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Caméra Man's Journey : Julian Dimock's South - couverture rigide par racine, Nina - BON

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Numéro de l'objet eBay :256436489053

Dernière mise à jour : avr. 23, 2024 07:11:58 HAEAfficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État: Bon: Un livre qui a été lu, mais qui est en bon état. La couverture présente des dommages infimes, ... Bon: Un livre qui a été lu, mais qui est en bon état. La couverture présente des dommages infimes, par exemple des éraflures, mais aucun trou ni aucune déchirure. Dans le cas des livres à reliure, la jaquette peut ne pas être incluse. La reliure présente des traces d'usure minimes. La plupart des pages ne sont pas endommagées et les plis, les déchirures, les passages soulignés ou surlignés et les inscriptions en marge sont minimes. Il n'y a aucune page manquante. Afficher toutes les définitions d'état(s'ouvre dans une nouvelle fenêtre ou un nouvel onglet)

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MPN: Does not apply

ISBN: 9780820324241

Book Title: Camera Man's Journey : Julian Dimock's South

Item Length: 8.5in

Original Language: English

Publisher: University of Georgia Press

Publication Year: 2002

Format: Hardcover

Language: English

Item Height: 0.8in

Author: Cleveland Sellers

Genre: Photography, Social Science

Topic: Sociology / General, Photoessays & Documentaries, Ethnic Studies / African American Studies

Item Width: 10in

Item Weight: 34.6 Oz

Number of Pages: 208 Pages

À propos de ce produit

Product Information

A poignant collection of 150 photographs, Camera Man's Journey takes us to a place at once familiar and foreign. Set in the South early in the twentieth century, these photographs bridge a distance not only of time but also of contrasting attitudes and customs. The images show African Americans in or around Columbia, Beaufort, and Hilton Head, South Carolina. Some photographs were taken in surroundings where blacks might associate with whites--out of necessity and according to strict custom. Most of the images, however, are set in "colored sections" or other remote areas of town and country where blacks were obliged to fashion lives apart. Under segregation and disenfranchisement, men, women, and children are portrayed in ordinary occupations and pursuits: a peddler selling his wares, a woman tying a toddler's shoes, a barber and his young apprentice taking a break outside their shop. Julian Dimock, whose works appeared often in major travel and nature magazines, took the photographs in 1904-5. So many photographers of the era tended to romanticize or politicize their African American subjects; Dimock was different. Signs of want and inequity are plain to see in these images, but Dimock portrays his subjects as they really were in all of their dignity, strength, and beauty.

Product Identifiers

Publisher

University of Georgia Press

ISBN-10

0820324248

ISBN-13

9780820324241

eBay Product ID (ePID)

2225525

Product Key Features

Book Title

Camera Man's Journey : Julian Dimock's South

Author

Cleveland Sellers

Original Language

English

Format

Hardcover

Language

English

Topic

Sociology / General, Photoessays & Documentaries, Ethnic Studies / African American Studies

Publication Year

2002

Genre

Photography, Social Science

Number of Pages

208 Pages

Dimensions

Item Length

8.5in

Item Height

0.8in

Item Width

10in

Item Weight

34.6 Oz

Additional Product Features

Lc Classification Number

F279.C7d56 2002

Reviews

"[A rare and valuable collection . . . Centered on a few towns in South Carolina, the images are noteworthy for their inherent moral frustration with social norms and their idiosyncratic portrayal of the dignity, power, and identity of African American fellow citizens during a time of horrific racial strife."-- DoubleTake, Dimock destroys myths, stereotypes, and misconceptions with his images of a spirited and persevering people., There is a quiet devastation in these communities. 40 years after the end of the Civil War. Weathered ancients (here you'll find Tamar Blythwood, 116 years old) stand stock-still for their portraits, but life around them is in motion: Exuberant youth balances on fenceposts, wipes its nose with a sleeve., "There is a quiet devastation in these communities. 40 years after the end of the Civil War. Weathered ancients (here you'll find Tamar Blythwood, 116 years old) stand stock-still for their portraits, but life around them is in motion: Exuberant youth balances on fenceposts, wipes its nose with a sleeve."--Peter Terzian, Newsday, [Dimock's] exacting eye and large format glass plates created prints so sharp you feel you can step into them. Ex-slaves, servants, sharecroppers and their often-gleeful children come alive in their hard condition. We sense their great beauty, their vitality, their endurance. The essays about Dimock and this setting are fascinating., [A] rare and valuable collection . . . Centered on a few towns in South Carolina, the images are noteworthy for their inherent moral frustration with social norms and their idiosyncratic portrayal of the dignity, power, and identity of African American fellow citizens during a time of horrific racial strife., "A breathtaking trove of black-and-white photographs made in Columbia and Beaufort between 1904 and 1906. . . . The photographs have been astonishingly preserved and handsomely published in this most attractive volume that does great honor to the publisher, the editors and, above all, to the photographer and his subjects."--William Starr,The State, "A vivid, moving story wherein the images bring to life unspoken words that strongly remind us that this world of downtrodden and oppressed people whose spirits did not break was never meant to be silent."--Dori Sanders, If Dimock's photographs fail to depict the repression and violence that circumscribed black life, they do suggest, often quite eloquently, how black South Carolinians endured, the extraordinary resourcefulness, spirit, and resiliency they displayed., "If Dimock's photographs fail to depict the repression and violence that circumscribed black life, they do suggest, often quite eloquently, how black South Carolinians endured, the extraordinary resourcefulness, spirit, and resiliency they displayed."--Leon F. Litwack, A breathtaking trove of black-and-white photographs made in Columbia and Beaufort between 1904 and 1906. . . . The photographs have been astonishingly preserved and handsomely published in this most attractive volume that does great honor to the publisher, the editors and, above all, to the photographer and his subjects., "[A] rare and valuable collection . . . Centered on a few towns in South Carolina, the images are noteworthy for their inherent moral frustration with social norms and their idiosyncratic portrayal of the dignity, power, and identity of African American fellow citizens during a time of horrific racial strife."-- DoubleTake, "[Dimock's] exacting eye and large format glass plates created prints so sharp you feel you can step into them. Ex-slaves, servants, sharecroppers and their often-gleeful children come alive in their hard condition. We sense their great beauty, their vitality, their endurance. The essays about Dimock and this setting are fascinating."-- Camera & Arts, "A breathtaking trove of black-and-white photographs made in Columbia and Beaufort between 1904 and 1906. . . . The photographs have been astonishingly preserved and handsomely published in this most attractive volume that does great honor to the publisher, the editors and, above all, to the photographer and his subjects."--William Starr, The State, Adds considerably to the canon of southern imagery while also challenging some of the preconceptions about southern photography in the early 1900s. Though technically beautiful, the images avoid soft-focus sentimentality that was popular at the turn of the century. And though humanistic in tone, these images are remarkably unsentimental in portrayals of poor South Carolina blacks. Like Paul Strand, Dimock is able to mix journalistic integrity with an aesthetic approach that elevates his imagery art., "[Dimock's] exacting eye and large format glass plates created prints so sharp you feel you can step into them. Ex-slaves, servants, sharecroppers and their often-gleeful children come alive in their hard condition. We sense their great beauty, their vitality, their endurance. The essays about Dimock and this setting are fascinating."--Camera & Arts, "Dimock destroys myths, stereotypes, and misconceptions with his images of a spirited and persevering people."--Cleveland L. Sellers Jr., "Adds considerably to the canon of southern imagery while also challenging some of the preconceptions about southern photography in the early 1900s. Though technically beautiful, the images avoid soft-focus sentimentality that was popular at the turn of the century. And though humanistic in tone, these images are remarkably unsentimental in portrayals of poor South Carolina blacks. Like Paul Strand, Dimock is able to mix journalistic integrity with an aesthetic approach that elevates his imagery art."-- Tennessean, "There is a quiet devastation in these communities. 40 years after the end of the Civil War. Weathered ancients (here you'll find Tamar Blythwood, 116 years old) stand stock-still for their portraits, but life around them is in motion: Exuberant youth balances on fenceposts, wipes its nose with a sleeve."--Peter Terzian,Newsday, "[A] rare and valuable collection . . . Centered on a few towns in South Carolina, the images are noteworthy for their inherent moral frustration with social norms and their idiosyncratic portrayal of the dignity, power, and identity of African American fellow citizens during a time of horrific racial strife."--DoubleTake, A vivid, moving story wherein the images bring to life unspoken words that strongly remind us that this world of downtrodden and oppressed people whose spirits did not break was never meant to be silent., "Adds considerably to the canon of southern imagery while also challenging some of the preconceptions about southern photography in the early 1900s. Though technically beautiful, the images avoid soft-focus sentimentality that was popular at the turn of the century. And though humanistic in tone, these images are remarkably unsentimental in portrayals of poor South Carolina blacks. Like Paul Strand, Dimock is able to mix journalistic integrity with an aesthetic approach that elevates his imagery art."--Tennessean

2002

Target Audience

Trade

Lccn

2001-054187

Dewey Decimal

975.7/00496073

Dewey Edition

Illustrated

Yes

Description de l'objet du vendeur

Le vendeur assume l'entière responsabilité de cette annonce.

Numéro de l'objet eBay :256436489053

Dernière mise à jour : avr. 23, 2024 07:11:58 HAEAfficher toutes les modificationsAfficher toutes les modifications

Expédition et manutention

Lieu où se trouve l'objet :

Montgomery, Illinois, États-Unis

Expédition :

Canada, Mexique, États-Unis

Lieux exclus :

Afrique, Amérique centrale et Caraïbes, Amérique du Sud, Asie, Asie du Sud-Est, Barbade, Bermudes, Europe, Groenland, Guadeloupe, Guyane française, Libye, Martinique, Moyen-Orient, Nouvelle-Calédonie, Océanie, Polynésie française, Russie, Réunion, Saint-Pierre-et-Miquelon, Ukraine, Venezuela

Expédition et manutention	Chaque objet supplémentaire	À	Service	Livraison*Voir les remarques sur la livraison
Expédition sans frais	Sans frais	États-Unis	Expédition au tarif économique (USPS Media MailTM)	Livraison prévue entre le ven. 31 mai et le lun. 3 juin à 43230
4,95 $US (environ 6,77 $C)	4,95 $US (environ 6,77 $C)	États-Unis	Expédition standard (DGM SmartMail Expedited)	Livraison prévue entre le lun. 3 juin et le mer. 5 juin à 43230
10,95 $US (environ 14,97 $C)	10,95 $US (environ 14,97 $C)	États-Unis	Expédition accélérée (FedEx 2Day®)	Livraison prévue entre le mer. 29 mai et le jeu. 30 mai à 43230

*Les dates de livraison approximatives – s'ouvre dans une nouvelle fenêtre ou un nouvel onglet tiennent compte du délai de manutention du vendeur, du code postal de l'expéditeur, du code postal du destinataire et de l'heure de l'acceptation et dépendent du service d'expédition sélectionné et de la réception du paiement. Les délais de livraison peuvent varier, particulièrement lors de périodes achalandées.Remarques - Livraison *Les dates de livraison approximatives tiennent compte du délai de manutention du vendeur, du code postal de l'expéditeur, du code postal du destinataire et de l'heure de l'acceptation et dépendent du service d'expédition sélectionné et de la réception du paiement. Les délais de livraison peuvent varier, particulièrement lors de périodes achalandées.

Délai de manutention

Expédition dans les 1 jours ouvrables après réception du paiement.

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