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Documentaires de propagande Jean-Pierre Bertin-Magh en franc (arrière) (IMPORTATION UK)

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Caractéristiques de l'objet

État
Entièrement neuf: Un livre neuf, non lu, non utilisé et en parfait état, sans aucune page manquante ...
Book Title
Propaganda Documentaries in France
Publication Name
Propaganda Documentaries in France : 1940-1944
Title
Propaganda Documentaries in France
Subtitle
1940-1944
ISBN-10
1442261013
EAN
9781442261013
ISBN
9781442261013
Publisher
Rowman & Littlefield Publishers, Incorporated
Format
Hardcover
Release Year
2016
Release Date
09/11/2016
Language
English
Country/Region of Manufacture
US
Item Height
1.1in
Item Length
9.4in
Item Width
6.2in
Item Weight
20.5 Oz
Author
Jean Pierre Bertin-Maghit
Translator
Marcelline Block
Contributor
Marcelline Block (Translated by)
Genre
History
Series
Film and History Ser.
Topic
Law & Politics
Publication Year
2016
Type
Textbook
Number of Pages
288 Pages

À propos de ce produit

Product Information

In occupied France, the Nazis pursued aggressive, tightly orchestrated measures designed to monopolize the French market and foster agitation against Americans, Jews, Communists, and others. The documentary film was one instrument of propaganda employed by the Nazi occupiers, as well as the Vichy government and collaborationists. Nearly two ......

Product Identifiers

Publisher
Rowman & Littlefield Publishers, Incorporated
ISBN-10
1442261013
ISBN-13
9781442261013
eBay Product ID (ePID)
229393010

Product Key Features

Author
Jean Pierre Bertin-Maghit
Publication Name
Propaganda Documentaries in France : 1940-1944
Format
Hardcover
Language
English
Publication Year
2016
Series
Film and History Ser.
Type
Textbook
Number of Pages
288 Pages

Dimensions

Item Length
9.4in
Item Height
1.1in
Item Width
6.2in
Item Weight
20.5 Oz

Additional Product Features

Lc Classification Number
D810.P7f67813 2016
Reviews
The appearance of this translation of Jean-Pierre Bertin-Maghit's 2007 French-language work is a timely reminder of the importance of the role of documentary film during the Occupation and takes as its focus a specific grouping of documentaries in support of its argument. . . . This is. . . an important addition to works available in English providing greater understanding and interpretation of Occupied France and of the mechanisms deployed in the promotion of the palatability of the Vichy regime and its collaborators (in all senses of the word)., Bertin-Maghit provides a detailed analysis of the linkages between French and German propaganda during the Vichy years. Though the Nazis and the French collaborationist government had some common goals--for example, the vilification of the British and virulent anti-Semitism--they also diverged on a number of points, in particular the future of France. To focus on these points of convergence and divergence, Bertin-Maghit scrutinizes the mechanisms and content of Vichy documentary filmmaking. Vichy propagandists considered the documentary format as the most effective for influencing public opinion, an attitude that was in line with Nazi propaganda. Indeed, Vichy propagandists often mined Nazi documentaries for actuality footage. Vichy propagandists, however, wanted their documentary films to promote Marshal Petain and encourage what they called a national regeneration rather than Nazi themes of European hegemony. Despite their outward assertions of independence, Vichy propagandists, and their films, were subordinate to German policy and ultimately a failure.... [T]he book is a valuable resource for students of wartime propaganda.... For research libraries.Summing Up: Recommended. Upper-division undergraduates and above., Bertin-Maghit provides a detailed analysis of the linkages between French and German propaganda during the Vichy years. Though the Nazis and the French collaborationist government had some common goals--for example, the vilification of the British and virulent anti-Semitism--they also diverged on a number of points, in particular the future of France. To focus on these points of convergence and divergence, Bertin-Maghit scrutinizes the mechanisms and content of Vichy documentary filmmaking. Vichy propagandists considered the documentary format as the most effective for influencing public opinion, an attitude that was in line with Nazi propaganda. Indeed, Vichy propagandists often mined Nazi documentaries for actuality footage. Vichy propagandists, however, wanted their documentary films to promote Marshal Petain and encourage what they called a national regeneration rather than Nazi themes of European hegemony. Despite their outward assertions of independence, Vichy propagandists, and their films, were subordinate to German policy and ultimately a failure.... [T]he book is a valuable resource for students of wartime propaganda.... For research libraries. Summing Up: Recommended. Upper-division undergraduates and above.
Copyright Date
2016
Topic
Film / General, Military / World War II, Film / Genres / Documentary, Europe / France, Modern / 20th Century, Film / History & Criticism
Lccn
2016-020672
Intended Audience
Scholarly & Professional
Illustrated
Yes
Genre
History, Performing Arts

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Numéro de TVA :
  • GB 864 1548 11
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