experimental method as the primary and most important tool for research on film viewing. The author regards cognitive theory, which treats the mind as an information processor and a computer as an inspiration, as the research paradigm of choice for film theorists. The film viewer is 'a standard biological audio/video processor.' Thus, Anderson has organized this book according to areas of film theory that can be fruitfully studied from a cognitive perspective--human perception, perception of images and sounds in the film medium, problems of continuity and narrativity, character recognition and attribution, etc. This book will stimulate discussion among those seriously interested in film study . " -- Choice "[T]his book bucks the tide ... [and] may participate in shifting the direction of film studies as a whole as well as the particular direction of film psychology. . . . The Reality of Illusion deals with the problems--psychology and spectatorship--that are absolutely central to the field of cinema studies. It comes at them from an unorthodox angle. However, that is why the book is so potentially important." -- Noel Carroll , author of Mystifying Movies: Fads and Fallacies in Contemporary Film Theory
Target Audience
Scholarly & Professional
Illustrated
Yes
Dewey Decimal
791.43/01/3
Copyright Date
1998
Description de l'objet du vendeur
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :276423835155
Expédition et manutention
Lieu où se trouve l'objet :
Montgomery, Illinois, États-Unis
Expédition :
Canada, Mexique, États-Unis
Lieux exclus :
Afrique, Amérique centrale et Caraïbes, Amérique du Sud, Asie, Asie du Sud-Est, Barbade, Bermudes, Europe, Groenland, Guadeloupe, Guyane française, Libye, Martinique, Moyen-Orient, Nouvelle-Calédonie, Océanie, Polynésie française, Russie, Réunion, Saint-Pierre-et-Miquelon, Ukraine, Venezuela
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| Expédition sans frais | Sans frais | États-Unis | Expédition au tarif économique (USPS Media MailTM) | Livraison prévue entre le ven. 28 juin et le mer. 3 juil. à 43230 |
| 4,95 $US (environ 6,78 $C) | 4,95 $US (environ 6,78 $C) | États-Unis | Expédition standard (DGM SmartMail Expedited) | Livraison prévue entre le mer. 3 juil. et le mar. 9 juil. à 43230 |
| 10,95 $US (environ 15,00 $C) | 10,95 $US (environ 15,00 $C) | États-Unis | Expédition accélérée (FedEx 2Day®) | Livraison prévue entre le mer. 26 juin et le jeu. 27 juin à 43230 |
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