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Peter Rollberg Le cinéma du Kazakhstan soviétique 1925-1991 (Hardback) (IMPORTATION BRITANNIQUE)

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État
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Book Title
The Cinema of Soviet Kazakhstan 1925–1991
Publication Name
Cinema of Soviet Kazakhstan 1925-1991 : an Uneasy Legacy
Title
The Cinema of Soviet Kazakhstan 1925–1991
Subtitle
An Uneasy Legacy
ISBN-10
1793641749
EAN
9781793641748
ISBN
9781793641748
Publisher
Lexington Books/Fortress Academic
Format
Hardcover
Release Year
2021
Release Date
15/01/2021
Language
English
Country/Region of Manufacture
US
Item Height
1.3 in
Item Length
9.4 in
Item Width
6.4 in
Item Weight
30 Oz
Author
Peter Rollberg
Genre
History
Series
Contemporary Central Asia: Societies, Politics, and Cultures Ser.
Subject
Russia & the Former Soviet Union, Modern / 20th Century, Film & Video
Subject Area
Art, History
Publication Year
2021
Type
Textbook
Number of Pages
488 Pages, 466 Pages

À propos de ce produit

Product Information

This monograph traces the history of Kazakh filmmaking from its conception as a Soviet cultural construction project to its peak as fully-fledged national cinema to its eventual re-imagining as an art-house phenomenon. The author's analysis places leading directors-Shaken Aimanov, Abdulla Karsakbaev, Sultan-Akhmet Khodzhikov, Mazhit Begalin-in their sociopolitical and cultural context.

Product Identifiers

Publisher
Lexington Books/Fortress Academic
ISBN-10
1793641749
ISBN-13
9781793641748
eBay Product ID (ePID)
10050410797

Product Key Features

Author
Peter Rollberg
Publication Name
Cinema of Soviet Kazakhstan 1925-1991 : an Uneasy Legacy
Format
Hardcover
Language
English
Subject
Russia & the Former Soviet Union, Modern / 20th Century, Film & Video
Publication Year
2021
Series
Contemporary Central Asia: Societies, Politics, and Cultures Ser.
Type
Textbook
Subject Area
Art, History
Number of Pages
488 Pages, 466 Pages

Dimensions

Item Length
9.4 in
Item Height
1.3 in
Item Width
6.4 in
Item Weight
30 Oz

Additional Product Features

LCCN
2020-946693
Intended Audience
Scholarly & Professional
Lc Classification Number
Pn1993.5
Reviews
Peter Rollberg's history of Kazakh cinema, covering the period from its emergence in the 1920s to the country's independence the 1990s, is not only the first comprehensive account of film art in Soviet Kazakhstan, but also a truly monumental and detailed survey of the stories on and behind the silver screen, the studio's relationship with the center, and the appeal of various narratives to the audiences at home and across the Soviet land. Rollberg pays attention not only to the well-known names and films, but also to lesser-known topics such as children's and youth films, professional training, and the peculiar role of Alma-Ata during WWII, when the country's major studios and filmmakers were evacuated there. This book will make a fabulous companion and reference guide to Soviet Kazakh cinema., Peter Rollberg's book fills a double gap. To his meticulous analysis of a filmography that is too-little known, he adds an enlightening look at the singular relationships maintained by this republic, a strategic bridge between Russia and Central Asia, throughout the history of the USSR. By observing the development of the seventh art in a concrete peripheral republic, this book enriches our knowledge of the relationship between center and periphery and allows us to better understand how national identities were forged within the Soviet ideological system., This comprehensive and original work is certainly the most important study on Kazakh cinema in the English language. Drawing on deep personal interest and utilizing a sociopolitical lens, Rollberg examines themes of national identity and memory, aesthetics and artistic creation, and the role of viewers in shaping the history of Kazakh film. Rollberg masterfully explicates Kazakhstan'e(tm)s complicated relationship with Moscow, highlights Central Asia'e(tm)s unique contributions to film history, and re-affirms Shaken Aimanov as the hero of Kazakh cinema., Peter Rollberg'e(tm)s history of Kazakh cinema, covering the period from its emergence in the 1920s to the country'e(tm)s independence the 1990s, is not only the first comprehensive account of film art in Soviet Kazakhstan, but also a truly monumental and detailed survey of the stories on and behind the silver screen, the studio'e(tm)s relationship with the center, and the appeal of various narratives to the audiences at home and across the Soviet land. Rollberg pays attention not only to the well-known names and films, but also to lesser-known topics such as children'e(tm)s and youth films, professional training, and the peculiar role of Alma-Ata during WWII, when the country'e(tm)s major studios and filmmakers were evacuated there. This book will make a fabulous companion and reference guide to Soviet Kazakh cinema., THE SOVIET ERA OF KAZAKH FILMMAKING HAS BEEN POORLY studied to date, with no volume covering the entire period. Kazakhstani cinephiles will welcome Peter Rollberg's volume, which reveals the complex, rich and distinct world of cinema that developed in Kazakhstan throughout the Soviet era.... Rollberg's book is an impressive achievement and stands out as a key text not just on Soviet cinema in Kazakhstan but on Soviet film studies more generally., This comprehensive and original work is certainly the most important study on Kazakh cinema in the English language. Drawing on deep personal interest and utilizing a sociopolitical lens, Rollberg examines themes of national identity and memory, aesthetics and artistic creation, and the role of viewers in shaping the history of Kazakh film. Rollberg masterfully explicates Kazakhstan's complicated relationship with Moscow, highlights Central Asia's unique contributions to film history, and re-affirms Shaken Aimanov as the hero of Kazakh cinema.
Table of Content
Chapter 1: The First and Second Birth of Kazakhstani Cinema Chapter 2: Heroic Interlude in Alma-Ata Chapter 3: The Third Birth Chapter 4: The Mid-1950s: A Cautious Emancipation Chapter 5: En Route to Complexity I: Capturing the Present Chapter 6: En Route to Complexity II: Capturing the Past Chapter 7: The Searchings of Shaken Aimanov Chapter 8: Hits and Anti-Hits Chapter 9: The New Status Quo Chapter 10: State Cinema and Its Subversion Chapter 11: Crisis and Reconstruction Chapter 12: From Perestroika to Katastroika
Dewey Decimal
791.4/3095845
Dewey Edition
23/Eng/20220609
Illustrated
Yes

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