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La Divine Comédie de Dante Alighieri : Volume 1 : Inferno Durling, Robert M.

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Caractéristiques de l'objet

État
Entièrement neuf: Un livre neuf, non lu, non utilisé et en parfait état, sans aucune page manquante ...
ISBN
9780195087444
Book Title
Divine Comedy of Dante Alighieri : Volume 1: Inferno
Item Length
6.1 in
Publisher
Oxford University Press, Incorporated
Publication Year
1997
Format
Trade Paperback
Language
English
Illustrator
Yes
Item Height
1.7 in
Author
Robert M. Durling
Features
Reprint
Genre
Poetry
Topic
European / General, General
Item Width
9.2 in
Item Weight
35.1 Oz
Number of Pages
672 Pages

À propos de ce produit

Product Information

This is the first volume of a new prose translation of Dante's epic - the first in twenty-five years. Robert Durling's translation brings a new power and accuracy to the rendering of Dante's extraordinary vision of Hell, with its terror, pathos, and sardonic humour, and its penetrating analyses of the psychology of sin and the ills that plague society.A newly edited version of the Italian text can be on facing pages, and this edition includesfully comprehensive notes as well as sixteen essays on special subjects.

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0195087445
ISBN-13
9780195087444
eBay Product ID (ePID)
642246

Product Key Features

Book Title
Divine Comedy of Dante Alighieri : Volume 1: Inferno
Author
Robert M. Durling
Format
Trade Paperback
Language
English
Features
Reprint
Topic
European / General, General
Publication Year
1997
Illustrator
Yes
Genre
Poetry
Number of Pages
672 Pages

Dimensions

Item Length
6.1 in
Item Height
1.7 in
Item Width
9.2 in
Item Weight
35.1 Oz

Additional Product Features

Intended Audience
Trade
Lc Classification Number
Pq4315.D87 1997
Volume Number
Vol. 1
Edition Description
Reprint
Reviews
"[Durling's] rendering of Dante's diction is literal and accurate,conveying the tone and feel while remaining accessible."--Library Journal, "The translation is accurate and highly readable. The notes are excellent for all levels of undergraduates and for beginning graduate students as well, as they incorporate many important points from early commentators and recent scholarship in clear, concise explications."--Dana E. Stewart,SUNY Binghamton, "[Durling's] rendering of Dante's diction is literal and accurate, conveying the tone and feel while remaining accessible."-- Library Journal "This new edition of Inferno is distinctly user-friendly....Serious students--in or out of the classroom--who...examine the original poem alongside a readable and reliable prose translation will find this edition excellently suited to their needs."-- The Christian Science Monitor, "[Durling's] rendering of Dante's diction is literal and accurate, conveying the tone and feel while remaining accessible."--Library Journal "This new edition ofInfernois distinctly user-friendly....Serious students--in or out of the classroom--who...examine the original poem alongside a readable and reliable prose translation will find this edition excellently suited to their needs."--The Christian Science Monitor, "[Durling's] rendering of Dante's diction is literal and accurate, conveying the tone and feel while remaining accessible."--Library Journal "This new edition of Inferno is distinctly user-friendly....Serious students--in or out of the classroom--who...examine the original poem alongside a readable and reliable prose translation will find this edition excellently suited to their needs."--The Christian Science Monitor, "Because of its accuracy, I believe that this translation represents animprovement on the famous versions by Singleton, sinclair, and Musa....Thereader finds indispensable explanations concerning both the characters and theevents mentioned in the text....All of the positive innivations of this firstvolume of the Commedia by Durling and Martinez induce me to believe that thieredition--once completed--will soon become the most widely used in undergraduatecourses on Dante."--Stefano U. Baldassarri in Envoi, "As Durling and Martinez complete their monumental three-volume presentation of Dante's masterpiece, we can sense their triumph and elation, despite their characteristic modesty. This, after all, is the volume with which they can demonstrate the fullness and consistency of Dante's great project, its final approach to what they describe in one footnote as 'a pitch of intensity unique in all literature.' The scholarship, as always, is graceful, comprehensive, and acute, and it surrounds a translation that is so carefully considered and fully realized as to be, at times, quite breathtaking." --David Young, translator of The Poetry of Petrarch"Durling and Martinez deliver Paradiso in elegant English prose faithful to Dante's Italian. The general introduction and succinct notes to each canto enable an informed reading of a frequently daunting text, while the longer 'Additional Notes,' bibliography, and indices will more than satisfy the most exigent critic. Marvelous, in the richest medieval sense of the term." --Michael Wyatt, author of The Italian Encounter with Tudor England"At the end of his poem Dante claims that his 'high imagining failed of power,' but Durling and Martinez have suffered no such fate in completing their translation of the Divine Comedy. Their Paradiso is a crowning achievement, a work of lucid prose and of impeccable accuracy. Readers will find themselves rewarded by the succinct, richly informative notes at the end of each canto and the extended essay-notes at the back of the volume. A splendid accomplishment." --Richard Lansing, editor of The Dante Encyclopedia, "Because of its accuracy, I believe that this translation represents an improvement on the famous versions by Singleton, Sinclair, and Musa....The reader finds indispensable explanations concerning both the characters and the events mentioned in the text....All of the positive innovations ofthis first volume of the Commedia by Durling and Martinez induce me to believe that their edition--once completed--will soon become the most widely used in undergraduate courses on Dante."--Stefano U. Baldassarri in Envoi, "This new edition of Inferno is distinctly user-friendly....Serious students--in or out of the classroom--who...examine the original poem alongside a readable and reliable prose translation will find this edition excellently suited to their needs."--The Christian Science Monitor, "The partnership between Robert Durling and Ronald Martinez...now provides students an indispensable translation and guide to the Inferno....This is a volume worth its weight in gold but sold at a bargain price."--John A. Scott, The University of Western Australia, 'This new edition of Inferno is distinctly user-friendly....Serious students-in or out of the classroom-who...examine the original poem alongside a readable and reliable prose translation will find this edition excellently suited to their needs.' -The Christian Science Monitor 'A useful volume for students and first-time visitors to Dante's cosmos.'- Publishers Weekly 'In this new translation, Durling tries to be as concrete as possible, producing a version that is more fluent and accurate than the versions of Mandelbaum and Musa.... Highly recommended.' -Library Journal 'Like the Inferno edition that preceded it, the Durling-Martinez Purgatorio, with its beautiful translation and superb apparatus of notes, is simply the best edition of Dante's second canticle in English. No other version offers anything close to what we find gathered here in one volume.' -Robert Harrison, Professor of Italian, Stanford University "As Durling and Martinez complete their monumental three-volume presentation of Dante's masterpiece, we can sense their triumph and elation, despite their characteristic modesty. This, after all, is the volume with which they can demonstrate the fullness and consistency of Dante's great project, its final approach to what they describe in one footnote as 'a pitch of intensity unique in all literature.' The scholarship, as always, is graceful, comprehensive, and acute, and it surrounds a translation that is so carefully considered and fully realized as to be, at times, quite breathtaking." --David Young, translator of The Poetry of Petrarch "Durling and Martinez deliver Paradiso in elegant English prose faithful to Dante's Italian. The general introduction and succinct notes to each canto enable an informed reading of a frequently daunting text, while the longer 'Additional Notes,' bibliography, and indices will more than satisfy the most exigent critic. Marvelous, in the richest medieval sense of the term." --Michael Wyatt, author of The Italian Encounter with Tudor England "At the end of his poem Dante claims that his 'high imagining failed of power,' but Durling and Martinez have suffered no such fate in completing their translation of the Divine Comedy. Their Paradiso is a crowning achievement, a work of lucid prose and of impeccable accuracy. Readers will find themselves rewarded by the succinct, richly informative notes at the end of each canto and the extended essay-notes at the back of the volume. A splendid accomplishment." --Richard Lansing, editor of The Dante Encyclopedia, "[Durling's] rendering of Dante's diction is literal and accurate, conveying the tone and feel while remaining accessible."--Library Journal, 'This new edition of Inferno is distinctly user-friendly....Serious students-in or out of the classroom-who...examine the original poem alongside a readable and reliable prose translation will find this edition excellently suited to their needs.' -The Christian Science Monitor'A useful volume for students and first-time visitors to Dante's cosmos.'- Publishers Weekly'In this new translation, Durling tries to be as concrete as possible, producing a version that is more fluent and accurate than the versions of Mandelbaum and Musa.... Highly recommended.' -Library Journal'Like the Inferno edition that preceded it, the Durling-Martinez Purgatorio, with its beautiful translation and superb apparatus of notes, is simply the best edition of Dante's second canticle in English. No other version offers anything close to what we find gathered here in one volume.' -Robert Harrison, Professor of Italian, Stanford University"As Durling and Martinez complete their monumental three-volume presentation of Dante's masterpiece, we can sense their triumph and elation, despite their characteristic modesty. This, after all, is the volume with which they can demonstrate the fullness and consistency of Dante's great project, its final approach to what they describe in one footnote as 'a pitch of intensity unique in all literature.' The scholarship, as always, is graceful, comprehensive, andacute, and it surrounds a translation that is so carefully considered and fully realized as to be, at times, quite breathtaking." --David Young, translator of The Poetry of Petrarch"Durling and Martinez deliver Paradiso in elegant English prose faithful to Dante's Italian. The general introduction and succinct notes to each canto enable an informed reading of a frequently daunting text, while the longer 'Additional Notes,' bibliography, and indices will more than satisfy the most exigent critic. Marvelous, in the richest medieval sense of the term." --Michael Wyatt, author of The Italian Encounter with Tudor England"At the end of his poem Dante claims that his 'high imagining failed of power,' but Durling and Martinez have suffered no such fate in completing their translation of the Divine Comedy. Their Paradiso is a crowning achievement, a work of lucid prose and of impeccable accuracy. Readers will find themselves rewarded by the succinct, richly informative notes at the end of each canto and the extended essay-notes at the back of the volume. Asplendid accomplishment." --Richard Lansing, editor of The Dante Encyclopedia
Table of Content
CONTENTS Abbreviations, xv Introduction, 2 PARADISO CANTO 1 Notes to Canto 1 CANTO 2 Notes to Canto 2 CANTO 3Notes to Canto 3 CANTO 4Notes to Canto 4CANTO 5Notes to Canto 5CANTO 6Notes to Canto 6CANTO 7Notes to Canto 7 CANTO 8Notes to Canto 8CANTO 9Notes to Canto 9 CANTO 10Notes to Canto 10 CANTO 11Notes to Canto 11CANTO 12Notes to Canto 12 CANTO 13Notes to Canto 13CANTO 14Notes to Canto 14 CANTO 15Notes to Canto 15 CANTO 16Notes to Canto 16 CANTO 17Notes to Canto 17CANTO 18Notes to Canto 18 CANTO 19Notes to Canto 19 CANTO 20Notes to Canto 20CANTO 21Notes to Canto 21CANTO 22Notes to Canto 22 CANTO 23Notes to Canto 23 CANTO 24Notes to Canto 24CANTO 25Notes to Canto 25 CANTO 26Notes to Canto 26 CANTO 27Notes to Canto 27 CANTO 28Notes to Canto 28CANTO 29Notes to Canto 29 CANTO 30Notes to Canto 30CANTO 31Notes to Canto 31CANTO 32Notes to Canto 32 CANTO 33Notes to Canto 33 THE NICENE CREEDBOETHIUS' O QUI PERPETUA MUNDUM RATIONE GUBERNASNotes to "O qui perpetua'ADDITIONAL NOTES1. The Figure of Beatrice (After Canto 2)2. The Paradiso and the Monarchia3.The Primacy of the Intellect, the Sun, and the Circling Theologians (After Canto 14)4. Dante and the Liturgy (After Canto 15)5. The Religious Orders in the Paradiso 6. The Threshold Cantos in the Comedy 7. The Fate of Phaethon in the Comedy 8. Circle-Cross-Eagle-Scales: Images in the Paradiso9. The Final Image 10. The Neoplatonic Background11. Dante and Neoplatonism12. Dante's Astrology13. The Heavens and the Sciences: Convivio 214. The Paradiso as Alpha and OmegaTextual VariantsBibliographyIndex of Italian, Latin, and Other Foreign Words Discussed in the NotesIndex of Passages Cited in the NotesIndex of Proper Names in the NotesIndex of Proper Names in the Text and Translation
Copyright Date
1997
Lccn
95-012740
Dewey Decimal
851/.1 S 851/.1
Dewey Edition
22

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