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Andy Hill Scoring the Screen (Paperback) Music Pro Guides

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Caractéristiques de l'objet

État
Entièrement neuf: Un livre neuf, non lu, non utilisé et en parfait état, sans aucune page manquante ...
Book Title
Scoring the Screen : the Secret Language of Film Music
Publication Name
Scoring the Screen
Title
Scoring the Screen
Subtitle
The Secret Language of Film Music
Author
Andy Hill
Format
Trade Paperback
ISBN-10
1495073734
EAN
9781495073731
ISBN
9781495073731
Publisher
Leonard Corporation, Hal
Genre
Music, Performing Arts
Topic
Theater / Broadway & Musicals, Instruction & Study / Songwriting, Printed Music / Musicals, Film & TV, Instruction & Study / Composition
Release Date
01/07/2017
Release Year
2017
Language
English
Country/Region of Manufacture
US
Item Height
1 in
Item Length
10.1 in
Item Width
6.9 in
Item Weight
31.7 Oz
Series
Music Pro Guides
Book Series
Music Pro Guides
Publication Year
2017
Illustrator
Yes
Number of Pages
256 Pages, 424 Pages

À propos de ce produit

Product Information

Today, musical composition for films is more popular than ever. In professional and academic spheres, media music study and practice are growing; undergraduate and postgraduate programs in media scoring are offered by dozens of major colleges and universities. And increasingly, pop and contemporary classical composers are expanding their reach into cinema and other forms of screen entertainment. Yet a search on Amazon reveals at least 50 titles under the category of film music, and, remarkably, only a meager few actually allow readers to see the music itself, while none of them examine landmark scores like Vertigo, To Kill a Mockingbird, Patton, The Untouchables, or The Matrix in the detail provided by Scoring the Screen: The Secret Language of Film Music. This is the first book since Roy M. Prendergast s 1977 benchmark, Film Music: A Neglected Art, to treat music for motion pictures as a compositional style worthy of serious study. Through extensive and unprecedented analyses of the original concert scores, it is the first to offer both aspiring composers and music educators with a view from the inside of the actual process of scoring-to-picture. The core thesis of Scoring the Screen is that music for motion pictures is indeed a language, developed by the masters of the craft out of a dramatic and commercial necessity to communicate ideas and emotions instantaneously to an audience. Like all languages, it exists primarily to convey meaning. To quote renowned orchestrator Conrad Pope (who has worked with John Williams, Howard Shore, and Alexandre Desplat, among others): If you have any interest in what music means in film, get this book. Andy Hill is among the handful of penetrating minds and ears engaged in film music today.

Product Identifiers

Publisher
Leonard Corporation, Hal
ISBN-10
1495073734
ISBN-13
9781495073731
eBay Product ID (ePID)
236908816

Product Key Features

Book Title
Scoring the Screen : the Secret Language of Film Music
Number of Pages
256 Pages, 424 Pages
Language
English
Publication Year
2017
Topic
Theater / Broadway & Musicals, Instruction & Study / Songwriting, Printed Music / Musicals, Film & TV, Instruction & Study / Composition
Illustrator
Yes
Genre
Music, Performing Arts
Author
Andy Hill
Book Series
Music Pro Guides
Format
Trade Paperback

Dimensions

Item Height
1 in
Item Weight
31.7 Oz
Item Length
10.1 in
Item Width
6.9 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
23
Lccn
2017-013835
Dewey Decimal
781.542
Lc Classification Number
Ml2075.H53 2017
Table of Content
A Word on How to Use This Book Acknowledgments Foreword: The Greatest Gig in the World Introduction: Ancient & Modern: An Appreciation of James Newton Howard's The Sixth Sense One. From Among the Dead: Bernard Herrmann's Vertigo Two. Boo Radley's Porch: Elmer Bernstein's To Kill a Mockingbird Three. Signs and Meaning: From Spellbound to Inception Four. Perfume: The Scent of Murder Five. Carmen in Hell: David Newman's The War of the Roses Six. Waltz for a Dead Girl: Christopher Young's Jennifer 8 Seven. Feed Your Head: Don Davis's The Matrix Eight. Such a Long, Long Way to Fall: Danny Elfman's Alice in Wonderland Nine. Surgical Precision: Alberto Iglesias's La piel que habito Ten. The Strength of the Righteous: Ennio Morricone's The Untouchables Eleven. Toward a New Aesthetic of Music for the Screen Twelve. Through a Glass, and Darkly: Anatomy of a Cue from Jerry Goldsmith's Patton Thirteen. Stand Up! Two Cues from Elliot Goldenthal's Michael Collins Fourteen. John Powell Slays a Dragon Fifteen. Against the Odds: The Road to Kraków Afterword
Copyright Date
2017

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